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Adeus, Amigo

Título original: Adieu l'ami
  • 1968
  • PG
  • 1 h 55 min
AVALIAÇÃO DA IMDb
6,7/10
4,6 mil
SUA AVALIAÇÃO
Charles Bronson and Alain Delon in Adeus, Amigo (1968)
AssaltoAçãoCrimeDramaMistérioSuspense

Adicionar um enredo no seu idiomaTwo former French Foreign Legionnaires reluctantly work together to break into a corporation's vault, but discover that they are being set up to take the fall for a robbery-and-murder plot.Two former French Foreign Legionnaires reluctantly work together to break into a corporation's vault, but discover that they are being set up to take the fall for a robbery-and-murder plot.Two former French Foreign Legionnaires reluctantly work together to break into a corporation's vault, but discover that they are being set up to take the fall for a robbery-and-murder plot.

  • Direção
    • Jean Herman
  • Roteirista
    • Sébastien Japrisot
  • Artistas
    • Alain Delon
    • Charles Bronson
    • Brigitte Fossey
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    4,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Jean Herman
    • Roteirista
      • Sébastien Japrisot
    • Artistas
      • Alain Delon
      • Charles Bronson
      • Brigitte Fossey
    • 28Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos96

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    Elenco principal27

    Editar
    Alain Delon
    Alain Delon
    • Dino Barran
    Charles Bronson
    Charles Bronson
    • Franz Propp
    Brigitte Fossey
    Brigitte Fossey
    • Dominique 'Waterloo' Austerlitz
    Olga Georges-Picot
    Olga Georges-Picot
    • Isabelle Moreau
    Bernard Fresson
    Bernard Fresson
    • L'inspecteur Antoine Méloutis
    Ellen Bahl
    • Martha
    Jean-Claude Balard
    Jean-Claude Balard
    • Un inspecteur de police
    Michel Barcet
    • L'inspecteur Muratti
    Stéphane Bouy
    Stéphane Bouy
    • Un homme à Neuilly
    André Dumas
    • Le directeur du personnel
    Steve Eckardt
    • Le baraqué
    Marie-Noëlle Gresset
      Lisette Lebon
      • Gilberte
      Marianna Falk
      • Catherine
      • (as Mariana Falk)
      Sandrine Schmidt
      Catherine Sola
      • L'infirmière
      Antoine Baud
        Béatrice Costantini
        • La jeune malade
        • (não creditado)
        • Direção
          • Jean Herman
        • Roteirista
          • Sébastien Japrisot
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários28

        6,74.6K
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        Avaliações em destaque

        8blanche-2

        really enjoyable

        Alain Delon and Charles Bronson star in "Farewell, Friend" also known as Honor Among Thieves. I believe this film was originally in French, but Delon and Bronson dubbed their own English.

        The two men are home from the French Foreign Legion in North Africa. Franz Propp (Bronson) is a mercenary and invites Dino (Delon) to join him. Dino says no.

        Figuring he has something interesting on the horizon, Propp starts following him around, which infuriates Dino. He's supposed to help a woman who was a friend of his buddy replace a huge amount of bonds in a safe over Christmas break.

        The company she works for is in need of a doctor, which Dino is, and Dino takes the job and sets up a camera to record the numbers of the safe. He then finds out there is $2 million to be left there over Christmas. Unfortunately the camera only shows 3 numbers clearly of the combination.

        Propp, of course, wants the money and won't leave the premises. The two stay in the basement of this building for the Christmas weekend, with Dino desperate to get rid of Propp most of the time.

        They take turns trying safe combinations and as time goes on, play tricks on one another. Dino buys all the food in the vending machine and then hides it in a table; later, as they're hiding, guards take the table, thus leaving them both with no food.

        They lock each other in and out of places. Then their room becomes a sweat box when they are locked in and Propp tries to go through a wall and cuts the air conditioning wires by accident. This gives them an opportunity to remove their shirts so we can see their bodies. Needless to say they both look great.

        The questions are - can they open the safe, can they get out of the building when it opens on Tuesday, and the big one, can they live until Tuesday?

        This film, which looked to be an adventure/heist type of thing is actually very funny. Bronson and Delon work beautifully together and have a lot of chemistry. And they do learn they have one thing in common - loyalty.

        Someone said this film is slow - I didn't find it so. It's a real macho film with charming stars and a lot of humor. And the gorgeous Delon is given many closeups and at one point is in blue pajamas which emphasize his eyes.

        I enjoyed it.
        dbdumonteil

        France welcomes Bronson.

        It was a time when Charles Bronson was featured in French/European productions;for the record ,one can mention "Le Passager de la Pluie "(1969) by René Clément,"De la Part des Copains " (1970)by Terence Young and the curious "Quelqu'un Derrière la Porte" (1971)where he teamed up with Anthony Perkins .

        "Adieu L'Ami" is arguably best of Bronson's adventures in France ,and best of Jean Herman's small filmography .It's his only success in France "Jeff" feat Delon again being looked upon as a failure. In "Adieu L'Ami" ,Bronson replaces ,in a certain manner,Lino Ventura. The plot is suspenseful in the grand tradition of Boileau-Narcejac's frame-ups .It's one of the rare Sebastien Japrisot's scripts which does not fall apart after the second reel.The scenes in the corridor climax the movie.What a night!

        A note about the cast:

        Olga-Georges Picot ,after several conventional parts,sank into porno films and prematurely died.

