Um trio de delinquentes juvenis reformados trabalha como policiais disfarçados.Um trio de delinquentes juvenis reformados trabalha como policiais disfarçados.Um trio de delinquentes juvenis reformados trabalha como policiais disfarçados.
- Indicado para 7 Primetime Emmys
- 6 vitórias e 20 indicações no total
Explorar episódios
Avaliações em destaque
As a teenager I thought that Mod Squad was one of the coolest shows around. The three friends with their youth, enthusiasm, and beauty fighting crime. They were young people who got in trouble with the law, who got themselves out of trouble and now helped others in the same situation. Michael Cole (General Hospital) "Pete Cochran" stole a car; Clarence Williams III (Twin Peaks) "Linc Hayes"was arrested during riots and gorgeous "Julie Barnes" Peggy Lipton (Twin Peaks) ran away from her San Francisco home. I was fascinated by their fashionable counterculture outfits and the entire idea of the show. It was the sixties and that a cool way to be. There have been movies made for the big screen based on the series. I never cease to be amazed to see how many series Aaron Spelling has produced that had such an impact on my teenagers and young adult years. I enjoyed that type of series as an adolescent.
The Mod Squad centered around three youthful cops, that were recruited to the LA police force in the late 60s. This show was truly cutting-edge as a concept back then. Three cool, under thirty hipsters as cops?? Yep! And it worked, because this was one of the most popular crime dramas of all-time.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
I could see why Peggy Lipton became a star from this television show. She captures the role of Julie perfectly with a range of vulnerability and innocence in the role. Peggy Lipton's performance as Julie is believable in this somewhat unbelievable series. Anyway the series may be dated but there are plenty of surprise guest appearances. The other actors like Michael Cole, Clarence Williams, and Tige Andrews complete the male dominated cast. Each episode features a mystery to solve but without the gore and violence of today's crime dramas. The Mod Squad is largely more character driven than plot and action driven. Plenty of guests are familiar faces on television. The Mod Squad are three very different individuals whose lives are turned around by a police captain. He gives them a second chance in redemption and becoming unlikely police officers. I love the California scenery. The show was a hit largely because of the chemistry among the cast members and the time period for audiences. To see African Americans and Caucasians interact was still a new experience on television but not in reality. This show was caught up in the hype of the late sixties and early seventies of the counterculture. This show didn't shy away from controversial issues as well.
Watching this show as a teenager, Julie was my idol; hip, intelligent, beautiful, with a cool job, great clothes, and hot guy friends.
Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.
For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.
Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.
For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.
I watched this series as a kid.. All my friends did too! We'd talk about the episodes in class.. Ahead of it's time.. Great show.. Oh yes, I was in love with Peggy Lipton 🎬❤
Você sabia?
- CuriosidadesSeries creator Buddy Ruskin, a former Los Angeles police officer, used his experiences with a special L.A.P.D. youth squad as the basis for this show.
- Erros de gravaçãoSome of the police cars used by the L.A.P.D. during the series weren't actually used by the L.A.P.D.
- ConexõesFeatured in The 23rd Annual Primetime Emmy Awards (1971)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Twen-Police
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente