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IMDbPro

O Homem Que Odiava as Mulheres

Título original: The Boston Strangler
  • 1968
  • Approved
  • 1 h 56 min
AVALIAÇÃO DA IMDb
7,0/10
12 mil
SUA AVALIAÇÃO
O Homem Que Odiava as Mulheres (1968)
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2 vídeos
99+ fotos
Assassino em sérieCrimeCrime verdadeiroDramaMistérioSuspense

Uma série de assassinatos brutais em Boston causa uma caçada humana aparentemente interminável e complexa demais.Uma série de assassinatos brutais em Boston causa uma caçada humana aparentemente interminável e complexa demais.Uma série de assassinatos brutais em Boston causa uma caçada humana aparentemente interminável e complexa demais.

  • Direção
    • Richard Fleischer
  • Roteiristas
    • Edward Anhalt
    • Gerold Frank
  • Artistas
    • Tony Curtis
    • Henry Fonda
    • George Kennedy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    12 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Fleischer
    • Roteiristas
      • Edward Anhalt
      • Gerold Frank
    • Artistas
      • Tony Curtis
      • Henry Fonda
      • George Kennedy
    • 109Avaliações de usuários
    • 77Avaliações da crítica
    • 66Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 indicações no total

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    Trailer 2:53
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    Fotos125

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    Elenco principal99+

    Editar
    Tony Curtis
    Tony Curtis
    • Albert DeSalvo
    Henry Fonda
    Henry Fonda
    • John S. Bottomly
    George Kennedy
    George Kennedy
    • Phil DiNatale
    Mike Kellin
    Mike Kellin
    • Julian Soshnick
    Hurd Hatfield
    Hurd Hatfield
    • Terence Huntley
    Murray Hamilton
    Murray Hamilton
    • Frank McAfee
    Jeff Corey
    Jeff Corey
    • John Asgeirsson
    Sally Kellerman
    Sally Kellerman
    • Dianne Cluny
    William Marshall
    William Marshall
    • Edward W. Brooke
    George Voskovec
    George Voskovec
    • Peter Hurkos
    Leora Dana
    Leora Dana
    • Mary Bottomly
    Carolyn Conwell
    • Irmgard DeSalvo
    Jeanne Cooper
    Jeanne Cooper
    • Cloe
    Austin Willis
    Austin Willis
    • Dr. Nagy
    Lara Lindsay
    Lara Lindsay
    • Bobbie Eden
    George Furth
    George Furth
    • Lyonel Brumley
    Richard X. Slattery
    Richard X. Slattery
    • Ed Willis
    William Hickey
    William Hickey
    • Eugene T. O'Rourke
    • Direção
      • Richard Fleischer
    • Roteiristas
      • Edward Anhalt
      • Gerold Frank
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários109

    7,011.5K
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    Avaliações em destaque

    bob the moo

    Interesting and engaging drama

    When one or two strangulations of women in their own homes starts to turn into a whole series of murders, the press climb all over it, Boston is on edge and the police are struggling. Leading a new taskforce to find the strangler, John Bottomly continues the search and, after several false leads hits it lucky with a man who appears to be the one they are looking for. However, this is only half the story as Albert DeSalvo appears perfectly normal and doesn't seem to have anything to hide even though everything points to him being the serial murderer of the title.

    Not being aware of the real events behind this film, it was an interesting story of me to watch even though I had to guard myself against the truism that many "true stories" will be simplified for cinema treatment. Regardless though, the film still made for an interesting detective case but also a rather engaging look at mental illness and violence. The investigation part is nicely delivered and is quite tense – yes, we know who the killer is but the other suspects are still interesting and I never felt like I was just hanging around waiting for Curtis to show up. Once he does, the film changes tact slightly but is still interesting because Albert is so engaging a person – I was not sure what he was playing at but it was interesting to go along with Bottomly and try to piece the man together; the closing captions show the slant of the film and this may annoy the more right wing viewer, but it didn't take anything away for me.

