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Tony Rome

  • 1967
  • Not Rated
  • 1 h 50 min
AVALIAÇÃO DA IMDb
6,5/10
3,5 mil
SUA AVALIAÇÃO
Frank Sinatra and Deanna Lund in Tony Rome (1967)
Trailer for this glitzy action film
Reproduzir trailer3:05
1 vídeo
34 fotos
Hard-boiled DetectiveCrimeDramaMystery

Adicionar um enredo no seu idiomaTough Miami P.I. Tony Rome's hired by a millionaire to find jewelry stolen from his daughter. In the search, he has several encounters with local hoods as well as the Miami police.Tough Miami P.I. Tony Rome's hired by a millionaire to find jewelry stolen from his daughter. In the search, he has several encounters with local hoods as well as the Miami police.Tough Miami P.I. Tony Rome's hired by a millionaire to find jewelry stolen from his daughter. In the search, he has several encounters with local hoods as well as the Miami police.

  • Direção
    • Gordon Douglas
  • Roteiristas
    • Marvin H. Albert
    • Richard L. Breen
  • Artistas
    • Frank Sinatra
    • Jill St. John
    • Richard Conte
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    3,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Gordon Douglas
    • Roteiristas
      • Marvin H. Albert
      • Richard L. Breen
    • Artistas
      • Frank Sinatra
      • Jill St. John
      • Richard Conte
    • 61Avaliações de usuários
    • 37Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Tony Rome
    Trailer 3:05
    Tony Rome

    Fotos34

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    Elenco principal34

    Editar
    Frank Sinatra
    Frank Sinatra
    • Tony Rome
    Jill St. John
    Jill St. John
    • Ann Archer
    Richard Conte
    Richard Conte
    • Lt. Dave Santini
    Gena Rowlands
    Gena Rowlands
    • Rita Kosterman
    Simon Oakland
    Simon Oakland
    • Rudolph Kosterman
    Jeffrey Lynn
    Jeffrey Lynn
    • Adam Boyd
    Lloyd Bochner
    Lloyd Bochner
    • Vic Rood
    Sue Lyon
    Sue Lyon
    • Diana Pines
    Robert J. Wilke
    Robert J. Wilke
    • Ralph Turpin
    Virginia Vincent
    Virginia Vincent
    • Sally Bullock
    Joan Shawlee
    Joan Shawlee
    • Fat Candy
    Richard Krisher
    Richard Krisher
    • Donald Pines
    Lloyd Gough
    Lloyd Gough
    • Jules Langley
    Babe Hart
    • Oscar
    Templeton Fox
    Templeton Fox
    • Mrs. Schuyler
    Rocky Graziano
    Rocky Graziano
    • Packy
    Elisabeth Fraser
    Elisabeth Fraser
    • Irma
    • (as Elizabeth Fraser)
    Shecky Greene
    Shecky Greene
    • Catleg
    • Direção
      • Gordon Douglas
    • Roteiristas
      • Marvin H. Albert
      • Richard L. Breen
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários61

    6,53.4K
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    Avaliações em destaque

    6diamondgroup

    A Gulty Sinatra and St. John Pleasure

    Sure, it doesn't have a great plot line and there are more holes than a B-17 flying back from the ball bearing plant in Germany, but it is fun!It is as about as politically correct as a Klan meeting, and that is part of its charm. By 1967, Sinatra was already a magnificent anachronism. His world of of "ring a ding,ding",and "broads", martinis and captain's hats were longer hip or remotely cool. He still keeps trying, however. Just four years before, with Kennedy still in office, Tony Rome would have seemed like "Mr. Hip"', Daddio. By 1967, the glory days of the Rat Pack were over, the Beatles had taken over America along with their countrymen, we were deeply involved in Vietnam, American cities were burning, and drugs were everywhere. Timothy Leary was now cool to an entire generation of young Americans. Still,Sinatra is Sinatra. I am awfully glad he didn't pull up in a flower power VW Beetle, wearing long beads and a Nehru jacket.It must of been galling to him that he was no longer the hippest thing on two feet, however. His reaction seems to be to ignore the entire subculture. " Just a bunch of kids!".

