Vou, Mato E Volto

Three men looking for a hidden loot , they are : A cynic bounty hunter (George Hilton) going after the reward , a Mexican outlaw named Montero (Gilbert Roland) with a band of fanatic hoodlums (Ignacio Spalla, Riccardo Pizzuti, Jose Torres, among others) , besides a greedy bank clerk (Eddie Byrnes) and an insurance agent (Gerard Herter).

This is a cool Spaghetti Western in Leone style . The movie takes parts from ¨For a few dollars more¨ and especially ¨The good , the bad and the ugly¨ . The film is plenty of action , fun , shootouts and results to be a surprise-filled entertainment . The picture contains funny gun-play along with fist-fight very much in the Terence Hill/Bud Spencer territory . The violence isn't crude but it suits light-weight comedy fun , though no silly slapstick like the ¨Trinity and Bambino¨ series . The movie is starred by habitual Spaghetti as George Hilton (Sartana) , Gilbert Roland (Sonora, Goldseekers , Johnny Hamlet), Edd Byrnes (Seven Winchester for a massacre) , besides ordinary secondaries : Pedro Sanchez or Ignacio Spalla, Gerard Herter , Sal Borgese , Jose Torres.. The picture displays crazy characters with twists plots and is quite amusing . In addition , a really catching score musical by Francesco De Massi . Enzo G. Castell in his first film and original Western makes a nice camera work with usual zooms and clever choreography on the showdowns , after he made more Western as ¨Johnny Hamlet¨ , ¨Tedeum¨ , ¨Kill them everybody and came back alone¨, ¨Seven Winchester for a massacre¨ , ¨Cipolla colt¨ and the masterpiece : ¨Keoma¨. Some of them are serious , others are goofy and plenty of slapstick and slapdash . This is a straight-forward story , funny in lots of parts and it will appeal to Spaghetti Western fans.

There's a great use for Any Gun Can Play.

As I age I get weirder and quirkier. I have begun to embrace my second-half-of-middle-age strangeness, but I have trouble embracing a grumpy prostate. A few days ago I was hurting and the Flomax and Ibuprofen hadn't been metabolized yet. I needed to take my mind off my owies so I popped in Any Gun Can Play, a second half of a Digiview twin spin.

Ya know, I never thought I'd say this, but a cheapjack spaghetti-western knockoff, filled with bad acting, worse dubbing, and Edd Byrnes' Mount Rushmore hair is damned near the perfect way for a middle-aged man to stop fretting about his prostate.

And I timed it perfectly--the drugs kicked in right about the "third reel."

Leonard Maltin gave this film a dreaded BOMB rating in his 1995 Movie and Video Guide. What film was he looking at? Kid Vengeance or God's Gun are bombs. This film is a delight. It is fantastic. It is literate. It is well mounted. It is beautiful photographed, making a brilliant use of colors. Right from the opening scene the film grabs your attention and tips you off that this film is a well-done satire of the whole Spaghetti Western genre. The film is played for laughs from the beginning to the end with homages to Douglas Fairbanks, 77 Sunset Strip, and the famous showdown in the Good, the Bad, and the Ugly. Edd Byrnes, George Hilton, and Gilbert Roland work brilliantly together to make the satire work. It is too bad Mr. Maltin rated this film so poorly as it is undeserved. One can only guess as to his reason. I suspect that he missed the point of the movie entirely and was expecting something more serious than this film is meant to be. Kudos belong to everyone involved in this project. This film is a little gem waiting to be discovered by people who care about literate movies and appreciate satire.

"Any Gun Can Play" (1967), directed by Enzo G. Castellari, is a very good pastiche of Spaghetti Westerns, especially Leone's. The first half is great, which, apart from the opening which is a direct nod to "For a Few Dollars More", with Monco, Colonel Douglas Mortimer and El Indio lookalikes walking into a ghost-town and then promptly killed by a Bounty Hunter called "The Stranger", is entirely serious, with great gunfights (especially the train-robbing scene), fast and furious action and nice performances from Gilbert Roland, George Hilton and (who manages well, considering that he is badly miscast) Edd Byrnes. But then, when the film reaches the half-way mark, there is a jokey fist-fight between Hilton and Byrnes. It isn't very funny, and is the weakest part of the film, but it throws everything you have seen previously in a new light. You realise that in fact the whole thing is a spoof of Spaghetti Western conventions, and in retrospect, the first half is so well done that you completely miss this spoof undercurrent. What now follows is a more obvious parody, with even some acrobatic jumping around from Brynes that predates all those seventies Circus Westerns. The ending, a complete send-up of "The Good, the Bad and the Ugly" climax, is very well done, as in other hands it could have been very silly. So, a pretty fun Spaghetti Western, that doesn't take itself too seriously. I would recommend it to anyone who likes Spaghetti Westerns.

George Hilton never really grabs me like Franco Nero or Clint Eastwood, but this is a great outing for him. Basically rippin off the Django/man With No Name and doing a damn good job. The opening sequence of this gem is a classic, and the cat n mouse games that follow are a delight to watch. Fans of the genre will be in heaven.