    The cast are strong and help the tone of the film. Fonda plays his role well and provides a strong focus for the film until Curtis arrives to sweep it away from under his feet. Curtis' performance is well understated and lacking in the sort of showy acting that he could easily have done (Edward Norton did a similar role in this way but the vehicle was different and it worked); instead he is both a person and a monster, someone we are not allowed to judge but rarely invited to feel sympathy for. Support is good from Kennedy, Hamilton, Kellerman and others but really it is Curtis' film and it is he that sticks in the mind. The direction seems obvious now (especially with 24 in its fourth season) but it is clever and effective, the split screen keeping the film busy even in basic sequences while also helping the tension.

    Overall this is not a pacey thriller but rather a more serious drama, although it still works well as an interesting look at the case but also at the failings of the system of dealing with violent mental illness sufferers. Its point is rather bluntly delivered but getting to it is well done and Curtis' performance is probably one of his best.
    raysond

    They say its overrated,but Tony Curtis' performance is electrifying to watch

    After all the movies that he has done this one shown his acting chops and basically established himself as one of the most distinguish actors in Hollywood,but if you want to see Tony Curtis in a stunning performance as a serial killer,this is the movie to see and not to be missed.

    Tony Curtis showed them off brilliantly with his chilling portrayal of confessed 1960's serial killer,Albert DeSalvo who killed and strangled 13 women in the streets of Boston. Curtis is frighteningly good at depicting the schizophrenic life of a seemingly normal family man who hides his sexual compulsions. Here also you have Henry Fonda as the detective out to stopped him and George Kennedy in a co-starring role. Director Richard Fleischer(of "Fantastic Voyage",and "20,000 Leagues Under The Sea" fame)uses a split screen technique show DeSalvo crimes along with the painstaking police investigation that finally nabbed him in 1964. Shocking as it was back in 1968,and still shocking today in one of Tony Curtis' most gripping roles and exhilarating performance.
    8preppy-3

    Good, well-done thriller

    Fictional account of the Boston Strangler--a maniac who killed about 12 women in the Boston area from 1962-1964. Most of the main actors just walk through their roles--Henry Fonda and George Kennedy especially. But Tony Curtis (who doesn't appear until an hour into the film) is surprisingly good as the strangler. Most people don't think of him as a good actor but as this and "Sweet Smell of Success" proved, he COULD give out a good performance. This was a very tricky role but he pulled it off. The last half hour especially--it's basically one long confession but he's excellent.

    The film is exceptionally well-directed--the split screen is a bit disorienting at times but, ultimately, it helps the film. It keeps you on edge. It's also very interesting to see what Boston looked like in 1968. The only sour spot is there is some homophobia in the movie...but this does take place in '62-'64 and they did think the strangler was a gay man.

    From what I've heard this film was not a big hit when released which probably explains why it took so long to get out on DVD. It's probably one of the best serial killer movies ever made and the multiple screens look great on DVD.

    Well worth seeing if just for Curtis' performance.
    9bkoganbing

    A Killer Role

    Tony Curtis really showed his acting chops when he took on the most unlikely role of Albert DeSalvo the famous Boston Strangler of the early 1960s. Though he's only in the film literally for about half of it, what you see is a classic performance. Why he wasn't nominated for an Oscar, the Deity only knows.

    13 women were found dead in the Boston area of manual strangulation and they were also sexually molested. Public concern was so great that the then Attorney General Edward Brooke, played by William Marshall, overrode local jurisdictions and prerogatives and assigned a lawyer from his office John Bottomly to coordinate the strangler investigation.

    Henry Fonda plays Bottomly who takes the task on quite reluctantly because his expertise is civil litigation. My guess is that Brooke was thinking that Bottomly would be best for the job because he came in with no preconceived notions on how to do the job and would be open to anything. Turned out he was right.

    Actually Fonda has more screen time than Curtis because the first half of the film concentrates on him and the investigation. He follows up every red herring thrown at him. He even hires a medium paid for with private funds by a millionaire friend of Brooke's played by George Voskevec who actually comes close in terms of geography to finding the real killer.

