Eva, A Vênus Selvagem

Nice and complex for a cheap 1968 movie. We have overlapping plots. What you may notice right off is there are no island and no Kong. However, there is an Eva, the savage girl (Esmeralda Barros) who exposes her uh talent. We have to put up with an Italian knockoff of a disco and even listen to cheap sci-fi sounds while a mad scientist Albert (Marc Lawrence) monkeys with remote brain control, not to mention the bongo background.

We start with the East Africa Trading Company's parole being pilfered and the head pilferer bumps into the others. Oops, co-pilferer Burt (Brad Harris) survives and intends to track Albert down. The plot thickens when we meat a bar owner, his wayward mistress, his blond "lights on, nobody home" daughter Diana (Ursula Davis), his puppy dog son, and a few mysterious characters.

The daughter wants to shoot the sacred monkey.

Mad scientist covets the monkey brain.

And Burt monkeys around.

Now quit looking for Kong! I told you there is no Kong!

Everyone double-crosses everyone else.

So, does the scientist get away?

Will we ever see the sacred monkey?

Who gets the blond?

Who gets the chimp?

Who gets to watch a ridicules movie?

King Of Kong Island is a confusing piece of B-grade garbage that is saved from being completely unwatchable by the hilarious gorilla effects and a couple of unintentionally hilarious plot twists. The strangest thing about this movie is its absolute incoherence; subplots arise from nowhere and characters behave with all the logic of intoxicated Lemmings. King Of Kong Island is definitely an acquired taste.

Roberto Mauri's film could possess one of the most ridiculous plots in movie history. This crap makes "Santa Claus Conquers The Martians" seem entirely plausible by comparison. Basically, our hero Burt is shot and returns to Africa to find the man responsible. In addition to finding the time for some dubious psychedelic dancing, Burt also manages to fall in love with Diana. Unfortunately, Diana is kidnapped by a group deranged mountain gorillas and Burt is called on to rescue her. If the concept of brainwashed gorillas is not far fetched enough, Mauri throws in a completely random subplot about a wild woman called Eva, who lives in the jungle and converses with animals. Eva is a brazen attempt to throw in some eye candy and inject some much needed sleaze into the fairly tame proceedings. Eva leads Burt to Diana, who is being held captive in a secret lair by a mad scientist.

King Of Kong Island is really not a film that is overly concerned with the smaller details. The gorilla effects literally consist of people wearing poorly made gorilla suits. Diana's kidnapping is hilarious due to the painfully obvious gorilla masks and gloves. Mauri's inattention to detail is further noticeable in the fact that for a "wild" woman, Eva has rather lovely hair and make-up. I pretty much expect (and hope for) poor special effects and ridiculous plot developments in a Roberto Mauri crap epic. However, King Of Kong Island is sloppy to an extent that makes it basically impossible to follow. The film has also dated in the worst possible way. The treatment of the local population as "slaves" is distasteful and Burt's pseudo-comedic groping of Eva is jarring. Thankfully, there are enough stupid gorillas and crazy pieces of 1960s "technology" in the scientist's lair to overlook the general incompetence.

The film does have some impressive qualities. The jungle disco score is excellent, the film provides B-grade icon Brad Harris with a rare starring vehicle and Esmeralda Barros makes an alluring wild woman. King Of Kong Island is a complete mess, but it is a mess worth wading through for fans of this genre. If nothing else, see it for the spectacularly unconvincing gorillas.

We now go to East Africa, where life is cheap but clearly ape suits are expensive. And by Africa we mean a studio back-lot somewhere in Italy that doubles for the "island" in King Of Kong Island.

I must have denghi fever and it's my insane imaginings that jungle B-films were the property of the 1930s and 40s: what could be described as "Apesploitation", or the "Monkeys Going Bananas" genre. And yet in the 1960s, with Planet Of The Apes one of the most popular films of the year ("You dirty rotten stinking apes!") we have Night Of The Bloody Apes (1968) from Mexico, soon followed by the Italian sexploitation film Queen Kong (1976), and Hong Kong's Goliathon/Mighty Peking Man (1977). It may be man's endless fascination with our lesser-evolved simian twins, or we just can't help but get a cheap laugh out of a guy in a monkey suit.

