Adicionar um enredo no seu idiomaFollowing the robbery of a bank in the Wild West a gang gathers around Jack Murphy, their leader. Things go awry when Skinner, Reb, Mathias and the brothers, Bill and Gordon, realize Jack wi... Ler tudoFollowing the robbery of a bank in the Wild West a gang gathers around Jack Murphy, their leader. Things go awry when Skinner, Reb, Mathias and the brothers, Bill and Gordon, realize Jack will divide the loot for his own good only. Furious with him, they decide to betray him and ... Ler tudoFollowing the robbery of a bank in the Wild West a gang gathers around Jack Murphy, their leader. Things go awry when Skinner, Reb, Mathias and the brothers, Bill and Gordon, realize Jack will divide the loot for his own good only. Furious with him, they decide to betray him and it is not long before they take action. They torture him and leave him for dead while his ... Ler tudo
- Direção
- Roteiristas
- Artistas
- Julie Skinner
- (as Dalia Lahav)
- Estelle
- (as Sascia Krusciarska)
- Billy
- (as Fredy Unger)
- Rodrigo
- (as Ivan Scratuglia)
- Raed Telford
- (não creditado)
- Shahim Philips
- (não creditado)
- Gang member (green shirt)
- (não creditado)
- Printer
- (não creditado)
- Cowboy
- (não creditado)
Avaliações em destaque
The story is a classic tale of revenge. The "Hero" is a villain himself, in true spaghetti fashion. He is wronged to such a severe and violent degree that one can't help cheering him on as he brutally hunts down and kills the men who betray him and leave him for dead. There isn't a single boring moment in this movie.
The acting from all the cast members is above average for a Eurowestern. I especially like Robert Woods's maniacal laughing as he torments the victims of his vengeance. It's a nice touch- definitely the kind of thing that makes these Eurowesterns so fun to watch.
Lallo Gori's music score is fantastic. It has a style all its own, and manages to sound great without trying to imitate Morricone. The organ music parts are especially cool.
There is even a little touch of Poe at the end, as the buildings begin to crumble around the tragic characters.
I really can't say enough about this movie without giving too much away, so see it for yourself if you can find it!
Black Jack has several intense and disturbing moments, and the storytelling is very effective, making the 90 minutes pass incredibly fast. There are some segments of fantastic photography in the desert, some poetic images of irreversible violence (mostly the thickening flame on front of the picture) which all make the film little closer to the masterpiece of spaghetti western, Il grande silenzio by Sergio Corbucci, and from the same year. Black Jack certainly doesn't show violence in a good or positive light (unlike Fulci's Four of the Apocalypse, for example) and it must be said it hasn't lost much of its power during these years. Some "infamous" and "shocking" westerns like Cutthroarts Nine (Joaquim Luis Romero Marchent) seem rather pathetic in front of these much more visual, also mentally violent and effective works of the genre.