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IMDbPro

Corre Homem, Corre

Título original: Corri uomo corri
  • 1968
  • Not Rated
  • 1 h 41 min
AVALIAÇÃO DA IMDb
6,8/10
2,2 mil
SUA AVALIAÇÃO
Corre Homem, Corre (1968)
Spaghetti WesternAdventureComedyWestern

Adicionar um enredo no seu idiomaA knife-wielding Mexican ne'er-do-well is tasked by a scholar with locating $3 million in revolutionary gold, and finds himself working and competing with various parties for it.A knife-wielding Mexican ne'er-do-well is tasked by a scholar with locating $3 million in revolutionary gold, and finds himself working and competing with various parties for it.A knife-wielding Mexican ne'er-do-well is tasked by a scholar with locating $3 million in revolutionary gold, and finds himself working and competing with various parties for it.

  • Direção
    • Sergio Sollima
  • Roteiristas
    • Sergio Sollima
    • Pompeo De Angelis
  • Artistas
    • Tomas Milian
    • Donald O'Brien
    • Linda Veras
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Sergio Sollima
    • Roteiristas
      • Sergio Sollima
      • Pompeo De Angelis
    • Artistas
      • Tomas Milian
      • Donald O'Brien
      • Linda Veras
    • 17Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos117

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    Elenco principal35

    Editar
    Tomas Milian
    Tomas Milian
    • Manuel 'Cuchillo' Sanchez
    Donald O'Brien
    Donald O'Brien
    • Nathaniel Cassidy
    • (as Donal O'Brien)
    Linda Veras
    Linda Veras
    • Sergeant Penny Bannington
    Marco Guglielmi
    • Colonel Michel Sévigny
    José Torres
    José Torres
    • Ramirez
    Luciano Rossi
    Luciano Rossi
    • Jean-Paul
    • (as Edward Ross)
    Nello Pazzafini
    Nello Pazzafini
    • Riza
    Gianni Rizzo
    Gianni Rizzo
    • Mayor Christopher Bannington
    Dante Maggio
    • Mateos Gonzalez
    • (as Dan May)
    Umberto Di Grazia
    • José
    Noé Murayama
    Noé Murayama
    • Pablo
    Attilio Dottesio
    Attilio Dottesio
    • Manuel Etchevaria
    Orso Maria Guerrini
    Orso Maria Guerrini
    • Raul
    Federico Boido
    Federico Boido
    • Steve Wilkins
    Calisto Calisti
    • Fernando Lopez
    John Ireland
    John Ireland
    • Santillana
    Chelo Alonso
    Chelo Alonso
    • Dolores
    Calogero Azzaretto
    • Posada Customer
    • (não creditado)
    • Direção
      • Sergio Sollima
    • Roteiristas
      • Sergio Sollima
      • Pompeo De Angelis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,82.1K
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    Avaliações em destaque

    8lost-in-limbo

    Hands off my slice.

    Hitting hard is the idealistic tone and free-flowing spirit that engraves itself in director Sergio Sollima's sprawling spaghetti western (a semi-sequel to "The Big Gundown (1966)") starring Tomas Milan as the simple, but lethal knife slinging protagonist Cuchillo. While the material is heavy on the comic banter and physical mishaps, it never loses balance of the strenuously meaningful political side of the story, as Sollima agreeably pulls it off. There's bounce, and zippy energy as it moves along quickly enough, despite its lengthy story and open-ended conclusion for another expansive adventure to begin. Rich varieties of characters (maybe too many) come and go with a lot of minor stories branching of the central premise. This leaves the story feeling loose. So pretty much something is always happening, but the resolutions and overall intentions come off cloudy in this largely chatty script. There's a lot of running, but just as much talking. Sollima skilfully directs with bold compositions and controlled precision in his grand set-pieces. His camera-work imagery and widescreen placement is professionally executed, and imaginatively snappy. The rough and scorching desolate backdrop never looked so sumptuously rich. Adding to the drama was Bruno Nicolai and Ennio Morricone's downright superb alarmingly scheming and melodic score. The performances are truly wonderful. Milan's ferret manner always amused, and Donal O'Brien brings out an intriguing performance. The passionate performances came from two fiery ladies; Linda Veras and Chelo Alonso. They were great! John Ireland has a small, but potently hearty and flavorful role as Mexican revolutionary General Santillana. Quite a fun and well-made spaghetti western, but it does take quite a lot out of you.
    7Bunuel1976

