[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

Flesh

  • 1968
  • 18
  • 1 h 29 min
AVALIAÇÃO DA IMDb
5,7/10
2,7 mil
SUA AVALIAÇÃO
Joe Dallesandro in Flesh (1968)
Drama

Um homem desesperado por dinheiro e sem renda começa interagir com uma variedade de clientes e traficantes.Um homem desesperado por dinheiro e sem renda começa interagir com uma variedade de clientes e traficantes.Um homem desesperado por dinheiro e sem renda começa interagir com uma variedade de clientes e traficantes.

  • Direção
    • Paul Morrissey
  • Roteirista
    • Paul Morrissey
  • Artistas
    • Joe Dallesandro
    • Geraldine Smith
    • Patti D'Arbanville
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    2,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Paul Morrissey
    • Roteirista
      • Paul Morrissey
    • Artistas
      • Joe Dallesandro
      • Geraldine Smith
      • Patti D'Arbanville
    • 26Avaliações de usuários
    • 36Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Fotos16

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 10
    Ver pôster

    Elenco principal12

    Editar
    Joe Dallesandro
    Joe Dallesandro
    • Joe - the Hustler
    Geraldine Smith
    Geraldine Smith
    • Geri - Joe's Wife
    Patti D'Arbanville
    Patti D'Arbanville
    • Patti - Geri's Lover
    Candy Darling
    Candy Darling
    • Candy - a Transvestite
    Jackie Curtis
    Jackie Curtis
    • Jackie - a Transvestite
    John Christian
    • Joe's Customer
    Maurice Braddell
    Maurice Braddell
    • The Artist
    Geri Miller
    • Terry
    Louis Waldon
    • David - the Gymnast
    Barry Brown
    • Boy in street
    Roberto D'Allesandro
    • Boy in the Street #2
    • (não creditado)
    Jed Johnson
    Jed Johnson
    • Solicitor
    • (não creditado)
    • Direção
      • Paul Morrissey
    • Roteirista
      • Paul Morrissey
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários26

    5,72.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    6leandros

    lots of flesh, lots of fun for the crew

    Because this flick is the first feature fruit of a long lasting collaboration between Paul Morrissey, Andy Warhol and Joe Dallessandro, it is too much obvious that it was mostly made for having fun among themselves. The script is quite loose, the dialogues are too obviously improvised, one even suspects that there probably is no script at all, just thematic concepts: prostitution, addiction and poverty (which all seem to continue in the following films Trash and Heat).

    Joe Dallessandro reveals unashamedly his gorgeous body at any chance, to the hungry eyes of other addicts (not only drug addicts).



    Although the whole film seems like amateurish, especially the scene with other hustlers at the park is very intriguing, like a documentary project.

    I would not recommend to see this by itself, but watching the trilogy (Flesh, Heat and Trash) altogether will be much enlightening.
    7bastard_wisher

    75% brilliant, 25% tedious

    In a lot of ways this film defines the essence of everything I love about cinema, in terms of capturing those strange, elusive moments of unguarded truth. In other ways, it is undeniably an amateurish, unfocused result of junkies self-indulgently fooling around with a camera. Ultimately it comes out somewhere between pure brilliance and unwatchability (thankfully much more so the former than the latter). Part of me wants to reward it solely for it's absolute innovativeness and moments of pure sublimity, but at the same time I can't completely ignore the occasionally downright awful "acting" and overtly bad production values. At first the editing seems overwhelmingly sloppy and needlessly distracting (or maybe just wrongheadedly "innovative"), but after a while I got used to it, which is, in the end, the true sign of whether a film succeeds on it's own terms or not. I guess that answer basically sums up my all-around feelings for the film. That is, despite it's in-ignorable flaws, on a whole it does work very well. And, if nothing else, a film like this really shows how false and contrived the faux-documentary, shaky-cam style can sometimes be when it so obviously applied purely for effect (such as in films like the otherwise admirable Roger Dodger). Here the aesthetics are plainly derived from the necessities of the filming situation, and are not just used arbitrarily to make it look "cool".
    JMann

    the passive object of desire

    Flesh is the first film of a trilogy by Paul Morrissey and Andy Warhol, and is perhaps the first attempt to create an icon of desire out of a male leading role. Although the film is focused on an uncomplicated character development of Joe (Joe Dallesandro), a gentle and subtly unhappy hustler, it depicts him as a passive and ambivalent object, who, in spite of a semi-evident sense of self-control, is possessed, shaped, and evaluated entirely by others. Joe is a young and somewhat naive Adonis who exudes comfort and beauty in his independence, but he works the streets to support his lesbian wife and her girlfriend. He is restlessly bored by an artist/customer's speeches on Greek athletic sculpture and 'body worship', but he sells his nudity anyway. He regards the increasing advances of his homosexual friend with ambivalence, but lets them happen nonetheless. This passivity dominates the film and succeeds in creating a visceral element to Dallesandro's appeal: not only is he desired, he is had.

