Mod Squad

I write this commentary not as someone reminiscing about a show that they watched as a kid or adolescent; that reflected the era they grew up in - as many do on here, but as someone who discovered the show a generation later. I was not born until 1972 - so just as the show was ending its successful run. I didn't see the MOD Squad until it was shown as a rerun in the UK (where i was born and raised) in the late 90's/early 2000's. From memory it was on at 1.30 in the afternoon and I watched it during a brief period of unemployment. From reading episode synopsis' on several sites, it must have been season 4 I was watching. What I remember thinking was - what a cool premise. Three kids from conflicting backgrounds, anti-establishment, setting aside their differences, working together to help others. Yes, the cover is that they are working as young cops, ultimately to solve crimes but, to me, the show had a much more philanthropic message. At a torrid time in the USA and the world as a whole, the show commented on things such as Vietnam, race, social injustice - things that were actually quite risky for a mainstream TV show to be commenting on at the time. One thing that really sticks out is an episode where a soldier has just returned from Vietnam. Pete firmly shakes his hand and welcomes him home - in a time and a USA where returning veterans were, generally, not welcomed. The villains weren't always clear cut villains - it wasn't a case of black and white - the show exposed the fact that there are always several shades of grey in between; that there are often human tragedies lurking beneath the surface. The show had a lot of angst, the central characters Pete, Linc and Julie often having to examine their consciences; being faced with making difficult decisions. However, amongst all this, they always had each other. Maybe I am looking at this through rose tinted glasses but what I have really enjoyed through rewatching the newly released to DVD season 1, is the fact that these three 'kids' really care for each other; look out for each other - are always THERE for each other. Was it really like that at the time? Well, I like to think so - I think people were more neighbourly and mindful of each other back then. Is it like that now - sadly...no. I wish I could say it was but I really can't say it is. And this is from someone who did not live through that era - I was born to it but the world had changed a great deal by the time I was old enough to really start taking notice. I really hope that the distributors have had enough success with the release of the two season 1 DVD's to warrant a release of the subsequent 4 seasons. I know its all about profitability - sadly. But I think a lot of people would really appreciate this show - not only those who remember it first time around but perhaps those who enjoyed the reruns in latter years and, who knows, there may well be a new audience waiting amongst the generation of today. I can't think of any other show at the time that gives such an accurate social commentary of the time and if I was pointing anyone in the direction of a memorable show from that era to reflect ' how it really was' that would be the one.

And boy......Was Pete Cochran ever sexy!!!!

Watching this show as a teenager, Julie was my idol; hip, intelligent, beautiful, with a cool job, great clothes, and hot guy friends.

Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.

For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.

I could see why Peggy Lipton became a star from this television show. She captures the role of Julie perfectly with a range of vulnerability and innocence in the role. Peggy Lipton's performance as Julie is believable in this somewhat unbelievable series. Anyway the series may be dated but there are plenty of surprise guest appearances. The other actors like Michael Cole, Clarence Williams, and Tige Andrews complete the male dominated cast. Each episode features a mystery to solve but without the gore and violence of today's crime dramas. The Mod Squad is largely more character driven than plot and action driven. Plenty of guests are familiar faces on television. The Mod Squad are three very different individuals whose lives are turned around by a police captain. He gives them a second chance in redemption and becoming unlikely police officers. I love the California scenery. The show was a hit largely because of the chemistry among the cast members and the time period for audiences. To see African Americans and Caucasians interact was still a new experience on television but not in reality. This show was caught up in the hype of the late sixties and early seventies of the counterculture. This show didn't shy away from controversial issues as well.

As I'm re-watching the series on DVD, two things stand out to me:

* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.

* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.

When this show first premiered in 1968, little did anyone know that over the next three decades that there would be several youth oriented shows. Shows like "21 Jumpstreet", "Starsky and Hutch" and "David Cassidy-Man Undercover" were all cop shows aimed at the youth market, but this was the granddaddy of them all. Michael Cole, Peggy Lipton and Clarence Williams III were perfectly cast and this show will always come to represent the era that it was produced in.