A Batalha de El Alamein

OK I know, it's a cheesy flick with a low budget, but I really enjoyed it. The Italian tanks coming into the battle was awesome! I always play this game called Panzer General and my favorite moves are trying to amass Italian troops against the Allies just to test my ability. I'm glad the Italians were run by very VERY incompetent Officers because they could have been a real asset (more so) to the Germans. This is the story of an elite Italian Infantry unit (the Bersaglieri). In all, six of the 12 total Bersaglieri regiments fought in North Africa, compiling an excellent combat record. More than once, Bersaglieri units fought to the last man to hold a position while German units ran away. This movie tells of one of those engagements, and the first time I saw it and what armament they had to face a dozen tanks, I was really entertained and so will you! Try to get a decent print though because I was so desperate to see this one time that I bought it on tape and it was horrible, the DVD was really bad but at least it was watchable. It's the only one of it's kind that I've seen although I loved movies like Stalingrad (the BW version) that showed some of the Romanian army's in action. Interesting for war film buffs and recommended.

The opening prologue states : June 1942, as general Erwin Rommel swept toward the Nile , the fall of Egypt and the capture of the Suez canal seems inevitable . Italian and German advance units raced toward Alejandria . Mussolini had given explicit orders : The Italians must arrive first ! . In this one , the Italians and Germans, united in a difficult Alliance , fight the British in the North Afican desert . The Italians are the good guys and the British are the bad guys , including a point blank execution of prisoners . The protagonists are two brothers , a tough lieutenant (Frederick Stafford) and a sergeant (Enrico Maria Salerno) fighting the British military . Furthermore, a brave English lieutenant (George Hilton) and , of course , Erwin Rommel (Robert Hossein) and General Montgomery (Michael Wilding) . Montgomery's Iron Back 8th Army ... Rommel's Crack Africa Korps ... they met head on and tore the earth apart !'

This movie gets lots of action , crossfire , gunplay and explosion . All-star-cast formed by known European actors give decent interpretations . It displays several extras and tanks , in fact , the production wishes thanks the Italian Ministry of defense and the Italian Army general staff for their collaboration in making this film .

The picture is based on the real battles , the true events were the following : Alamein in WWII are two decisive battles in the western desert , north Egypt , in 1942 resulting in British victory over Axis forces under Field Marshal Erwin Rommel : 1- 27 July 1942 the British 8th Army under General Sir Claude Auchinleck held off the German and Italian forces . Neither side can be said to have won , but the British had the strategic advantage of short supply lines and so could reinforce faster than Germans . 23 Oct-4 Nov 1942 General Bernard Montgomery launched a diversionary British attack in the south , aiming to draw Axis forces into the area so that the main attack in the north could cut two corridors through the extensive minefields , enabling British armoured divisions to pass through and exploit the gaps . Progress was slow however and Montgomery decided to change tactics to fight what he called a 'crumbling battle' constantly switching the main emphasis to chip away at Rommel's front line and keep him guessing. Australian Division attacked along the coastal road , drawing the Axis forces toward them . Montgomery promptly launched a fresh attack further south, forcing the German armour to react in what became a major tank battle . By 3 Nov Rommel had only 30 serviceable tanks in action and on the next day began organizing his withdrawal. He was able to disengage and escape as the British were hampered by heavy rain and shortage fuel .

Italy, along with much of the rest of the world, was into producing lots of cheapo war movies (mostly WW2) during the late-60's. The trend died out with the disillusionment caused by the Vietnam war, as did the popularity of these "gung-ho" war films.

Battle of El Alamein isn't such a film. It's probably the most objective and anti-war film made since ALL QUIET ON THE WESTERN FRONT. While the battle sequences are big and exciting, there's nothing glamorous about fighting this kind of war. The soldiers are all shown as equally miserable, barely eeking out an existence in a network of trenches on the sunbaked deserts of North Africa. While it primarily focuses on the heroics of an Italian division (the real-life Italian army was best known as one of the most poorly-led and low-morale armies at the time), the film doesn't get too preachy and while it villifies no one, only showing how some generals (especially the fictional Schwartz) inevitably swung the battle in their enemy's favor due to their impatience and misguided ideals.

THE BATTLE OF EL ALAMEIN also does a great job of blending fictional characters with nonfictional ones (like Rommel, Montgomery, Von Thoma, and Stumme) in a nonfictional setting. While the battle itself is abridged and perhaps over-simplified to focus on the Italian division, that's perhaps best for the sake of narrative, character development, and making the emotional impact as strong as possible.

Stylistically, the film is done fairly well in late-60's style, with plenty of zoom-lens technique, close-ups, etc. It does drag in spots but only due to the predictability because we KNOW that the axis is gonna lose, but it does a good job keeping the suspense high by showing the Italians taking heavy losses in every engagement. We never know which characters are gonna make it through and which ones aren't.

Despite it's flaws, I doubt a better, larger, or more compelling depiction of the battle of El Alamein shall ever be made.

British forces are seen attacking with armored personnel carriers developed after the war. The M113 APCs were first fielded by the US in 1960 and were adopted by many other armies in the Free World. The boxy shapes of their aluminum hulls are unmistakable to any G.I. like me who served in Vietnam. By this time in the war, the British were well aware of the need to have their infantry attack with their armor to keep enemy infantry from doing what the Italian soldiers are shown doing in the last battle: swarming over the tanks and taking them out with anti-tank mines and Molotov cocktails. Still this is a fairly good movie, one worth watching.

This isn't a bad WWII adventure, in fact a fair imitation of the big-budget Hollywood films from that vintage; the international cast is second-rate but both Michael Rennie and Robert Hossein cut a serviceable figure as General Montgomery and Field Marshall Rommel respectively - and there's a good performance by Enrico Mario Salerno as an Italian officer of the Bersaglieri.

The film deals with Rommel's famous North African campaign, in which the Nazis were 'aided' by the Italian forces (more precisely, the latter served as a shield to the former, with their largely disheveled armies being deemed disposable). Interestingly, but unsurprisingly, the Fascists are the heroes here (though Frederick Stafford is portrayed as a martinet) while the Allies, i.e. the British, are the villains (at one point, they're even shown massacring a group of unarmed Germans in cold blood) - but, at least, there's one sympathetic member in George Hilton; the Germans stand somewhere in the middle: Rommel is treated as a level-headed strategist who, however, is extremely critical of the Fuehrer's unrealistic orders (and, even if the film is clearly set in 1942, is already seen to be a willing participant in what eventually became the July 1944 plot to assassinate Hitler). The cast also includes Gerard Herter (who, memorably, had been the aristocratic sharpshooter and Lee Van Cleef's alter-ego in THE BIG GUNDOWN [1966]) as a German officer who doesn't see eye to eye with Rommel.

The action is frequent and well-handled, and there's even a healthy dose of comedy - at least among the Italian lines (which may well have been lost in the English translation!); besides, Carlo Rustichelli's upbeat score is a major asset...and surprisingly - but satisfactorily - the film provides a downbeat ending! I'll be following this with two other Italian war films - Enzo G. Castellari's EAGLES OVER London (1969), also with Stafford, and Sergio Martino's CASABLANCA EXPRESS (1989)...