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IMDbPro

Corre Homem, Corre

Título original: Corri uomo corri
  • 1968
  • Not Rated
  • 1 h 41 min
AVALIAÇÃO DA IMDb
6,8/10
2,2 mil
SUA AVALIAÇÃO
Corre Homem, Corre (1968)
Spaghetti WesternAdventureComedyWestern

Adicionar um enredo no seu idiomaA knife-wielding Mexican ne'er-do-well is tasked by a scholar with locating $3 million in revolutionary gold, and finds himself working and competing with various parties for it.A knife-wielding Mexican ne'er-do-well is tasked by a scholar with locating $3 million in revolutionary gold, and finds himself working and competing with various parties for it.A knife-wielding Mexican ne'er-do-well is tasked by a scholar with locating $3 million in revolutionary gold, and finds himself working and competing with various parties for it.

  • Direção
    • Sergio Sollima
  • Roteiristas
    • Sergio Sollima
    • Pompeo De Angelis
  • Artistas
    • Tomas Milian
    • Donald O'Brien
    • Linda Veras
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Sergio Sollima
    • Roteiristas
      • Sergio Sollima
      • Pompeo De Angelis
    • Artistas
      • Tomas Milian
      • Donald O'Brien
      • Linda Veras
    • 17Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos117

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    + 111
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    Elenco principal35

    Editar
    Tomas Milian
    Tomas Milian
    • Manuel 'Cuchillo' Sanchez
    Donald O'Brien
    Donald O'Brien
    • Nathaniel Cassidy
    • (as Donal O'Brien)
    Linda Veras
    Linda Veras
    • Sergeant Penny Bannington
    Marco Guglielmi
    • Colonel Michel Sévigny
    José Torres
    José Torres
    • Ramirez
    Luciano Rossi
    Luciano Rossi
    • Jean-Paul
    • (as Edward Ross)
    Nello Pazzafini
    Nello Pazzafini
    • Riza
    Gianni Rizzo
    Gianni Rizzo
    • Mayor Christopher Bannington
    Dante Maggio
    • Mateos Gonzalez
    • (as Dan May)
    Umberto Di Grazia
    • José
    Noé Murayama
    Noé Murayama
    • Pablo
    Attilio Dottesio
    Attilio Dottesio
    • Manuel Etchevaria
    Orso Maria Guerrini
    Orso Maria Guerrini
    • Raul
    Federico Boido
    Federico Boido
    • Steve Wilkins
    Calisto Calisti
    • Fernando Lopez
    John Ireland
    John Ireland
    • Santillana
    Chelo Alonso
    Chelo Alonso
    • Dolores
    Calogero Azzaretto
    • Posada Customer
    • (não creditado)
    • Direção
      • Sergio Sollima
    • Roteiristas
      • Sergio Sollima
      • Pompeo De Angelis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,82.1K
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    Avaliações em destaque

    7ma-cortes

    Final installment from ¨Cuchillo trilogy¨ and again a magnificent Tomas Milian

    This sequel is the third part from ¨Sergio Sollima trilogy¨ , starred by Tomas Milian , as roguish Cuchillo and formed by ¨Big gundown¨, ¨Face to face¨ and this one . Now as absolute starring , Tomas Milian supported by Donald O'Brien in similar role to Lee Van Cleef from ¨Big gundown¨ . It's set during early Mexican revolution with Porfirio Diaz governing , approximately in 1910s . The McGuffin is a hidden treasure by Benito Juarez beyond frontier . The revolutionaries aren't Pancho Villa or Emilio Zapata , but is an imaginary Santillana , well performed by John Ireland in a brief acting . The Cuban Tomas Milian, as usual, puts faces, grimaces, crying and overacting , but he plays splendidly . Enjoyable appearance by also Cuban , the gorgeous Chelo Alonso, usual of Peplum and Western : ¨The good, the bad and the ugly¨. Furthermore, there appears Italian Western usual secondaries as Jose Torres , Gianni Rizzo, Luciano Rossi and Rick Boyd.

    This Zapata-Western is inferior than previous entries but displays stirring adventures , shootouts, riding pursuits and is pretty amusing . Sensitive musical score by Bruno Nicolai , replacing the great Ennio Morricone , former films composer . Colorful and evocative cinematography by Mancori , showing marvelously the habitual Almeria (Spain) outdoors. The picture was well directed by Sergio Sollima that would be his last Western and following directing successes such as ¨Sandokan¨.
    8JohnWelles

    Revoloutionary Spaghetti Western.

