Duas Garotas Românticas

THE YOUNG GIRLS OF ROCHEFORT is Jacques Demy's followup to his popular international success, THE UMBRELLAS OF CHERBOURG. It's not the same kind of operatic musical as it's predecessor and is much more a product of it's time (and sadly, that makes it much more inaccessible to modern audiences). What you get here is a romantic farce in the old MGM tradition, with lot's of garish 60's-style color and costumes, definitely in tune to Michel Legrand's astounding jazz score. The campy outdoor dance numbers date, but thankfully give way to dynamically orchestrated instrumental versions of Legrand's music. This is definitely a movie for those who enjoy cinematic musical comedy; it's visual appeal is undeniable and each shot is lovingly designed and framed. Deneuve and Dorleac are amazing beauties and presented in their prime, which is reason enough to enjoy the picture. Michel Legrand's score is far more complex melodically and orchestrally than his more famous one for UMBRELLAS; it's a joy to listen to. About the best compliment I can pay THE YOUNG GIRLS OF ROCHEFORT is to say that it brilliantly precedes and shines with more talent and energy than the recently released MOULIN ROUGE (a film that surprisingly has a lot in common with it). Demy doesn't need any CGI, MTV-editing or pop songs to get it's simple, lovely message across! It's very nice indeed to have a restored version on DVD of Jacques Demy's LES DESMOISELLES DE ROCHEFORT!

When the movie was released in France,it was looked upon by most of the critics as a failure.Since it has been restored to favor and enjoys a high rating on the IMDb.

Hindsight reveals that Demy's work thoroughly deserved its restoring to favor.It's all the more precious as it was to be the only movie where the Dorleac sisters (Catherine and Françoise) would appear together,after the latter's tragic death.

A whole town is singing and dancing ,a whole town which painter Demy colors in pastel blue ,green ,yellow,pink just as he did in Cherbourg,three years before.But,unlike "the parapluies",the lines are not sung,it's actually closer to American musicals ,which Gene Kelly's and George Chakiris's presence reinforces.The French cast is also very exciting:Danielle Darrieux is marvelously cast as the mother (she would often be Deneuve 's mother,check "8 femmes"!)and there's also a Demy's favorite ,Jacques Perrin (who would be Prince Charming in "Peau d'âne)and Michel Piccoli.

Michel Legrand,without whom a Demy movie would not exist, gave one of his best tunes "the twin sisters song" .

As I said at the beginning of my comment,the movie met mixed critical reception when it was released and not-so-great commercial success.Demy exiled himself to America where he made the uneven "Model shop" ;but "Peau d'Ane" (1970) reasserted his talent in his native country.

This film often suffers by comparison to The Umbrellas of Cherbourg, and unfairly so in my opinion. Because it is more upbeat, and delights directly in its status as an entertainment, it is perceived as less "serious", (i.e. lacking in intellectual rigor.) However, it shares all of the virtues of its more celebrated sister film without the heavier taste of melancholy and I think Les Demoiselles is dancier. Even the basketball players are choreographed. The iterations of the twins' song are especially fun.

Jacques Demy's THE YOUNG GIRLS OF ROCHEFORT is such a special treat--so bright, light and airy, full of wonderful music and dance--that it's difficult to over-rate it or not recommend it. And yet.

Demy is a cinema artist who always verged in the precious (in my opinion he rarely toppled over), and this may cause trouble for some. His "Umbrellas of Cherbourg" has always seemed to me a heavy-handed, repetitive, sentimental downer; "Young Girls" is very nearly its polar opposite. (Demy's wife, the wonderful filmmaker Agnes Varda, has overseen the reconstruction of this classic, and we owe her quite a debt!) Michel Legrand's music here is full of jazzy, astonishing riffs and lots of melody. Accompanying it are some delightful lyrics that are translated fittingly--if not precisely--into equally delightful English. Catherine Deneuve and her late sister Francoise Dorleac are wonderful in the title roles, and they're helped immensely by the likes of Danielle Darrieux, George Chakiris, Grover Dale, Gene Kelly (yes, an American in Rochefort!), Michel Piccoli and a young and exquisitely beautiful Jacques Perrin. The dancing is a joy, as well, as you'd expect from a film that offers Chakiris, Dale and Kelly. Characters sing of their lives and lost loves, and everything--from the pastel-painted city to the gorgeously coordinated costumes--is as unbelievable yet as wonderful as an enchanted dream.

I remember enjoying the film when it first appeared. Now, it seems not only of its time but ahead of that time and so special and perfect that I suspect certain of us will want to revisit it every few years, for as many as we have left. In a word: transporting.

It's probably pure chance that I saw this film for the first time - in the restored version by Agnes Varda - a few days after I was leafing through Demy's Collected Lyrics which have recently been published in France. It's clear from Frame #1 that this is a film to which you either have to surrender as the credits roll or squirm in embarrassment for the next two hours. Demy's 'fairy-tale' is as unashamedly full of coincidences as any Shakespeare comedy even to the extent of employing one set of twins, albeit non-identical but played by real-life sisters Catherine Deneuve and Francois Dorleac. If you're going to stop and wonder why the streets are always available for dancing in - i.e. traffic-free - or why Danielle Darrieux runs a cafe/bar which is little more than a counter, a glass roof and no substantial walls, then you're in the wrong movie. Demy loved chocolate-box movies and he complemented them with chocolate-box music from Michel Legrand - I was pleasantly surprised to realize that I already knew the main love them via its English lyric by Alan and Marilyn Bergman, You Must Believe In Spring, recorded definitively by Marlene VerPlanck - and the score, on the whole is lush without being memorable and ranging from fifties type small combo jazz to all-out string ensembles and if everyone - including Gene Kelly - except Danielle Darrieux is dubbed so what. Jacques Perrin is also on hand as a love-sick sailor, what else, and after seeing him play more or less the same role (narrator) in both Cinema Paradiso and Les Choristes the effect is like seeing a photograph of a friend acquired in middle age when he was a young man. Definitely worth a second viewing and who knows, I may even go so far as to buy the DVD.