King Of Kong Island opens with a dastardly scientist Dr Muller using stolen goods to fund his surgical experiments on gorillas. Now, seriously, "gorilla"? Even I own a better monkey suit than this. Cut to a hunting expedition led by Burt (Brad Harris, the American actor who played everyone from Samson to Goliath and Hercules) who is ambushed by not one but TWO "gorillas", complete with surgical scars, who kidnap Diana, the most attractive of the group. Despite his previous mission's complete and abject failure, Burt is charged with bringing Diana back, past miles of stock footage - although to be truthful the producers did find a parrot and a cockatoo and a few pink flamingos for a shirtless Burt, who at times resembles a shaved ape himself, to chase around a studio lagoon.

In an amalgam of every thirty-year old jungle cliché, Burt comes across some spooked natives in awe of the Sacred Monkey God, a helpful chimp and a jungle girl called Eva, who can't utter a word of English but speaks fluent monk-ese, which leads Burt to look her square in the eye and ask, "Are you the Sacred Monkey?" Unbelievable. The hunt ends at Dr Muller's underground dungeon-cum-laboratory in the middle of the jungle where the insane megalomaniac - and the King of the title - has turned the apes into radio-controlled zombies, manipulated by an enormous Electronic Brain.

The film was picked up by American producer Dick Randall, an old-fashioned expert in hullabaloo who was as colorful as the characters in his own Z-grade pickups. Born in the US but based mainly in Rome, Randall was the guy who filmed Jayne Mansfield's grieving family a week after her death and immediately edited the footage into his 1968 mondo film The Wild World Of Jayne Mansfield. He also sold the Filipino midget James Bond spoof For Your Height Only (1981) to the world and turned the two foot nine star Weng Weng into an unlikely international superstar. He could sell a chainsaw massacre to Texas with the 1982 Spanish slasher film Pieces, and could sell a turkey-baster to Foghorn Leghorn in the same breath as he sold this turkey.

Did I say "turkey"? I meant "gorilla", and as honorary Great White Hunters we should approach this film with the right spirit, whose concepts are as absurd as the very idea of white colonialism itself.

The Italian title for this film was EVE, THE WILD WOMAN which makes a lot better sense than the one attached to it for foreign distribution, KING OF KONG ISLAND. There is no king, no kong, and no island! This is the sort of plot that Republic might have made a 12 chapter serial about. A mad scientist is performing brain operations on gorillas deep in the jungle (NOT on an island) to create an army of simian slaves. Why is he doing this? Because he is a MAD scientist and that is what mad scientists do! Enter the hero (Brad Harris from several muscleman movies) and the heroine (Esmeralda Barros as the Eve, the title character) to defeat the madman and restore the natural balance to the jungle.

Eve the jungle girl is topless for the whole picture but her long flowing hair is strategically arranged except at certain dramatic moments. Those gorillas with the stitches in their heads don't look like gorillas at all to me, they look like stuntmen in costumes! It takes forever for the plot to get going; in fact it starts like an action adventure with Harris' character as a mercenary looking for revenge against the guy who double crossed him. The science fiction element and the jungle girl subplot are introduced to wake the audience up later on.

Perhaps if they had thrown in a dinosaur or two and a nice big explosion at the end. Oh well. I am off to watch the old 1944 serial THE MONSTER AND THE APE . . at least that one delivered what the title promised!

...certainly not in the league of, say, "Manos - The Hands of Fate" or Coleman Francis' 'Unholy Trinity', but also not very good either. Maltin gives this a 'BOMB' rating, which for me automatically means that I must seek it out for viewing.

The music is very groovy, very Italian disco and that's a plus. Most of the women are not too bad-looking and Brad Harris (formerly Hercules from numerous films) is pretty damn cut. The 'Ape Girl' is cute and wears no top, but her hair is always covering her breasts, the effect being actually rather sexy (kind of like how you never actually see any of Catherine Deneuve's naughty bits in "Repulsion"). The gorilla costumes are AWFUL.

In a lot of ways this films is like a jungle serial from the '30s - but it was made forty years too late! Still, there are far worse ways to spend 85 minutes.