AVALIAÇÃO DA IMDb
4,4/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.A beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.A beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.
Gianni Medici
- Dr. Piero Luciani
- (as John Hamilton)
César Benet
- Max
- (as Guy Robers)
Rosanna Yanni
- Freya Ziemsen
- (as Rosana Yanni)
Luisa De Benedictis
- Nurse at the Elisabetta Lab
- (não creditado)
Keith Kendal
- Villager Who Saw Bertha Alive
- (não creditado)
Luciano Melani
- Villager at the Inn
- (não creditado)
Jesús Ramón Orjales
- Villager at the Inn
- (não creditado)
Luis Prendes
- Villager Standing at the Inn
- (não creditado)
Avaliações em destaque
There are at least three prints of this film running loose these days ... Readers should NOT let the negative nellies dissuade them from seeking this film out -- it is a marvelous little bit of Eurotrash from one of the genre's finest directors when he was just flexing his muscles.
Most literature I have encountered on MALENKA agree that Ossorio's main inspriration was THE FEARLESS VAMPIRE KILLERS aka DANCE OF THE VAMPIRES, but he injected the film with a decidedly Medeterranian air that caught on: In many circles, it is considered classic must-have required viewing at the Academy, Mr Spock kind of stuff.
BUT, you need to select your home viewing version carefully -- of the three most common forms that exist, the most familiar to us in America is a 75 - 80m "public domain" print that used to run on TV a lot, with the vampire chasing ending in place ... we have all seen it at one time or another. Then there is a second 96 - 98 minute European cut exported from Holland in the late 1980's -- it contains some additional "scientific" scenes and other dialogue, but NOT the gag ending with the vampire chasing Rosanna Yanni. The recommended version is actually out on DVD right now at places like Amazon under the name FANGS OF THE LIVING DEAD and released by a smallish company called Retromedia who "restored" a widescreen uncut British print for their DVD; uncut meaning that some of the slower scenes trimmed from the 80m public domain print are still in place.
What makes their DVD really come to life, though, is the care that went into making the print look good again. And after so many years of dingy, sepia rotted TV prints you will be shocked at what a beautiful, HARMLESS and fun movie this is -- I'd rather watch MALENKA with my eyes held open by toothpicks than ever have to sit through garbage like INTERVIEW WITH THE VAMPIRE, DRACULA 2000 or FRANCIS FORD COPPOLA PRESENTS BRAM STOKER'S DRACULA: A FRANCIS FORD COPPOLA FILM ever again. Gawd ...
Most literature I have encountered on MALENKA agree that Ossorio's main inspriration was THE FEARLESS VAMPIRE KILLERS aka DANCE OF THE VAMPIRES, but he injected the film with a decidedly Medeterranian air that caught on: In many circles, it is considered classic must-have required viewing at the Academy, Mr Spock kind of stuff.
BUT, you need to select your home viewing version carefully -- of the three most common forms that exist, the most familiar to us in America is a 75 - 80m "public domain" print that used to run on TV a lot, with the vampire chasing ending in place ... we have all seen it at one time or another. Then there is a second 96 - 98 minute European cut exported from Holland in the late 1980's -- it contains some additional "scientific" scenes and other dialogue, but NOT the gag ending with the vampire chasing Rosanna Yanni. The recommended version is actually out on DVD right now at places like Amazon under the name FANGS OF THE LIVING DEAD and released by a smallish company called Retromedia who "restored" a widescreen uncut British print for their DVD; uncut meaning that some of the slower scenes trimmed from the 80m public domain print are still in place.
What makes their DVD really come to life, though, is the care that went into making the print look good again. And after so many years of dingy, sepia rotted TV prints you will be shocked at what a beautiful, HARMLESS and fun movie this is -- I'd rather watch MALENKA with my eyes held open by toothpicks than ever have to sit through garbage like INTERVIEW WITH THE VAMPIRE, DRACULA 2000 or FRANCIS FORD COPPOLA PRESENTS BRAM STOKER'S DRACULA: A FRANCIS FORD COPPOLA FILM ever again. Gawd ...
A beautiful model in Rome named "Sylvia Morel" (Anita Ekberg) inherits a castle and sets out to take legal possession of it. When she gets there she meets her uncle, "Count Walbrooke" (Julian Ugarte) who traps her inside and tells her bizarre stories about her family in preparation for a diabolical initiation. At any rate, rather than disclosing what happens next, I will just say that there are some odd twists at the end which might leave you wondering. The acting isn't great by any means and the special effects were pretty bad as well. But this film does offer some attractive women, most notably two barmaids named "Bertha Zemis" (Diana Lorys) and "Freya Zemis" (Rosanna Yanni) along with the aforementioned Anita Ekberg. But other than that there really isn't anything that special or unique about it. That said, I would recommend this movie strictly for die-hard vampire fans only. Slightly below average.
The Spanish vampire 'classic' Malenka plays like a Mel Brooks parody of a Gothic horror movie, only much funnier. It stars the inimitable Anita Ekberg in two roles. As Italian supermodel Sylvia Morel, who (out of the blue) inherits a creepy old castle in Transylvania. As her villainous ancestress Malenka, a witch whose experiments in black magic cast a sinister shadow over the living and the undead. It seems that Malenka, in her depravity, turned most of her family into vampires. They now long for nothing more than La Ekberg to share their evil fate.
