A 25ª Hora

I caught up with this movie on TV after 30 years or more. Several aspects of the film stood out even when viewing it so many years after it was made.

The story by the little known C Virgil Georghiu is remarkable, almost resembling a Tolstoy-like story of a man buffeted by a cosmic scheme that he cannot comprehend. Compare this film with better-known contemporary works such as Spelberg's "Schindler's List" and you begin to realize the trauma of the World War II should be seen against the larger canvas of racism beyond the simplistic Nazi notion of Aryan vs Jews. This film touches on the Hungarians dislike for the Romanians, the Romanians dislike of the Russians and so on..even touching on the Jews' questionable relationships with their Christian Romanian friends, while under stress.

As I have not read the book, it is difficult to see how much has been changed by the director and screenplay writers. For instance, it is interesting to study the Romanian peasant's view of emigrating to USA with the view of making money only to return to Romania and invest his earnings there.

In my opinion, the character of Johann Moritz was probably one of the finest roles played by Anthony Quinn ranking alongside his work in "La Strada","Zorba the Greek" and "Barabbas".

The finest and most memorable sequence in the film is the final one with Anthony Quinn and Virna Lisi trying to smile. The father carrying a daughter born out his wife's rape by Russians is a story in itself but the director is able to show the reconciliation by a simple gesture--the act of carrying the child without slipping into melodramatic footage.

Today after the death of Princess Diana we often remark about the insensitive paparazzi. The final sequence is an indictment of the paparazzi and the insensitive media (director Verneuil also makes a similar comment during the court scene as the cameramen get ready to pounce on Moritz).

The interaction between Church and State was so beautifully summed up in the orthodox priest's laconic statement "I pray to God that He guides those who have power to use them well."

Some of the brief shots, such as those of a secretary of a minister doodling while listening to a petition--said so much in so little footage. The direction was so impressive that the editing takes a back seat.

Finally what struck me most was the exquisite rich texture of colors provided by the cameraman Andreas Winding--from the brilliant credit sequences to the end. I recalled that he was the cameraman of another favorite French film of mine called "Ramparts of Clay" directed by Jean-Louis Bertucelli. I have not seen such use of colors in a long while save for the David Lean epics.

There were flaws: I wish Virna Lisi's character was more fleshed out. I could never quite understand the Serge Reggiani character--the only intellectual in the entire film. The railroad station scene at the end seems to be lifted out of Sergio Leone westerns. Finally, the film was essentially built around a love story, that unfortunately takes a back seat.

To sum up this film impressed me in more departments than one. The story is relevant today as it was when it was made.

after years, for me remains a revelation. about hidden Romania. about small history. about cruel form of solitude. more than beautiful, it is a touching film. a circle of ash. a testimony. in 1980 years, when I watch it first time, it was subject of extraordinary experience. the name of Virgil Gheorghiu was prohibit, the image of a Romania out of propaganda images was strange. but , after a time, more than story remains Anthony Quinn acting who gives new fresh colors to the message. because it is a picture of East. and body of a suffering without cure. open wound. and border of a delicate silhouette of hope. must see it ! because it is one of that films who gives a lot of surprises. a movie who transforms opinions and verdicts. and who draws , in special manner, basic elements of life.

Unlike the majority of movies from the 1960's which date quickly - 'The 25th Hour' - is as fresh as if it had been made yesterday. It withstood being watched recently (late in 2003) and was as good, if not better, than any blockbuster films released that year. A seriously commendable tribute - thirty-six years on. Normally, Quinn is an actor that I find hard to watch, however, this role was tailor-made for him.

'The 25th Hour' is unlikely to ever find a large audience in the future, or be re-released. Such a pity. Anyone undertaking media studies now or in future years would surely find a wealth of cinematic technique and craftmanship contained in this epic story. One of the other reviewers, here on IMDb, has rightly classed this timeless film as "a forgotten gem". Spot on. It's refreshing to find an original slant on anything from WWII. This movie is totally unique. Well Done to all those involved in its making.

living in Romania, i was almost stunned by the very realistic setting for the scenes and the great care paid to local details by the director. The performance of Anthony Queen is absolutely great, and the rest of the cast does a great job supporting him. The movie does take a little knowledge of the east European context in order to be fully enjoyed, but it remains otherwise a great performance with some memorable lines. the ending is maybe a bit too melodramatic, but that's actually the way people are in this part of the world I believe the screenplay is great, because it presents the horrors of the 2nd WW in a most original manner - no blood, no battlefields. Still, lives are shattered, and the smiles you get every now and then throughout the movie are quickly killed by the war realities touching the characters.

I saw this movie when I was 17 years old. I am 52. I am still haunted with this movie and think it might have been the movie that has impressed my life more than any other. I don't recall the quality of the acting or cinema work. I just remember the story and the way that Mr. Quinn played this part. Get it. See it. You will remember it.