        Brigitte Fossey,whose performance in Clement's "Jeux Interdits" (1952:she was five then)was praised to the skies around the world,came back to making movies in 1967 ("Le Grand Meaulnes").It was the second effort of her second career.She is still acting .

        Although Bernard Fresson (who recently died)had begun his career with Resnais ("Hiroshima Mon Amour" ,1959) it took him ten years to draw the French audience's attention : his part of a cop was hailed by the critics.
        7lost-in-limbo

        Even thieves have a code of honour.

        Utterly tactical, strange (watch for the kinky moment of a drop-dead gorgeous blonde acting as pull-string doll for some rich folks), pointless but undoubtedly compelling late-night feature. This unhinged French production is a stew of perplexedly unfocused ideas and random plot illustrations centred on its very charismatic stars (if somewhat anti-heroes) Alain Delon and Charles Bronson. Really they don't get to do all that much, especially during the confined, lengthy mid-section where they hide themselves in a building during the Christmas break to crack a safe with 10,000 possible combinations. Oh fun! But this is when the odd, if intriguing relationship is formed between Delon and Bronson's characters. After a manipulative battle of wills (and childishly sly games against each other), the two come to an understanding that sees them honour each other's involvement and have a mutual respect. This would go on to play a further part in the twisty second half of the story with that undetectable curve-ball. Still their encounters early on suggest there's more, but what we get is vague and this is magnified by that 'What just happen there?' ending that might just make you jump. YEEEEAAAAAHHHHHHHHH! Glad to get that out of the system.

        The pacing is terribly slow, but placidly measured for it and this seems purposely done to exhaust with its edgy, nervous underlining tension. Watch as the same process is repeated over and over again, and you know something is not quite right and the scheming eventually comes into play. Now everything that does happen feels too spontaneous, but the climax payoff is haunting. The taut, complex script is probably a little too crafty for its own good, but there are some neat novelties (Coins, glass and liquids… try not spilling) and visual symbolisms. Jean Herman's direction is efficiently sophisticated and low-key, but get a tad artificial and infuse an unwelcoming icy atmosphere. The sound FX features more as a potent note, than that of Francois DeRoubaix's funky score that's mainly kept under wrapped after its sizzling opening. Top drawers Delon (who's quite steely) and Bronson (a jovial turn) are solid, and work off each tremendously. Bernard Fresson chalks up the attitude as the Inspector who knows there's more going on than what is being led on. An attractive female cast features able support by Brigitte Fossey and Olga Georges-Picot.

        A cryptically directionless, but polished crime drama maintained by its two leads and some bizarre inclusions.
        7ilyaeck-988-416285

        Delon & Bronson. Yeah!!

        An engaging psychological thriller, it's got some fights, girls, guns, muscles and chase scenes, but that's not the point. Ultimately, this film is about friendship and honor. It's a guys' flick, although girls too will be rewarded with Alain Delon's divine mug in plenty a closeup. It is probably Charles Bronson's finest performance ever, and one of Delon's best films. Made entirely in English, this is a good chance for an American viewer to appreciate French thrillers. While trying to imitate Hollywood first, they ended up being much better than the original. This movie will probably not change you as a person, but it will resonate with you.
        chico-10

        New interpretation of plot

        It is my personal opinion that "adieu l´ami" is one of the most underestimated movies of alain delon. Its psychological structure is of a highly complex density and needs to be analysed more. Especially the ambivalent role of women, sex and violence makes plenty of different interpretations possible. I propose to view "adieu l´ami" as an early outlook to the risky and multi-individualistic lifestyle and social attitude of the late ninetees. Comparing now the plot of "adieu l´ami" to the reality of western societies it must be seen as a masterpiece of impressing directive power.

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        • Curiosidades
          Alain Delon, like many French, had admired Dominados Pelo Ódio (1958), one of the first Bronson's starring vehicles, and he had the producer approach him when Bronson was in Europe making Pancho Villa (1968).
        • Erros de gravação
          When Barran throws the burning paper up in the shaft when they have opened a hole in the wall you can see it being moved out of the way by film crew because of the shadows it makes before he climbs up.
        • Citações

          Dino Barran: Give me your word.

          Franz Propp: I ain't got one.

          Dino Barran: Give it to me anyway.

          Franz Propp: Very well friend.

        • Conexões
          Featured in The Big Sleaze (2010)
        • Trilhas sonoras
          Adieu L'Ami
          Written and Performed by François de Roubaix And Orchestra

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        Perguntas frequentes15

        • How long is Farewell, Friend?Fornecido pela Alexa

        Detalhes

        Editar
        • Data de lançamento
          • 14 de agosto de 1968 (França)
        • Países de origem
          • França
          • Itália
        • Idiomas
          • Francês
          • Inglês
        • Também conhecido como
          • Farewell, Friend
        • Locações de filme
          • Franstudios - saint maurice, França(Studio)
        • Empresas de produção
          • Greenwich Film Productions
          • Medusa Distribuzione
        • Consulte mais créditos da empresa na IMDbPro

        Bilheteria

        Editar
        • Faturamento bruto mundial
          • US$ 19.800.000
        Veja informações detalhadas da bilheteria no IMDbPro

        Especificações técnicas

        Editar
        • Tempo de duração
          • 1 h 55 min(115 min)
        • Mixagem de som
          • Mono
        • Proporção
          • 1.66 : 1

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