Cinco Milhões de Erros

"The Biggest Bundle of Them All" is a caper film that would have worked much better had the story either been funnier or a serious story. As it is, this hybrid story left me very cold.

When the story begins, a gang of misfits kidnaps a famous mobster (Vittorio De Sica). But they soon learn the man has little money and instead of just releasing him, the kidnap victim gets them to agree to make him the boss and pull a really big heist...$5,000,000! But unfortunately, the gang turn out to be complete idiots...too much so.

The story seemed incomplete. I have no idea why Raquel Welch was there other than to be nice eye candy. I have no idea why several of the gang members were afraid of guns and violence. And, I have no idea why De Sica and Edward G. Robinson would agree to be in a film with such a weak script. Overall, dull and difficult to believe.

I've got as much testosterone as the next bloke, and Raquel Welch at her finest is certainly worth a look; but the fact is that a cardboard cut-out could act better, and an hour and half of Ms. W showing off her credentials does not a movie make.

Considering the cast, it's surprising that it's as bad as it is. I've never been a big fan of Wagner, and his tough guy Harry is about as convincing as a 9-dollar bill. Godfrey Cambridge and Vittorio de Sica, both of whom I usually enjoy, seem to be sleeping through their lines; and as for Edward G...well, I can only assume he was there for the paycheck.

This film is a mess: from non-existent plot, through stop-start action and unfunny script to puerile slapstick and annoying 60's 'caper' music. If it weren't for Miss Welch, I'd have given it a 0.

That said, she is a treat to the eyes - even better than her delicious cameo in 'Bedazzled' - and for that reason alone I gave it a 3.

And also the third heist movie involving Edward G Robinson as the mastermind; remember Henry Hathaway's THE SEVEN THIEVES and Giuliano Montaldo's THE GRAND SLAM. But the latest was not really a comdey, nor the Hank Hathaway's film either. This one is more in the line of TOPKAPI, ITALIAN JOB, GAMBIT, TREASURE OF SAN GENNARO, SEVEN GOLDEN MEN.... This very one is definitely the most comedy oriented of them all. It is agreeable, fun, but not my favourite though. Only the last part is worth watching, with the heist sequence. But if you a nostalgic of this sixties period, this feature is for you. Not not the greatest heist - caper - film of them all.

I agree with moonspinner55's review.

It's painful to watch Wagner play a simple pain-in-the-ass, or Cambridge play a bumbler with no good scenes.

Welch is very pretty, but like everyone else here, her one dimensional character adds nothing.

Nobody here has an interesting character, nor is there any humor evident in the first 50 minutes (after which I stopped).

I enjoy wacky caper comedies, but though this movie tries to be one, it never comes close.

If you spend two hours on this, you're spending more time on it than the writers did.

Robert Wagner (with girlfriend Raquel Welch in tow), Godfrey Cambridge, Davy Kaye, and Francesco Mulè kidnap retired gangster Vittorio di Sica and try to ransom him. He's broke. When he can't raise the ransom money, he takes them into partnership to steal $5,000,000 in platinum with a plan by mastermind Edward G. Robinson.

It's one of those sprawling 1960s comedies, this one directed by Ken Annakin, populated by serious actors. Unfortunately, it's not in the least funny. Di Sica shows no sparkle, Wagner is in over his depth, and Miss Welch, who would show great comedy chops in THE THREE MUSKETEERS, is present for eye candy, and she certainly performs in a bikini. The big heist is well done, but that makes this no less a slog.

This sort of movie could work; IT'S A MAD, MAD, MAD, MAD WORLD was carried on the backs of its all-star comic performers, and WHO'S MINDING THE MINT likewise. This one, however, brought no smile to my face.