    RUN, MAN, RUN (Sergio Sollima, 1968) ***

    This is another fine Spaghetti Western, actually a sequel to THE BIG GUNDOWN (1966), from the same director-star team; in the accompanying interview, Sollima said that he felt the "Cuchillo" Sanchez character from that film (who, basically had been a subsidiary to Lee Van Cleef's lone gunman) was worthy of his own vehicle.

    However, having perhaps overdosed on films from this subgenre over the last two weeks, I was slightly underwhelmed by it (being preceded by my first viewing of the German Expressionist classic WARNING SHADOWS [1923; see my review elsewhere], which was well and truly impressive, may also have had something to do with this!): throwing in everything but the kitchen sink in the various characters' search for gold, the film still offered nothing that was essentially new!!

    In fact, here we have Tomas Milian's "Cuchillo" (whom Sollima admits to have been inspired by Toshiro Mifune's role in Akira Kurosawa's SEVEN SAMURAI [1954]) being helped, hindered or pursued by a mysterious American bounty-hunter, a couple of French mercenaries, a bandit horde, Mexican revolutionaries (led by John Ireland, who turns up for a two-minute bit!) and the Army - not forgetting the attentions of two beautiful women, his feisty and extremely jealous Mexican girlfriend and a statuesque Salvation Army officer (but who's not above a little greed)! All this tends to make the film episodic (but which doesn't hang together as well as the first film), overlong (for no real purpose) and exhausting (there's less action than usual for a Spaghetti Western, with little of it that's actually memorable, but a good deal of talk - this is one of the most overtly political films in the genre!). The comedy, too, is more pronounced than in THE BIG GUNDOWN and, indeed, apart from the lead character's constant running (hence the title) and distinctive knife-throwing, he seems to be a different person - as if the characteristics of roles Milian had played in the interim, such as those in FACE TO FACE (1967; also directed by Sollima) and DJANGO, KILL! (1967) had filtered through to his interpretation of "Cuchillo" here!

    There's still the shaky 'alliance' between the Mexican and an American ex-sheriff (played this time around by Donal O' Brien, as a cross between the Lee Van Cleef of THE BIG GUNDOWN and the William Berger of FACE TO FACE!) and even the double duel at the end - but with the former not being a chase and the opponents in the latter amounting to only minor characters, i.e. not alter egos as in the earlier film, these elements don't have quite the same impact (though I understand that Sollima couldn't merely repeat himself)! Besides, after two hours the film can only come up with an unresolved ending (with the gold still unclaimed); Sollima, however, feels it was the right thing to do!

    From this review, one might think that I didn't like the film all that much or that I spent too much space comparing it to other Spaghetti Westerns - but the star rating should indicate otherwise: it's solid, flavorful and enjoyable (if overly familiar) with a few good action highlights; best of all is the rousing and infectious score by Ennio Morricone (although, due to some contractual glitch, it was credited to his friend and habitual conductor Bruno Nicolai!).

    With respect to the supplements included on the Blue Underground DVD: I'll comment elsewhere on the TV special from 1968 about Spaghetti Westerns; the 17-minute featurette which includes interviews with both Sollima and Milian (it was especially great to listen to him talk about this period of his career, having missed out on his interview on BU's edition of DJANGO, KILL!) is wonderful: Sollima is as eloquent and witty here as he was on the interview featured on the Italian DVD of THE BIG GUNDOWN; Milian, apparently, was hurt by the director's put-down of his "Actor's Studio" background and here he comments how his carefully developed characterization of "Cuchillo" as a trapped rabbit was more or less ruined during the editing stages (Milian even allows himself a self-compliment by saying that he's "f***ing talented" but, then, he made poignant comments about his approaching old age)!; we're also offered the original Italian credit sequence (which adds some blue to the red tones of that in the English version), the trailer, a poster gallery and talent bios for both star (I was distressed to learn that when he returned to the U.S., all his great work in Italy meant naught to the Hollywood producers and that, in order to get even a supporting part, he had to reduce himself to testing for it!!) and director.
    9Coventry

