Grotesca Despedida

For a movie to have something "going for it" other than slick pages an quark footers and headers... read public relations sic: it is the movie. Bye Bye Braverman is the Funniest Craziest Strangest Silliest Fun-ier est fun great great weird wired strange strange movie you may ever want to see. That is for the average movie goer....while I can't vouch for some of our other movie goers and listeners and i can say for me that braverman...notice how familiar we can get in here together... is about friends in a car ...going to a funeral Bye Bye Braverman has lots of music and lots of unusual outlandish clips of film and some very funny theatrical circumstances of a variety systemically derived....it is full of devices. .. coincidental,mechanical and abstract and by space and spacing creating a piece of good comedy that is at once about a bunch of professors from NYC and also about man's condition....j m s

This movie is about four friends searching for their friend's burial place. Not only do you experience the frustration of New York in the 1960's, but you can relate to how these aging friends are dealing with an ever-changing society. Sorrel Brooke, perhaps best known as Boss Hogg, steals the show. A true gem!

Bye Bye Braverman is yet another Sidney Lumet valentine to New York City as four friends react to the sudden passing of their friend Leslie Braverman at the tender age of 41. It's the kind of passing and the age and suddenness for the victim have left all four of them in a state of flux.

George Segal, Joseph Wiseman, Sorrell Booke, and Jack Warden are the four friends all hit hard with the news and all now feeling their mortality and are concerned. They all feel an obligation of some kind to see poor Braverman off on the big trip.

It helps to be of Jewish heritage and from New York to appreciate Bye Bye Braverman. Imagine four men squeezed into Sorrell Booke's little Volkswagen, one of them Joseph Wiseman makes no secret of his disdain for Booke in purchasing a German car.

They set out from Manhattan to the funeral parlor which is on Ocean Parkway in Brooklyn which is kind of like a residential Champs Elysees in the borough of homes and churches. On the way they have all kinds of adventures including a fender bender with a black driver who is well versed in Jewish idiom played nicely by Godfrey Cambridge. The day is topped off by a voluble rabbi Alan King who can't find enough words to give a proper eulogy to the deceased.

Bye Bye Braverman is funny and bittersweet and kind of sad in its own way. Sidney Lumet got some great performances out of his ensemble cast, most especially from Sorrell Booke who is not a fan of driving three back seat drivers. Nice film to see, especially if you live in New York.

Segal, Wiseman, Booke and Warden: each actor's performance makes for a superb piece of a patchwork quilt. These old friends may rub roughly against each other, in a NY/ethnic kind of way, but we recognize the deep understanding they share from long familiarity. The story offers us a superb ensemble cast, with a wonderful cameo from King. It will never knock "Citizen Kane" off anyone's shelf, but makes a great candidate for the second tier of movie treasures.

I am not convinced that "Bye Bye Braverman" is much more than a stage play inside a red Volkswagon. This is all about the dialog, and quite frankly a lot of it is kind of boring. The characters, four Jewish intellectuals, are well developed, but seem very one dimensional. The movie is essentially one long misadventure on their way to a funeral. Godfrey Cambridge as a "Black Jewish cabdriver", and Alan King as a long winded Rabbi, are the most memorable scenes. George Segal is his usual droopy self, and Jack Warden his usual gruff self. Overall the film is a time capsule, that you may or may not want to open, depending on your tolerance for a lot of often times meaningless dialog. - MERK