O programa original de comédia de esquetes de fogo rápido.O programa original de comédia de esquetes de fogo rápido.O programa original de comédia de esquetes de fogo rápido.
- Ganhou 7 Primetime Emmys
- 11 vitórias e 34 indicações no total
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This show was to the 1960's what Your Show of Shows was to the 50's, Saturday Night Live was to the 70's and in Living Color was to the 90's. It was a breeding ground for some of the finest comic talent of the last nearly 40 years. The catchphrases, the schtick and, most of all, the joke wall were all vital parts of this show. And look at all the alumni. Goldie Hawn, Arte Johnson, Lily Tomlin, Henry Gibson et. al have all gone on to bigger and better things. In fact, Goldie Hawn parlayed her Laugh-In stardom into an Oscar for the Cactus Flower. Unfortunately, the show couldn't hold onto its best talent and eventually it faded in its final couple of years. However, this show will still be remembered for being a wonderful breeding ground.
"Laugh-In" was a solid mix of one liners, sight gags, and other forms of sketch comedy. Designed to be a satire of its times, "Laugh-In" is probably better remembered for its catch phrases, including "Sock it to me," "Very interesting," and "Here come da judge, here come da judge." And let's not forget The Groaning Wall. The variety series was hosted by Dan Rowan and Dick Martin, and launched the careers of Goldie Hawn, Richard Dawson, and Steve Martin. After six years on the air, "Laugh-In" bowed out of the prime time spotlight. Now if only Some Newer Latenight variety show had the same common sense to quit while it was ahead.
Look it up in your Funk & Wagnalls. You'll find it under the word "funny."
Laugh-In was quite a novelty when it first aired, presenting audiences with a fast-paced, unstructured variety show featuring lots of sight gags, punch lines, and other wacky stuff, all pieced together into a frenetic mesh of comedy. This format has, of course, been done many times (Saturday Night Live, Monty Python, and even The Muppet Show and Sesame Street) but Laugh-In was definitely a forerunner.
The hosts, Dan Rowan and Dick Martin, were as great a pair as Laurel and Hardy and Abbott and Costello, and the show featured many unknown comedians who have since become famous, such as Lily Tomlin, Goldie Hawn, and Arte Johnson.
Although parts of the show have a definite 60's/70's taste to them, the humor remains timeless for those who enjoy wacky, off-the-wall comedy.
All in all, it is verrrry interesting! And verrrry funny!
Laugh-In was quite a novelty when it first aired, presenting audiences with a fast-paced, unstructured variety show featuring lots of sight gags, punch lines, and other wacky stuff, all pieced together into a frenetic mesh of comedy. This format has, of course, been done many times (Saturday Night Live, Monty Python, and even The Muppet Show and Sesame Street) but Laugh-In was definitely a forerunner.
The hosts, Dan Rowan and Dick Martin, were as great a pair as Laurel and Hardy and Abbott and Costello, and the show featured many unknown comedians who have since become famous, such as Lily Tomlin, Goldie Hawn, and Arte Johnson.
Although parts of the show have a definite 60's/70's taste to them, the humor remains timeless for those who enjoy wacky, off-the-wall comedy.
All in all, it is verrrry interesting! And verrrry funny!
Fabulous television series running from 1967 to 1973.
What made the show so great was the lively supporting cast associated with it.
The sketches with Arte Johnson as the old man starting up with Ruth Buzzi on the park bench were constantly hilarious. Who had the idea to put that net on Buzzi's hair? It made her look so appropriately ugly. When she swung that pocketbook, we roared with laughter.
Then we had Judy Carne saying "Sock it to Me!" Remember when Richard Nixon said that famous line briefly on the show?
Dick Martin gave us that dead pan like humor and Dan Rowan portrayed the typical slick but constant smoking guy on the show.
Joanne Worley was loud but so well suited for this continuous mayhem.
I can't imagine how announcer Gary Owen was able to restrain himself from laughing.
This show and "That Was the Week That Was" gave new dimension to television.
What made the show so great was the lively supporting cast associated with it.
The sketches with Arte Johnson as the old man starting up with Ruth Buzzi on the park bench were constantly hilarious. Who had the idea to put that net on Buzzi's hair? It made her look so appropriately ugly. When she swung that pocketbook, we roared with laughter.
Then we had Judy Carne saying "Sock it to Me!" Remember when Richard Nixon said that famous line briefly on the show?
Dick Martin gave us that dead pan like humor and Dan Rowan portrayed the typical slick but constant smoking guy on the show.
Joanne Worley was loud but so well suited for this continuous mayhem.
I can't imagine how announcer Gary Owen was able to restrain himself from laughing.
This show and "That Was the Week That Was" gave new dimension to television.
The first three seasons of this show encapsulated the sheer energy of social and sexual revolution of the late 1960's.On the surface it was patchy,often very funny,satirical and not afraid to poke fun at the US involvement in the Vietnam war and the Nixon administration.It launched the careers of many of todays Film and Tv stars and inspired many a generation with it's trademark "Sock it to me", "Fickle Finger of Fate" and those epilepsy-instigating Party Sequences each episode. True, as with all shows of their time, a lot of the references and humour may have dated badly, but for a Pre-PC generation, it was naughty and not what your parents would want you to watch.Perfect. Many contemporary reviewers dismiss the show as vulgar and irrelevant, but for people who actually watched it at the time, it was breaking the formula of the TV variety show.It was the epitome of groovy and psychadelia for Network TV-very fast, energetic, colorful and loud which really hadn't been seen before. By 1970,most of the original cast had gone and the show started to look back on itself and died. It lasted another 3 years, but it could never recapture the excitement of the first three years.I think this holds true for society in general.Maybe today's politically correct generation really cannot appreciate the enjoyment gained by watching Laugh In for the first time.
Você sabia?
- CuriosidadesIt was Producer George Schlatter's wife Jolene Brand who, after listening to Aretha Franklin's "Respect", thought that "Sock It To Me" would be a good bit for the show.
- Cenas durante ou pós-créditosThe early episodes' closing credits happen while the cast tells jokes from the joke wall.
- Versões alternativasMany of the original one-hour shows were re-edited into two half-hour programs in the early 1980s for syndication. Often, bloopers and outtakes were used to fill out a segment, especially during the joke wall sequence which occurred at the end of each show during the closing credits. New graphics were generated for credits on re-edited endings and run in the same sequence as the originals, but were in a different font. In a few instances, there was some overdubbing, specifically where Judy Carne's "NBC, beautiful downtown Burbank" was overdubbed with, "'ello, 'ello, beautiful downtown Burbank" when she played a switchboard operator on some of the earlier shows.
- ConexõesEdited into Rowan & Martin's Laugh-In: 25th Anniversary Reunion (1993)
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