    One of the red herrings is a gay man played by Hurd Hatfield who in those days before Stonewall was considered a likely suspect. He gets turned in by his landlady who is suspicious of his reading material. It's something he's used to, every time there's a lurid sex murder as an openly gay, or at least openly gay for that time he's brought in for questioning. This was one of the few times I ever heard the word gay used in a film made before the Stonewall Rebellion of 1969.

    Curtis however dominates the film. The last 20 minutes or so is a final confrontation with him and Fonda and for those who are used to the insouciant leading man of swashbucklers and comedies, this is a real breakthrough. As much if not more of breakthrough than his part in Sweet Smell of Success.

    In his memoirs however Curtis decries the fact that on this, the second of two films he worked with Henry Fonda on, he said that he found Fonda cold and forbidding as a person to work with.

    The film is tautly directed by Richard Fleischer with some fine editing though I think Fleischer was a bit too fond of the split screen technique. Still it's a film worth watching.
    mercury4

    Tony Curtis at his best

    This movie is pretty good. I'm glad I managed to catch it on AMC recently.I hope you can too. It has a great story, great acting and the great use of double screen. One scene that I like during the use of double screen is the scene were Albert De Salvo is being chased through the streets of Boston. Great use of double screen. Also a great use of sound.

    Tony Curtis sure proved everybody wrong. Nobody thought he could do it and his performance was widely acclaimed. Great acting by Tony. Especially in the film's climax. Richard Fleischer had the right idea for picking Tony. One thing that I think is funny is that the real Albert De Salvo made a wallet for everyone but Curtis. Curtis said, "I guess he didn't like my performance." There is another film loosely based on the Boston Strangler called simply The Strangler. It's actor in the title role, victor Buono, was said by a reviewer to have made the real Boston Strangler proud. Too bad Tony didn't. But it doesn't matter. This movie is good and Tony is great. See this movie. Even though it might be a little hard because it's out of print.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Tony Curtis generally was considered too old to play Albert DeSalvo despite being only six years older than DeSalvo. At the times of the murders, DeSalvo was only in his early thirties.
    • Erros de gravação
      In the film, it is assumed DeSalvo was guilty, and it portrays him as suffering from multiple personality disorder and committing the murders whilst in a psychotic state. DeSalvo was never diagnosed with, or even suspected of, having that disorder.
    • Citações

      Albert DeSalvo: [inside sanitarium] But... I don't belong here.... I-I guess everybody says that, don't they?

    • Cenas durante ou pós-créditos
      Closing credits epilogue; ALBERT DESALVO, PRESENTLY IMPRISONED IN WALPOLE, MASSACHUSETTS, HAS NEVER BEEN INDICTED OR TRIED FOR THE BOSTON STRANGLINGS.

      THIS FILM HAS ENDED, BUT THE RESPONSIBILTY OF SOCIETY FOR THE EARLY RECOGNITION AND TREATMENT OF THE VIOLENT AMONG US HAS YET TO BEGIN.
    • Versões alternativas
      The original UK cinema version suffered heavy BBFC cuts with edits to shots of a woman's dead body, the murder scenes, and the removal of graphic descriptions of the murder victims. Video versions were cut by 1 min 5 secs and reduced the torture of Dianne Cluny to a series of flash shots by removing facial closeups, a shot of her kicking, and detailed footage of her arms and legs being tied to the bed. The cuts were fully restored in the 2004 TCF widescreen DVD.
    • Conexões
      Edited into Voskovec & Werich - paralelní osudy (2012)
    • Trilhas sonoras
      Semper Fidelis
      (uncredited)

      Music by John Philip Sousa

      Heard from the television during the opening scene

      Also played during the flashback montage

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    Perguntas frequentes

    • How long is The Boston Strangler?Fornecido pela Alexa
    • Is 'The Boston Strangler' based on a book?
    • Who was the Boston Strangler?
    • How true is the movie to the real events?The movie is highly fictionalized.

    Detalhes

    Editar
    • Data de lançamento
      • 16 de outubro de 1968 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • El estrangulador de Boston
    • Locações de filme
      • Longfellow Bridge, Boston, Massachusetts, EUA(fighting hippie couple scene)
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 4.100.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 9.439
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 56 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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