AVALIAÇÃO DA IMDb
6,6/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn 1743, outlaw Leon Alastray is hunted by the Spanish army but is given sanctuary by a priest in a village terrorized by marauding Yaqui Indians.In 1743, outlaw Leon Alastray is hunted by the Spanish army but is given sanctuary by a priest in a village terrorized by marauding Yaqui Indians.In 1743, outlaw Leon Alastray is hunted by the Spanish army but is given sanctuary by a priest in a village terrorized by marauding Yaqui Indians.
- Direção
- Roteiristas
- Artistas
José Ángel Espinosa 'Ferrusquilla'
- Luis
- (as Ferrusquilla)
Avaliações em destaque
Guns for San Sebastian is directed by Henri Verneuil and adapted to screenplay by James R. Webb from the novel "A Wall for San Sebastian" written by William Barby Faherty. It stars Anthony Quinn, Charles Bronson, Anjanette Comer, Sam Jaffe and Silvia Pinal. Music is by Ennio Morricone and cinematography by Armand Thirard.
An outlaw on the run is mistaken for a priest by peasant villagers who are at the mercy of bandits and Yaqui Indians.
Something of a multi euro Western, Guns for San Sebastian latches onto the Spaghetti Western coat tails whilst attempting to put something new in the wardrobe. Undeniably the critics who said it's pedestrian in pace are absolutely right, the first two thirds of the piece asks for a great deal of your patience, whilst simultaneously demanding you buy into the various themes trundling away.
With a surreal sub-plot at play, a jokey romance and some atrocious dubbing, it's not hard to dismiss it as purely fun cannon fodder. Yet there's some strengths in the piece, literary wise and from a thrilling stand point as the last third brings the thunderous siege - cum battle stations. Quinn throws in a good turn, the Durango locale is superbly photographed, and Morricone offers up one of his tonally astute scores.
It's all very Magnificent 7 et al, but nothing wrong with that, that is on proviso you can get through the labours of the first hour or so. 7/10
An outlaw on the run is mistaken for a priest by peasant villagers who are at the mercy of bandits and Yaqui Indians.
Something of a multi euro Western, Guns for San Sebastian latches onto the Spaghetti Western coat tails whilst attempting to put something new in the wardrobe. Undeniably the critics who said it's pedestrian in pace are absolutely right, the first two thirds of the piece asks for a great deal of your patience, whilst simultaneously demanding you buy into the various themes trundling away.
With a surreal sub-plot at play, a jokey romance and some atrocious dubbing, it's not hard to dismiss it as purely fun cannon fodder. Yet there's some strengths in the piece, literary wise and from a thrilling stand point as the last third brings the thunderous siege - cum battle stations. Quinn throws in a good turn, the Durango locale is superbly photographed, and Morricone offers up one of his tonally astute scores.
It's all very Magnificent 7 et al, but nothing wrong with that, that is on proviso you can get through the labours of the first hour or so. 7/10
Anthony Quin plays Leon Alastray, part time revolutionary and full time bandit, on the run from the Spanish authorities in Old Mexico in the 18th Century. Through a series of unlikely but possible events, Quinn is mistaken for a priest whom has come to the small village of San Sebastian. The villagers are being victims by Jaime Fernandez and his band of Yacquis. Charles Bronson plays (badly, worst performance of his career) a half-breed whose loyalties are always suspect. Anjanette Comely, er Comer, plays the sultry love interest. Rather silly story, good cinematography, fairly good special effects, and outstanding music (by the master, Ennio Morricone) makes this a worthwhile view. Turner Classic Movies shows it in letterbox. Otherwise, you are out of luck. It's not available in video.
The film has a good theme and set in quite genuine historical settings. It brings out the conflict between the indians and the settlers, the poor settlers and the ruling elite. It packs in quite some punch on the action category.
This is one of those films that nearly loses you, but in the end rewards you for sitting through it. It makes for a very good view, despite its leisurely pace at times.
In summary Anthony Quinn stars as a outlaw that is saved by Father John, whom he escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from indians, who pillage their crops and burn their buildings. When Father John is murdered, the outlaw is mistaken as the man of god by the villagers, and assists them in regaining their confidence and defending themselves.
Quinn is superb in his role, complimented by Charles Bronson, who plays the bad guy "half breed" Teclo. Sam Jaffe's Father Joseph character is also very likable.
Whilst the movie is quite slow in places, this only helps to plot out the story. Although casting the indians as the "bad guys", it does explain that the massacre of the villagers is no different than what the white man has done to their own race "in the name of god".
The soundtrack is again provided by Ennio Morricone and, whilst not his best work, does help provide the suitable atmosphere, borrowing heavily from some of his other compositions.
Definitely worth a view.
In summary Anthony Quinn stars as a outlaw that is saved by Father John, whom he escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from indians, who pillage their crops and burn their buildings. When Father John is murdered, the outlaw is mistaken as the man of god by the villagers, and assists them in regaining their confidence and defending themselves.
Quinn is superb in his role, complimented by Charles Bronson, who plays the bad guy "half breed" Teclo. Sam Jaffe's Father Joseph character is also very likable.
Whilst the movie is quite slow in places, this only helps to plot out the story. Although casting the indians as the "bad guys", it does explain that the massacre of the villagers is no different than what the white man has done to their own race "in the name of god".
The soundtrack is again provided by Ennio Morricone and, whilst not his best work, does help provide the suitable atmosphere, borrowing heavily from some of his other compositions.
Definitely worth a view.
A spaghetti western surprise with Anthony Quinn as a "priest" and Charles Bronson as a Mestizo malcontent.
The movie has a theme, a developed plot, some actors with charisma and an Ennio Morricone score. That's more than most movies give you, regardless of genre.
I was pleased to find that Spaghettiville isn't a one-horse (Eastwood/Leone) town.
8 out of 10.
The movie has a theme, a developed plot, some actors with charisma and an Ennio Morricone score. That's more than most movies give you, regardless of genre.
I was pleased to find that Spaghettiville isn't a one-horse (Eastwood/Leone) town.
8 out of 10.
Você sabia?
- CuriosidadesThis was originally announced in 1964 as a starring vehicle for Gregory Peck.
- Erros de gravaçãoAfter the dam is blown up, you can see some of the (Indians) actors holding their breath as they float down the river. e.g. one in particular has puffy cheeks after he holds his breath.
- Citações
Kinita: Where are you going?
Leon Alastray: What difference does it make? A man goes from the place he is born to the place he dies.
- ConexõesFeatured in Lionpower from MGM (1967)
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- How long is Guns for San Sebastian?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 51 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Os Canhões de San Sebastian (1968) officially released in India in English?
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