    "Run, Man, Run" (1968) is a Revoloutionary Spaghetti Western directed by the third "Sergio" (after Leone and Corbucci) Sergio Sollima. It stars Thomas Milian as Cuchillo the peasant, reprising his role from "The Big Gundown" (1966), who becomes involved in the hunt of a large cache of gold in Texas.

    This is a semi-sequel to "The Big Gundown", but like the Dollars trilogy one can be watched without the other and no confusion arise. In fact, it is probably best to watch this and not compare it to the two previous Sollima Westerns as this movie will be found wanting, which is not to say it is a poor film. Quite the opposite, it is very well directed, acted (especially by Milian), scored by Bruno Nicolai (although allegedly Ennio Morricone gave a helping hand) and the cinematography by Guglielmo Mancori is fantastic. It is just that in this picture what you get is absolutely what you see; there isn't any Fascist allegory hiding underneath like there is in "Face to Face" (1967) or the character complexities there is in "The Big Gundown". Perhaps because Sollima is a better director than scriptwriter (this is his only Spaghetti Western where Sergio Donati doesn't have a screenplay credit). Still, this is a very good Western, way above the average fare and a film anybody with even only a superficial knowledge of the genre will acknowledge as a great.
    9Coventry

    The Big and FUNNY Gundown

    Once upon a time in the cinematic west, more particularly during the sixties, you had to be Italian and your first name preferably had to be Sergio in order to make the greatest Spaghetti Westerns of all time. There was the greatest Sergio of them all (Sergio Leone, creator of the "Dollars"-trilogy and "Once upon a time in the West") but there was also Sergio Corbucci who made the awesomely terrific "Django" and "The Great Silence", and last but not least there was Sergio Sollima who was responsible for "The Big Gundown" and its mega-cool sequel "Run Man Run". Unfortunately I haven't seen the original yet – it's hardly my fault Blue Underground opted to include only the sequel in the fabulous Spaghetti Western Collection DVD box – but the follow up is a vastly entertaining, fast-paced, refreshing, exhilarating and effectively light-headed western adventures and promptly became one of my new personal favorites in the genre. Tomas Milian is stupendous as usual depicting the witty and hyperactive petty criminal Manuel "Cuchillo" Sanchez who is literally always on the run; whether for his demanding fiancée who insists on getting married or – due to a series of unforeseen events – from a whole lot of bounty hunters, organized criminal gangs and Mexican army officers. After helping a Mexican revolutionist to escape from jail, Cuchillo receives some valuable information regarding the whereabouts of a treasure of $3.000.000 in gold. This money is meant to finance the Mexican Revolution, but obviously several parties are more than interested in stealing it and they're all short on Cuchillo's tail as he's the only one who can lead them to the exact location. This top-class Italian western is near damn perfect from every viewpoint. The typical "Viva La Revolution" theme is always present, but never obtrusively shoved down your throat like often the case in other westerns (for example "Bullet for the General") and actually the emphasis strangely enough lies on comedy and abrupt plot twists instead of on harsh fights until death. Cuchillo spends most of his time on screen either running (duh!) or captured by one of his many opponents and subjected to ingenious methods of torture, but his narrow escapes are even greater to behold. Despite the comical atmosphere, "Run Man Man" nevertheless contains large portions of violence (Cuchillo is an expert knife thrower) and typically wild Western shootouts in desolate areas. The musical scores, courtesy of both Bruno Nicolai and Ennio Morricone, are beyond genius. The title track can be found on YouTube and I'm really addicted to it.
    8El-Stumpo

    Vila la 1968 Revolution!

    Imagine an Italian western inspired by Marx - not Groucho, but KARL. Springing from the loins of the European mini-revolutions of 1968 comes a western with a conscience, courtesy of spaghetti socialist Sergio Sollima, who recycles his most memorable character from the 1967 The Big Gundown and builds an entire film around him.

