Sete Vezes Mulher

Shirley MacLaine's performance, interpreting 7 women as different as it can be, is quite breathtaking. The quality of the mini-stories is uneven, some have aged rather badly in my opinion: Funeral Possession, Super Simone and Suicides. Others still provide a real entertainment and great fun: At the opera, Amateur night, and especially the last one, Snow, also starring Michael Caine, with a quite magical and fairy atmosphere. This was clearly the best part! With so many great talents on screen, I expected a little more from Vittorio de Sica, a director I appreciate very much. Besides MacLaine and Caine, we find indeed a rather exceptional cast with Peter Sellers, Elsa Martinelli, Vittorio Gasman, Anita Ekberg, Philippe Noiret. Unfortunately, the format of 7 vignettes and the rather thin scenarios do not allow these great talents to express themselves as they should. The movie would have been much better with 3 or 4 mini-stories, not more. De Sica took an evident pleasure in lining up the stars like pearls on a necklace, and Shirley MacLaine obviously enjoyed herself in this collection of roles, dresses and wigs. But the end result is still a bit meager. This film was for me like an appetizer buffet, pretty to watch, sometimes fun to taste, but in the end you still fell hungry about something more substantial...

A film directed by the great Vittorio de Sica with Shirley MacLaine! How exciting I thought. Then, every episode has Shirley with a different leading man, Peter Sellers, Alan Arkin, Michael Caine, Vittorio Gassman, Rossano Brazzi, etc, etc. Well, it was too good to be true. The stories are slight and I kept waiting for a bit of ooph. Okay, no. No oomph really but it has moments. Michael Caine and Shirley in a moving comedy of errors for instance and it has her, Shirley MacLaine and that in itself makes it a must because she'll be there for us , seven times, one hundred per cent.

Shirley MacLaine playing seven different women in seven short stories directed by Vittorio De Sica about male-female relationships. Putting indefatigable Shirley in a variety of wigs and costumes opposite a host of male and female stars in guest cameos probably sounded foolproof, but the movie progressively loses steam after its opening episode at a funeral (and the whole idea reminds one of MacLaine's "What a Way to Go!" besides). Alan Arkin, Rossano Brazzi, Shirley's "Gambit" co-star Michael Caine, Elsa Martinelli, Anita Ekberg, Vittorio Gassman and a pre-"Being There" Peter Sellers offer some cute bits and pieces, but this isn't the comedic tour-de-force MacLaine's fans were hoping for. US-French-Italian co-production doesn't look terribly good, while director De Sica's work is scattershot. ** from ****

Woman Times Seven may not be the greatest film IL' Shirl has ever made ("Being There" comes to mind), and it may not be her high water mark for sheer feminine beauty (the scene where she's on the elevating psychiatrist's couch in "What A Way To Go" certainly takes that prize), but just to look at her as the grieving widow, to the surprise revelation of that cute little bow at the back of her apron in such a strategic place, to how she CLEARLY was the most spectacular femme at the opera...ah, what a piece of work is woman!

In this day and age, where women think that they don't need makeup, or stockings, or stiletto pumps, where hair is considered attractive if it looks like one just got out of bed and used fingers alone, and before they wake up and realize that tattoos and piercings are sooo trampy, that quick-cut set of takes where she is at once the house mouse in her little peignoir and just as instantly the SAME WOMAN is the man-eating vixen Simone is CLEAR CUT PROOF that with the right grooming and wardrobe ANY woman can be a goddess. I've been saying THAT for years, but no one but the cinematic cognoscenti would even know what I'm talking about.

Beyond that, the flick has EXACTLY the right taste of Sixties-flick, and that's enough said. Remember: Heaven will be all-Sixties forever.

JTC

Even the old bad films to me are a hundred times better than what I see today. Although it is a silly film, Shirley is fabulous and looks wonderful in each story line. I love foreign films made in Paris, France and Italy so this was a treat with all the fabulous location shots. Peter Sellers of course is genius as he always was!

I never saw this film and I am an old movie buff so I was glad to see some one in particular. Vittorio DeSica made this film in 1967 which appeared to be slightly different than some of his films.

I still think the film is worth seeing if you are a Peter Sellers and Shirley MacLaine fan.