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IMDbPro

2001: Uma Odisséia no Espaço

Título original: 2001: A Space Odyssey
  • 1968
  • Livre
  • 2 h 29 min
AVALIAÇÃO DA IMDb
8,3/10
760 mil
SUA AVALIAÇÃO
POPULARIDADE
476
78
2001: Uma Odisséia no Espaço (1968)
Humanity finds a mysterious, obviously artificial object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.
Reproduzir trailer2:24
9 vídeos
99+ fotos
AventuraAventura épicaDrama psicológicoÉpicoÉpico de ficção científicaFicção científicaFicção científica espacialInteligência artificial

Trás descobrir um misterioso artefato na superfície da Lua, a humanidade tenta encontrar seus origens com a ajuda da inteligença do ordernador HAL 9000.Trás descobrir um misterioso artefato na superfície da Lua, a humanidade tenta encontrar seus origens com a ajuda da inteligença do ordernador HAL 9000.Trás descobrir um misterioso artefato na superfície da Lua, a humanidade tenta encontrar seus origens com a ajuda da inteligença do ordernador HAL 9000.

  • Direção
    • Stanley Kubrick
  • Roteiristas
    • Stanley Kubrick
    • Arthur C. Clarke
  • Artistas
    • Keir Dullea
    • Gary Lockwood
    • William Sylvester
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,3/10
    760 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    476
    78
    • Direção
      • Stanley Kubrick
    • Roteiristas
      • Stanley Kubrick
      • Arthur C. Clarke
    • Artistas
      • Keir Dullea
      • Gary Lockwood
      • William Sylvester
    • 2.7KAvaliações de usuários
    • 262Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
  • Filme mais avaliado nº99
    • Ganhou 1 Oscar
      • 18 vitórias e 14 indicações no total

    Vídeos9

    New 70mm Trailer
    Trailer 2:24
    New 70mm Trailer
    Re-release Trailer
    Trailer 2:01
    Re-release Trailer
    Re-release Trailer
    Trailer 2:01
    Re-release Trailer
    2001: A Space Odyssey
    Trailer 3:32
    2001: A Space Odyssey
    5 A.I. Movies We Humans Love to Watch
    Clip 1:01
    5 A.I. Movies We Humans Love to Watch
    'The Platform' & Future Films From the IMDb Top 250
    Clip 4:04
    'The Platform' & Future Films From the IMDb Top 250
    Which Iconic Movie Characters Should Meet at the 'El Royale'?
    Clip 1:35
    Which Iconic Movie Characters Should Meet at the 'El Royale'?

    Fotos402

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    Elenco principal72

    Editar
    Keir Dullea
    Keir Dullea
    • Dr. Dave Bowman
    Gary Lockwood
    Gary Lockwood
    • Dr. Frank Poole
    William Sylvester
    William Sylvester
    • Dr. Heywood R. Floyd
    Daniel Richter
    Daniel Richter
    • Moon-Watcher
    Leonard Rossiter
    Leonard Rossiter
    • Dr. Andrei Smyslov
    Margaret Tyzack
    Margaret Tyzack
    • Elena
    Robert Beatty
    Robert Beatty
    • Dr. Ralph Halvorsen
    Sean Sullivan
    Sean Sullivan
    • Dr. Bill Michaels
    Douglas Rain
    Douglas Rain
    • HAL 9000
    • (narração)
    Frank W. Miller
    • Mission Controller
    • (narração)
    Bill Weston
    Bill Weston
    • Astronaut
    Ed Bishop
    Ed Bishop
    • Aries-1B Lunar Shuttle Captain
    • (as Edward Bishop)
    Glenn Beck
    Glenn Beck
    • Astronaut
    Alan Gifford
    Alan Gifford
    • Poole's Father
    Ann Gillis
    Ann Gillis
    • Poole's Mother
    Edwina Carroll
    Edwina Carroll
    • Aries-1B Stewardess
    Penny Brahms
    Penny Brahms
    • Stewardess
    Heather Downham
    Heather Downham
    • Stewardess
    • Direção
      • Stanley Kubrick
    • Roteiristas
      • Stanley Kubrick
      • Arthur C. Clarke
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários2.7K

    8,3760.1K
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    Resumo

    Reviewers say '2001: A Space Odyssey' is acclaimed for its pioneering visual effects, classical music integration, and profound themes on humanity and technology. It explores human evolution, man-machine relationships, and cosmic mysteries. Critics note its slow pace, abstract plot, and minimal character development. Some find its ambiguity frustrating, while others value its philosophical depth and artistic vision. Its impact on science fiction and cinematic mastery is recognized, though views on its accessibility and entertainment differ.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    8doomedmac

    Darn-near unwatchable; classic

    I'm EXTREMELY conflicted about this movie. I hate it, but it's amazing. I won't ever watch it again, but it's groundbreaking. I can't recommend it, but you have to see it.
    10simon_booth

    Unmatched accomplishment

    Sometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as "boring" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience.

    Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up.

    2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's.

    Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly.