    The Big and FUNNY Gundown

    Once upon a time in the cinematic west, more particularly during the sixties, you had to be Italian and your first name preferably had to be Sergio in order to make the greatest Spaghetti Westerns of all time. There was the greatest Sergio of them all (Sergio Leone, creator of the "Dollars"-trilogy and "Once upon a time in the West") but there was also Sergio Corbucci who made the awesomely terrific "Django" and "The Great Silence", and last but not least there was Sergio Sollima who was responsible for "The Big Gundown" and its mega-cool sequel "Run Man Run". Unfortunately I haven't seen the original yet – it's hardly my fault Blue Underground opted to include only the sequel in the fabulous Spaghetti Western Collection DVD box – but the follow up is a vastly entertaining, fast-paced, refreshing, exhilarating and effectively light-headed western adventures and promptly became one of my new personal favorites in the genre. Tomas Milian is stupendous as usual depicting the witty and hyperactive petty criminal Manuel "Cuchillo" Sanchez who is literally always on the run; whether for his demanding fiancée who insists on getting married or – due to a series of unforeseen events – from a whole lot of bounty hunters, organized criminal gangs and Mexican army officers. After helping a Mexican revolutionist to escape from jail, Cuchillo receives some valuable information regarding the whereabouts of a treasure of $3.000.000 in gold. This money is meant to finance the Mexican Revolution, but obviously several parties are more than interested in stealing it and they're all short on Cuchillo's tail as he's the only one who can lead them to the exact location. This top-class Italian western is near damn perfect from every viewpoint. The typical "Viva La Revolution" theme is always present, but never obtrusively shoved down your throat like often the case in other westerns (for example "Bullet for the General") and actually the emphasis strangely enough lies on comedy and abrupt plot twists instead of on harsh fights until death. Cuchillo spends most of his time on screen either running (duh!) or captured by one of his many opponents and subjected to ingenious methods of torture, but his narrow escapes are even greater to behold. Despite the comical atmosphere, "Run Man Man" nevertheless contains large portions of violence (Cuchillo is an expert knife thrower) and typically wild Western shootouts in desolate areas. The musical scores, courtesy of both Bruno Nicolai and Ennio Morricone, are beyond genius. The title track can be found on YouTube and I'm really addicted to it.
    8movieman_kev

    Once upon a Time in Mexico

    Tomas Milian returns as Cuchillo, a petty thief who after being imprisoned helps his cell-mate and himself escape. He then gets entangled in a run to get the 3 million dollars in gold that his cell-mate, whom also happens to be a Mexican Revolutionary, hid in a town across the border in Texas. He's chased by his overbearing girlfriend who wants desperately to get married, a bounty hunter (Donald O'Brien), as well as some others.I have yet to see "The Big Gundown", so I can't compare the two, but I really enjoyed this movie and found it to be humorous well still maintaining some good action. And I certainly liked it much more then the previous Thomas Milian film that I've seen "Se sei Vivo spara" (Django Kill, if you live shoot)

    My Grade: B+

    Blue Underground DVD Extras: Part of BU's Spaghetti Western Collection. Uncut; 17 minute'Run man Run: 35 years Running' Featurette; 38 minute 'Westerns Italian Style' Featurette; Italian Main Titles; Posters & Still Gallery; Talent Bios for Sergio Sollima & Tomas Milian; Theatrical Trailer