    Perhaps the film's most interesting element is the balance of its obviously experimental nature with its palpable directness. The snappy editing and fragmented dialogue make it fresh and 'real', yet it manages not to rely on the clichéd abstractness of art-films. It is rough, and indeed a weaker effort than Trash or Heat, but nonetheless presents a collection of perfectly plausible characters in a light of almost absolute neutrality.
    6RobertF87

    Cult Classic

    Although the film opens with the credit "Andy Warhol Presents", it was actually written, photographed and directed by cult film-maker Paul Morrissey (according to Morrissey, all Warhol provided was money and publicity).

    Joe Dallesandro (immortalised as "little Joe" in the Velvet Underground song "Walk on the Wild Side") plays Joe, a slightly dim-witted male prostitute, who is supporting his bisexual wife and baby. His wife wants him to come up with $200 for her girlfriend's abortion. We basically follow Joe around as he encounters various characters willing to help him, including an artist who wants to pay him to pose nude, and Warhol "superstars" Candy darling and Jackie Curtis.

    Despite being amateurishly shot, with countless technical errors, the most annoying of which is a very badly-recorded soundtrack, the film is fascinating due to it's delving into a world rarely seen on mainstream screens, which probably doesn't exist anymore. Although many scenes do go on for too long, it's too startling to be dull. Fans of Joe Dallesandro will no doubt enjoy his frequent exposure (he provides most of the flesh of the title).

    If you're a fan of cult or underground films, you'll not want to miss this. It was followed by "Trash" (1970) and "Heat" (1972) to form a loose trilogy.
    10Mattydee74

    The lost art of joe dallesando

    It seems inhumane to describe someone as a work of art but in the Warhol

    Art Sphere there seems little other way to describe Joe Dallesandro in

    "Flesh". His body is displayed constantly in the nude, more consistently

    naked than any other actor I can think of in American film history.

    Warhol/Morrissey (the authorship of the movie remains contentious though

    Morrisey is the credited director, the film rides under the "Andy

    Warhol's" banner) objectify and expose every part of Dallesandro's

    hustler in the film. He was truly the first sex symbol of the 70s. It

    was only in "Flesh" he was so un-self-conscious and innocent though

    always with survivalist and self-serving cunning. Joe (the character) is

    an interesting kafka-esque (unable to control the world around oneself,

    prone to the ebb and flow of circumstance and external control) figure

    in the midst of a collage of underground culture figures of the 60s from

    drag artistes to quivering tricks. Its a high camp affair at times but

    Morrissey has a loving camera when it comes to Joe. Joe's beauty is

    vividly captured and the fly-on-the-wall style story of a day in his

    life remains engaging a

    Mais itens semelhantes

    Trash
    6,1
    Trash
    Heat
    6,1
    Heat
    Sangue para Drácula
    6,1
    Sangue para Drácula
    Lonesome Cowboys
    5,2
    Lonesome Cowboys
    Carne para Frankenstein
    5,8
    Carne para Frankenstein
    A Revolta das Mulheres
    5,7
    A Revolta das Mulheres
    The Loves of Ondine
    5,9
    The Loves of Ondine
    L'Amour
    5,8
    L'Amour
    San Diego Surf
    6,5
    San Diego Surf
    La maison
    6,2
    La maison
    I a Man
    5,8
    I a Man
    La saignée
    5,8
    La saignée

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      UK censor John Trevelyan was wary of issuing the film a cinema certificate and suggested to the distributors that the film be shown on a club basis. When it was initially shown at the Open Space Theatre in London in February 1970 the cinema was raided by police who attempted to seize the film, leading Trevelyan himself to hastily rush to the cinema and vigorously defend the movie against possible prosecution, calling the police action 'unjustified and preposterous'. In the light of this incident Trevelyan was able to grant the film an uncut 'X' certificate.
    • Erros de gravação
      During a scene with the go-go dancer, Candy and Jackie alternately call her by the character's first name (Terry) and that of the actress playing her (Geri Miller).
    • Citações

      Joe, the Hustler: How am I supposed to make any money without clean underwear?

    • Cenas durante ou pós-créditos
      The opening credits run sideways and list Warhol's name, the title, the main cast members, and that it was written, photographed and directed by Paul Morissey.
    • Conexões
      Edited into Porno & libertà (2016)
    • Trilhas sonoras
      Makin' Wicky Wacky Down in Waikiki
      Performed by Sophie Tucker.

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes12

    • How long is Flesh?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de maio de 1970 (Alemanha Ocidental)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Andy Warhol's Flesh
    • Locações de filme
      • Greenwich Village, Nova Iorque, Nova Iorque, EUA(At the apartment of critic David Bourdon)
    • Empresa de produção
      • Factory Films (I)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 4.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 29 min(89 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.