Families, eh? Without the hilarity of Ekberg's performance, Malenka would be a paltry thing indeed. The lovely Anita does not act as mere mortals do. She purrs, she pouts, she preens, she struts, she flounces. She gnaws away at her risible dialogue as though every line had been honed in her honour by Tennesee Williams or Edward Albee, at the very least. Her wardrobe is atrocious as only a 60s Bad Euro Movie wardrobe could ever be. Faced with a display of camp diva-dom this extreme, female impersonators can only hang up their wigs and admit defeat!
Not content with one Superlatively Awful Performance, Malenka also throws in Julian Ugarte as poor Sylvia's wicked uncle. Aided by two leggy vampire lovelies, he attacks his role with sneering, lip-curling sadism that would make Basil Rathbone blush for shame! This is all to the good, as Malenka grows insufferably dull whenever Ekberg or the baddies are off-screen. Director Armando de Ossorio may in fact have some flair for wide-screen composition, but my Dutch video copy is so horribly panned-and-scanned it's hard to tell.
Such minor quibbling aside, Malenka survives as an object lesson in Why We Love Bad Movies. Teamed with Ekberg's 1978 horror opus Killer Nun, it could be the comedy double bill of all time.
Families, eh? Without the hilarity of Ekberg's performance, Malenka would be a paltry thing indeed. The lovely Anita does not act as mere mortals do. She purrs, she pouts, she preens, she struts, she flounces. She gnaws away at her risible dialogue as though every line had been honed in her honour by Tennesee Williams or Edward Albee, at the very least. Her wardrobe is atrocious as only a 60s Bad Euro Movie wardrobe could ever be. Faced with a display of camp diva-dom this extreme, female impersonators can only hang up their wigs and admit defeat!
Not content with one Superlatively Awful Performance, Malenka also throws in Julian Ugarte as poor Sylvia's wicked uncle. Aided by two leggy vampire lovelies, he attacks his role with sneering, lip-curling sadism that would make Basil Rathbone blush for shame! This is all to the good, as Malenka grows insufferably dull whenever Ekberg or the baddies are off-screen. Director Armando de Ossorio may in fact have some flair for wide-screen composition, but my Dutch video copy is so horribly panned-and-scanned it's hard to tell.
Such minor quibbling aside, Malenka survives as an object lesson in Why We Love Bad Movies. Teamed with Ekberg's 1978 horror opus Killer Nun, it could be the comedy double bill of all time.
Just two weeks from her marriage, charming model Sylvia Morelle (Anita Ekberg) receives a letter from her uncle, Count Waldrick (Julián Ugarte), informing her that her mummy has passed away and that she has inherited a castle and the title of Countess . Consequently, Sylvia leaves her fiancé, Dr Piero Lufuani (John Hamilton), in Rome while she goes to Castle Waldrick to sign papers and check out her good fortune . There lives mysterious people she suspects may be vampires and her uncle (Julian Ugarte) who happens to be the main bloodsucker and he attempts to persude her to remain among them . As vampires craving for human blood and beginning her criminal rampage .
This low-budget Spanish-Italian co-production from the classy cult filmmaker Amando De Ossorio results to be an atmospheric horror movie containing terrifying scenes when appears the sinister vampire , as well as a bevy of beautiful women and taking place the bloody killings by neck biting . Based on the legendary story of a fired witch and a creepy vampire , in which rise from beyond to wreak havoc upon some beautiful Euro-babes and unfortunate victims . Plenty of lots of blood and gore , including some repellent images . The fable is sometimes silly and laughable ,though the effects and action are well made . It's a slight fun with acceptable make-up , special effects , passable set decoration and functional art direction . Some illogical parts in the plot are more than compensated for the excitement provided by the wonderful busty vampire women running in slow-moving , though sometimes are a little bit cheesy . While not a hit during its original run, the film became successful when reissued several years later. Acceptable main cast as Anita Ekberg , John Hamilton and Julian Ugarte as a strange nobleman , whose role was previously offered Boris Karloff who was initially approached to play him , but he eventually turned down . Support cast is pretty good , such as : Carlos Casaravilla as a drunkyard doctor , the hunk Fernando Bilbao , Paul Muller : Jesus Franco's regular and attractive Eurotrash girls as Rosanna Yanni , Diana Lorys and Adriana Ambesi .