    3 Easter Eggs: Highlight the hidden knife in the Extras menu for Trailers for "Django", "Dajango Kill", and "A Man Called Blade"; Highlight the knife in the main menu for Tomas Milian telling of his run with a tax man; The hidden knife over the face in the Chapter Select menu for an unsubtitled interview of some sort
    8Witchfinder-General-666

    Great And Humorous Sequel To The Big Gundown

    Sergio Sollima's "Corri, Uomo, Corri" aka. "Run, Man, Run!" of 1968 is a great and very funny sequel to his 1966 masterpiece "La Resa Dei Conti" aka. "The Big Gundown". As Sollimas two other Westerns, this is once again a quite political film, but unlike "The Big Gundown" and "Face To Face", it is so humorous, that it could actually be described as a Spaghetti Western Comedy.

    After a dying revolutionary entrusts the hideout of a fortune to him, Mexican petty thief and excellent knife thrower Cuchillo (Tomas Milian, who already played Cuchillo in "The Big Gundown") is chased through the Mexican/Texan borderland by a gang of Mexian bandits, two French mercenaries, who work for the Mexican government, and Nathaniel Cassidy (Donal O'Brien), an American gunslinger who, although primarily interested in money, still has some of his former ideals left. Furthermore Cuchillo is constantly followed by his loving girlfriend Dolores (beautiful Chelo Alonso), who is sexy and passionate, but also very jealous and short-tempered. On his run, Chuchillo first meets, and travels with a pretty blonde Salvation Army activist called Penny (Linda Veras), much to Dolores' disfavor, and later teams up with Cassidy against their mutual enemies.

    The acting in this movie is great, especially Tomas Milian (one of my favorite actors) and Donal O'Brien deliver excellent performances as the two main characters. The supporting cast is also very good, the legendary John Ireland has a small role as a the leader of a Mexican revolutionary squad. The cinematography is great, and so is the music by Bruno Nicolai and Ennio Morricone. Many scenes in movie are very memorable, some of them very funny , a Mexican bandit gang leader orders his wife to hold off on giving birth to their child for a few days for example, because he doesn't want his son to be a "Gringo" born in the US, and the French hit men played by Luciano Rossi and Marco Guglielmi are two very satirical villains.

    Maybe not quite as brilliant as "The Big Gundown", but still an excellent movie, "Run, Man, Run!" is a witty, great and very entertaining Spaghetti Western, a must see for genre-fans, but also recommended to everybody else.

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    • Curiosidades
      Director Sergio Sollima said on the DVD extras of the movie that it was in fact Ennio Morricone that scored the music for the film. Sergio Sollima said Morricone's conductor Bruno Nicolai got the credit probably because Morricone was tied up at another studio at the time and didn't want any trouble.
    • Citações

      Manuel 'Cuchillo' Sanchez: Where do you think we are?

      Pablo: It's difficult to say, these hills are all the same. Let's ask him, come on! Oye amigo! can you tell me wher...?

      Unknown "Gringo": I ain't your amigo dirty Mexican, get outta here!

      Manuel 'Cuchillo' Sanchez: ...I think we are in Texas! Gracias Señor.

    • Versões alternativas
      UK/international version is almost 35min shorter. The upcoming UK BluRay includes both the uncut original 120min version as well as this shorter UK/international theatrical cut at 85min run time
    • Conexões
      Featured in Western, Italian Style (1968)
    • Trilhas sonoras
      Espanto Enel Corazon
      Sung by Tomas Milian

      Choir by Cantori Moderni Di Alessandroni (uncredited)

      Composed by Ennio Morricone (uncredited), Bruno Nicolai (uncredited) and Giuliano Tilesi (uncredited)

      Lyrics by Peter Boom (uncredited)

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    • How long is Run, Man, Run?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 29 de agosto de 1968 (Itália)
    • Países de origem
      • Itália
      • França
    • Idiomas
      • Italiano
      • Espanhol
    • Também conhecido como
      • Em Busca do Ouro Perdido
    • Locações de filme
      • Desierto de Tabernas, Almería, Andalucía, Espanha
    • Empresas de produção
      • Mancori
      • Chretien
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 41 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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