    I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10.
    10Cain47

    Nietzsche and 2001

    I'm always surprised, given that the famous title track of 2001 is called "Also sprach Zarathustra", that nobody (nobody I've read, anyway) has noted the parallels between the movie and Nietzsche's famous work, "Also sprach Zarathustra". The idea of man's rebirth into a star child; an infant form of an indescribably more advanced being, is an explicit part of N.'s "Zarathustra"; there is a prominent passage called "On how a camel becomes a lion, and a lion becomes a child", in which N. describes the first incarnation of the overman as a child, transcending both the ascetic, altruistic side of man (the camel; always asking to bear more weight) and the rapacious, brutish, will-to-power side of man (the lion). The fact that the song plays during the star child sequence can hardly be coincidence. And also, Zarathustra said that "man is a rope tied between beasts and the overman." The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman. The inscrutability of how these transformations occurred, and the suggestion that an external force caused them, is also Nietzschean; in "Zarathustra", he makes it pretty clear that he doesn't have a clue how people are going to be able to enact these changes themselves and suggests that we will have to depend on an outsider (Zarathustra) to show us how to "go under". Bowman's psychedelic sequence at the near-end could be seen as Kubrick's best 1960's-style attempt at depicting the mystical "going under".

    I know these parallels are pretty broad, and almost certainly have been noted elsewhere despite the fact that I have not personally seen it. But I just wanted to mention them, if for no other reason than to try to dispel the myth that Nietzsche was ultimately a gloomy philosopher. Few people find the ending of 2001 to be gloomy, and it is in my opinion, explicitly and unmistakeably Nietzschean. The case could certainly be made that 2001 is above all a dramatization of "Zarathustra" updated for the modern age. Feel free to disregard the outright snobbishness of my tying everything to Nietzsche.
    8Xstal

    Planet of the Hominins...

    There's a monolith that seeks to influence, the evolution of the simian confluence, teaching apes how to compete, how to kill to get their meat, all leading to, a lunar revolution. On the moon, another block has been discovered, the apes now have the means to open wings and smother, it's to Jupiter they go, what they'll find nobody knows, but it doesn't seem to fill primates with dread. To protect they have a powerful A. I., it misses nothing, and nothing passes by, everything will not be fine, if you rely on an airline, as it watches with satanic, evil eye. At Jupiter, Darwin gets dispatched, down kaleidoscopic, psychedelic hatch, death brings birth and birth brings earth, a giant foetus wants to berth, I'm not sure hominins will make much of a match.

    A perpetually engrossing film that offers more conundrums than conclusions, your interpretations uniquely your own, but the scale, cinematography and concepts are truly out of this world.
    CinemaClown

    The Sci-Fi That Put The Science In Science Fiction

    Putting the science in science-fiction, 2001: A Space Odyssey is an unprecedented, undisputed & unparalleled achievement, and a landmark moment in cinema history, for it nearly killed its genre by setting the bar so high that it hasn't been equalled or challenged ever since. Universally & unanimously hailed as one of the greatest & most influential films ever made, it is without a doubt Stanley Kubrick's magnum opus.

    Director's Trademarks: A Guide to Stanley Kubrick's Films

    Director's Trademarks: A Guide to Stanley Kubrick's Films

    2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?
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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      According to Douglas Trumbull, the total footage shot was some 200 times the final length of the film.
    • Erros de gravação
      Bowman inhales deeply before attempting to re-enter the ship from the pod. Arthur C. Clarke in an interview later noted that this is incorrect. Bowman should have exhaled, as the vacuum of space would have damaged his lungs had they been full of air.
    • Citações

      HAL: I am putting myself to the fullest possible use, which is all I think that any conscious entity can ever hope to do.

    • Cenas durante ou pós-créditos
      No opening credits for actors, writers, producer, director, etc. are shown, with the story beginning right after the title. Although by the 1990s it had become quite common for major films to not have opening credits, it was still unusual in 1968.
    • Versões alternativas
      To create the 35mm general release prints, the Super Panavision image was slightly truncated on the top and bottom to achieve the standard 2.35:1 aspect ratio of 35mm anamorphic ("scope") prints.
    • Conexões
      Edited into C'è musica & musica: Nuovo mondo (1972)
    • Trilhas sonoras
      Gayane Ballet Suite -- Gayane's Adagio
      (1941-2)

      Music by Aram Khachaturyan

      Performed by Leningrad Philharmonic Orchestra (as the Leningrad Philharmonic Orchestra)

      Conductor Gennadi Rozhdestvensky

      Courtesy Deutsche Grammophon

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    Perguntas frequentes62

    • How long is 2001: A Space Odyssey?Fornecido pela Alexa
    • Why did we see 7 "stars" during David's travel into the wormhole and what is the meaning behind it?
    • What became of the hominid monolith?
    • Why did the monkeys kill the other monkey?

    Detalhes

    Editar
    • Data de lançamento
      • 4 de julho de 1968 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Central de atendimento oficial
      • Facebook
    • Idiomas
      • Inglês
      • Russo
      • Francês
    • Também conhecido como
      • 2001: Odisea del espacio
    • Locações de filme
      • Isle of Harris, Western Isles, Escócia, Reino Unido(alien planet surface)
    • Empresas de produção
      • Metro-Goldwyn-Mayer (MGM)
      • Stanley Kubrick Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 12.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 60.481.243
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 202.759
      • 20 de mai. de 2018
    • Faturamento bruto mundial
      • US$ 66.905.221
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 29 min(149 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.20 : 1

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