    Cuban-born Tomas Milian returns as Cuchillio, a wily yet endearingly naive opportunist who's quick with a knife but not so quick on the uptake. A quick spell in a border prison sees him share a cell with a seditious poet named Rodriguez, whose dying breath reveals the last resting place of a $3 million cache of revolution-bound gold. And so begins Cuchillio's journey, spreading his proto-revolutionary seed across the Texas border whilst pursued by a sleazy assortment of cutthroats and would-be revolutionaries, spaghetti western regular Donal O'Brien playing a sheriff with a conscience, two French secret agents, his jealous fiancé Dolores (played by the fiery Chelo Alonso), and a blond sergeant in the Salvation Army, a woman who sticks out of her unlikely surroundings like a turd tambourine. Cuchillio himself spends most of his screen time bound, gagged with dynamite, spreadeagled in some godforsaken location, or in one stunning sequence, strapped to the blade of a windmill. And STILL He doesn't lose his sense of humor.

    Like The Good The Bad And The Ugly it's a deliberately open-ended epic quest for hidden treasure, but without Leone's grandiose scale and pretentious camera histrionics. It's more like The Wizard of Oz wrapped in a burrito, and peppered with the most random of supporting characters. The usual grimness of these spaghetti westerns is contrasted with Tomas Milian's comic timing, a rousing score by an uncredited Ennio Morricone, and a surprising cameo from veteran American actor John Ireland as a crusty, battle-scarred soldier of the class struggle.

    Socialist westerns don't usually come this entertaining - come to think of it, socialists are rarely funny at all! So enjoy the picaresque, picturesque and thankfully undogmatic 1968 Run Man Run.
    8movieman_kev

    Once upon a Time in Mexico

    Tomas Milian returns as Cuchillo, a petty thief who after being imprisoned helps his cell-mate and himself escape. He then gets entangled in a run to get the 3 million dollars in gold that his cell-mate, whom also happens to be a Mexican Revolutionary, hid in a town across the border in Texas. He's chased by his overbearing girlfriend who wants desperately to get married, a bounty hunter (Donald O'Brien), as well as some others.I have yet to see "The Big Gundown", so I can't compare the two, but I really enjoyed this movie and found it to be humorous well still maintaining some good action. And I certainly liked it much more then the previous Thomas Milian film that I've seen "Se sei Vivo spara" (Django Kill, if you live shoot)

    My Grade: B+

    Blue Underground DVD Extras: Part of BU's Spaghetti Western Collection. Uncut; 17 minute'Run man Run: 35 years Running' Featurette; 38 minute 'Westerns Italian Style' Featurette; Italian Main Titles; Posters & Still Gallery; Talent Bios for Sergio Sollima & Tomas Milian; Theatrical Trailer

    3 Easter Eggs: Highlight the hidden knife in the Extras menu for Trailers for "Django", "Dajango Kill", and "A Man Called Blade"; Highlight the knife in the main menu for Tomas Milian telling of his run with a tax man; The hidden knife over the face in the Chapter Select menu for an unsubtitled interview of some sort

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Director Sergio Sollima said on the DVD extras of the movie that it was in fact Ennio Morricone that scored the music for the film. Sergio Sollima said Morricone's conductor Bruno Nicolai got the credit probably because Morricone was tied up at another studio at the time and didn't want any trouble.
    • Citações

      Manuel 'Cuchillo' Sanchez: Where do you think we are?

      Pablo: It's difficult to say, these hills are all the same. Let's ask him, come on! Oye amigo! can you tell me wher...?

      Unknown "Gringo": I ain't your amigo dirty Mexican, get outta here!

      Manuel 'Cuchillo' Sanchez: ...I think we are in Texas! Gracias Señor.

    • Versões alternativas
      UK/international version is almost 35min shorter. The upcoming UK BluRay includes both the uncut original 120min version as well as this shorter UK/international theatrical cut at 85min run time
    • Conexões
      Featured in Western, Italian Style (1968)
    • Trilhas sonoras
      Espanto Enel Corazon
      Sung by Tomas Milian

      Choir by Cantori Moderni Di Alessandroni (uncredited)

      Composed by Ennio Morricone (uncredited), Bruno Nicolai (uncredited) and Giuliano Tilesi (uncredited)

      Lyrics by Peter Boom (uncredited)

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    • How long is Run, Man, Run?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 29 de agosto de 1968 (Itália)
    • Países de origem
      • Itália
      • França
    • Idiomas
      • Italiano
      • Espanhol
    • Também conhecido como
      • Em Busca do Ouro Perdido
    • Locações de filme
      • Desierto de Tabernas, Almería, Andalucía, Espanha
    • Empresas de produção
      • Mancori
      • Chretien
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 41 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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