It contains a thrilling and frightening musical score by Carlos Savina . And colorful cinematography , in Hammer style , by Fulvio Testi , though being really necessary a perfect remastering . The motion picture was professionally directed by Amando De Ossorio . Amando began in films as a writer and assistant director and continued his career by making short films and industrial documentaries . He was one of the main directors of the Spanish horror boom in the 70s , in fact this ¨Malenka¨was his handiwork , best known for his series of Knights Templar zombie films , which began with La Noche del Terror Ciego (1971).specially for his quartet of films about the living dead templars which started with his first great success and immensely popular ¨Tombs of the Blind dead¨ which to be continued by a trilogy : ¨Return of evil dead¨ , ¨Ship of Zombies or Blind dead 2¨ and ¨Blind dead 3 or The night of the sea gulls¨ . Amando owns his own studio and created and/or designed many of the simple special effects sequences you see in any of his many imaginative undertakings . He displayed a varied career and specialized on all kind of genres as Western in "Rebels in Canada" and "Grave of the Gunfighter" , Historical as ¨Los Cantabros¨ , Monster movie as ¨Serpent of sea¨ and , of course, Terror as ¨Malenka¨ , The possessed¨ and ¨night of witches¨ . Ossorio also studied painting and photography , moreover, he also made his living as a painter of creepy images of the Knights Templar in his later years. Rating : 5.5/10 . Acceptable and passable .
This low-budget Spanish-Italian co-production from the classy cult filmmaker Amando De Ossorio results to be an atmospheric horror movie containing terrifying scenes when appears the sinister vampire , as well as a bevy of beautiful women and taking place the bloody killings by neck biting . Based on the legendary story of a fired witch and a creepy vampire , in which rise from beyond to wreak havoc upon some beautiful Euro-babes and unfortunate victims . Plenty of lots of blood and gore , including some repellent images . The fable is sometimes silly and laughable ,though the effects and action are well made . It's a slight fun with acceptable make-up , special effects , passable set decoration and functional art direction . Some illogical parts in the plot are more than compensated for the excitement provided by the wonderful busty vampire women running in slow-moving , though sometimes are a little bit cheesy . While not a hit during its original run, the film became successful when reissued several years later. Acceptable main cast as Anita Ekberg , John Hamilton and Julian Ugarte as a strange nobleman , whose role was previously offered Boris Karloff who was initially approached to play him , but he eventually turned down . Support cast is pretty good , such as : Carlos Casaravilla as a drunkyard doctor , the hunk Fernando Bilbao , Paul Muller : Jesus Franco's regular and attractive Eurotrash girls as Rosanna Yanni , Diana Lorys and Adriana Ambesi .
It contains a thrilling and frightening musical score by Carlos Savina . And colorful cinematography , in Hammer style , by Fulvio Testi , though being really necessary a perfect remastering . The motion picture was professionally directed by Amando De Ossorio . Amando began in films as a writer and assistant director and continued his career by making short films and industrial documentaries . He was one of the main directors of the Spanish horror boom in the 70s , in fact this ¨Malenka¨was his handiwork , best known for his series of Knights Templar zombie films , which began with La Noche del Terror Ciego (1971).specially for his quartet of films about the living dead templars which started with his first great success and immensely popular ¨Tombs of the Blind dead¨ which to be continued by a trilogy : ¨Return of evil dead¨ , ¨Ship of Zombies or Blind dead 2¨ and ¨Blind dead 3 or The night of the sea gulls¨ . Amando owns his own studio and created and/or designed many of the simple special effects sequences you see in any of his many imaginative undertakings . He displayed a varied career and specialized on all kind of genres as Western in "Rebels in Canada" and "Grave of the Gunfighter" , Historical as ¨Los Cantabros¨ , Monster movie as ¨Serpent of sea¨ and , of course, Terror as ¨Malenka¨ , The possessed¨ and ¨night of witches¨ . Ossorio also studied painting and photography , moreover, he also made his living as a painter of creepy images of the Knights Templar in his later years. Rating : 5.5/10 . Acceptable and passable .
"Fangs of the Living Dead" or "Malenka" (depending on which version) is a decent film of the genre. Some of the cast actually starred in "Frankenstein's Bloody Terror": Julian Ugarte, Rosanna Yanni and Carlos Casaravilla. Anita Ekberg is passable as Silvia Morel, a model who inherits a castle. Come to find out, her uncle is a vampire and he has plans for Silvia to join him. The question I have about the ending is what happens to the two vampire chicks at the end? This may be an edited version that leaves out the answer. The acting is decent but the dubbing isn't very good. The sets and backdrops are almost the equal of Hammer studios. Rosanna Yanni and Diana Lorys are very beautiful. The character of Pietro's friend provides comic relief-he really stands out in this film. This is worth viewing at least once.
Você sabia?
- CuriosidadesOne of the first vampire films from Spain, it was inspired by similarly themed Italian and British vampire films that were being released during the same time period, such as Dance of the Vampires. It has been credited as being "the 1969 picture that hammered the final nail into the cinematic coffin of the bomb-shelter-era bombshell Anita Ekberg," as well as being "one of the most original gothic examples of Spanish horror."
- Erros de gravaçãoAs Sylvia reads the dates of birth and death from the crypt, she says "1790-1840" although the stone reads 1768-1840.
- Versões alternativasAn English dubbed version of this film was released in the United States in 1973 as part of the "Orgy of the Living Dead" triple feature. The film was cut to approximately 75 minutes and re-titled "Fangs of the Living Dead."
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- How long is Fangs of the Living Dead?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Fangs of the Living Dead
- Locações de filme
- Piazza Navona, Roma, Lazio, Itália(Facade of the Elisabetta lab where Dr. Piero Luciani works.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 30 min(90 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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