Um Caminho para Dois

This film tells the story of a married couple, played by Albert Finney and Audrey Hepburn, who have been married for a decade and are experiencing a rough patch in their marriage. The events of their ten-year marriage unfold through a series of non-linear flashbacks and present day scenes. I felt that the non-linear storytelling format was perfect for this film. A longtime marriage is a relationship that evolves over the course of time. A couple who has been together forever will have experienced happy times, trying times, sad times, etc.

We see Finney and Hepburn meet in the 1950s when Hepburn was traveling with the choir. We see them fall in love. Later, we see the happy couple on their honeymoon. Then we see the couple bickering about children and infidelity. During the more blissful days of their relationship, Finney and Hepburn have modest means. The present day scenes show Finney as a successful architect and he and Hepburn are living the high life. However, Hepburn is very distant and cold to her husband. With money, the couple is unhappy. In one of the present day scenes, Hepburn and Finney are lounging on a beach and conversing very tersely with one another. This scene is juxtaposed with a flashback sequence showing the couple on the same beach but having fun--a very different experience than what they're having now. There are quite a few scenes that show Finney and Hepburn returning to old haunts only to have a completely different experience than they had prior. For some people, these old rendezvous spots may elicit some type of nostalgic feeling, albeit a happy or bittersweet feeling. In Two For the Road, I get the sense that the flashback sequences are all looking back on a relationship with a feeling of sadness.

In Two For the Road, I get the sense that both Finney and Hepburn are unhappy because they don't feel that passion that they used to have and their relationship has become very routine. No longer are they spending the night randomly in concrete construction pipes or frolicking on the French Riviera countryside. Now Finney has a career. Finney and Hepburn are parents to a little girl. From the present day scenes in the film, I get the sense that both parties are bored with one another and are looking for something to spice up the relationship.

As an aside, I loved Hepburn's costumes in this film. Her present day, 1967 wardrobe was especially fun and I loved her giant sunglasses. Hepburn wore a variety of hairstyles in this film, which aided in informing the viewer which era of Finney and Hepburn's relationship they are viewing. In the early days of the relationship (mid-1950s), Hepburn wears her hair in a very prim fashion, a bob with bangs and a headband. Later, before she and Finney have their daughter, she has her hair long and straight. When their daughter arrives, Hepburn's hair is a short bob. Later, in the present day, she sports a very chic, very hip, short hairstyle.

I really enjoyed Two For a Road for it's realistic look at a couple who have experienced many ups and downs in their ten year union.

I think that Audrey Hepburn's portrayal of Joanna is her most intense, subtle, and mature. We see her progression from college co-ed to married woman with child, all over the course of about 14 years. In the beginning she is a woman without experience and falls for the boyish charm of Albert Finney. During the course of their marriage, it is she who evolves as she copes with being a parent and with his philandering. This movie portrays what happens to women who enter relationships as innocents, who deal fairly and faithfully with their husbands, only to be done dirt. Had this movie been made twenty years later, we may have seen Joanna progress to a life without Mark and perhaps claim her own identity separate from his. The only movie contemporary to "Two for the Road" that deals realistically with a woman being trapped in a marriage with a cheating spouse is "The Happy Ending" with Audrey's contemporary, the underrated Jean Simmons. I think that "Two for the Road" kind of craps out at the very end by simply devolving into a madcap Swinging 60s frolic, as we see the characters kiss and make up and ride off into their high-end Euro trash sunset.

5/6/18. Somewhat disappointing. And, it was because the marriage between Hepburn and Finney made very little sense to begin with What kind of a man would make a woman (Hepburn no less) push a car filled will luggage and idiotic Finney in it?? Sadly the scenery could not make up for the terrible marriage and this hardly "romantic" movie.

In 1967, Audrey Hepburn had gotten into the "swing" of things by being with Peter O'Toole in "How to steal a million" and did not want to go back to being in flops like "paris when it sizzles" or wearing the same old Givenchy clothes. In this film you see a change in her, a new haircut, clothes from the grooviest designers of Mod London and elsewhere like Mary Quant and Paco Rabanne, you see her eat! eating casually bread, grapes;making funny noises,etc. you actually see her having fun in this picture.She plays Joanna Wallace who with her husband played beautifully by Albert Finney reflect on the good times and the bad times of their twelve-year marriage.This film is must see because it goes beyond the happy ending and into actually imitating life where marriage is not always perfect. where marriage has fights and arguments and sometimes infidelity and hurt but love usually conquers all.must see.

The two here are Audrey Hepburn and Albert Finney at their prime. The road is the bumpy road of relationships and marriage. As this couple travel this rocky road you, the viewer, observe how a charming, charismatic couple can change and evolve and hurt one another while still being in love. Stanley Donnen, director, does a masterful job in moving things along. The storyline is not linear. You get to see the couple a various times in their relationship revisiting them at crucial stages. The result is an engaging film that demands your attention. The European setting is romantic, the humor balancing the pathos of their life, and the viewer coming away with perhaps some universal truths of what it means to be connected. Audry Hepburn is class personified and Finney, in a word, a hunk!!!