    Anyway, this is a fun movie! Shecky Greene, a former Sinatra favorite and later an outcast, is a bad guy. Richard Conte, a Sinatra pal, plays his pal in the movie.Rocky Graziano is in it. And let's not forget one of the all time babes, Jill St. John. They could have forgotten the plot and had her steal bikinis all day, by trying them on and wearing them out of the store. Normally I would rate this movie a four or a five, just based on the acting on the script. It gets two extra points for Jill St. John's bathing suit!
    7bengleson

    more snappy dialogue then you'd find at a towel flicking contest

    This is one breezy film. Sinatra one lines himself solidly throughout. In films like this, there aren't many moments of reflection. This saves us the trouble of examining the plot and the character motivation too intently. The benefit to the viewer is that the whole experience remains visceral and on the surface. On occasion I like films that don't challenge me, that simply vibrate with a peculiar sort of corrupt, smarmy, highly heated decaying fun. Sinatra dashes all over Miami in search of his maguffin. He pops in to the lives of many marginalized denizens of the underworld. He gets a taste of the lives of the newly rich and partially famous. His alter-ego, Richard Conte, provides a mundane, safe balanced universe for him to rest up in from time to time but the bulk of his characters time is spent in high risk action and lots of smart-assed talk. And for this viewer, that was just fine.
    dougdoepke

    Sinatra Turns Sam Spade

    Sinatra's PI, Tony Rome, shrewdly uses verbal parry and thrust instead of muscle to clear things up. It's a showcase for the actor, without a tuneful song in sight. Plot-wise he's got to figure out where an expensive diamond pin went and where the heck bad guy Nimmo is. Along the way, there's a lot of scenic Miami Beach and bikini clad skin, mainly Jill St. John's. But what grabbed me was the innuendo, intentional or not. Catch the brief scene with Mrs. Schuyler and her repetition of a lost pussy. That exchange with Rome is simply dropped in, and has nothing to do with the plot. Perhaps it was included on a dare. Tellingly, there're other, albeit passing, innuendos, as well. After all, this was a period when the counter-culture was taking hold and the repressive Production Code was all but dead.

    It's also a good chance to catch a number of Hollywood vets in supporting roles, especially noir icon Richard Conte as a cop. All in all, it's a smoothly done (Gordon Douglas) eye- catcher. Moreover, the high-key Technicolor is about as far from classic gumshoe noir as possible. Happily for Sinatra the actor, it's a restrained showcase. Just bring your note pad to keep up with the tricky plot.
    7planktonrules

    A newer, grittier sort of detective film...and quite good.

    This is an interesting and very modern detective film. Frank Sinatra plays the title role--a private detective who seems very cool and disaffected. Of the three detective shows he made in the late 60s, I'd rate this one #2--behind the superior film "The Detective". However, this exceptional film is not related to "Tony Rome" or its sequel "The Lady in Cement". Regardless, Sinatra's world-weary performances were excellent--even if he seemed to try to make it look like he's not trying.

    The film begins with Tony doing what seems like a very mundane and not at all dangerous task--bringing home a drunk young lady to her rich daddy (Simon Oakland). Oddly, however, this good deed ended up leading to an apparently minor task--to find the young lady's missing earring. And, this task led to murder...in fact, a LOT of murders and mayhem. By late 60s standards, this film is awfully violent and Tony isn't exactly always the macho hero. Although he generally gets the best of it, he, too, gets the crap knocked out of him a few times in this rough and tumble film.

    As I said, I preferred Sinatra's "The Detective", but not by much. "Tony Rome" is a very good private eye film--a bit like a grittier version of "The Rockford Files"...minus most of the laughs. It's also odd that Tony is NOT the perfect manly sort of hero--especially since he repeatedly shows a stronger desire to wrap up the case than unwrap the very alluring Jill St. John--who spends much of the movie pursuing Tony. A very good film--especially since the mystery turns out to be a very interesting one. Worth your time.

    By the way, a couple interesting parts in the film are a cameo by the ex-champ Rocky Graziano as well as a VERY unusual sort of role for the comic Shecky Greene. Also, I just loved Tony's line "This is not a family. Just a bunch of people living at the same address." Priceless and indicative of the sort of smart-allecky stuff he tosses about during the film.
    6bkoganbing

    No Strain Film For The 'Voice'

    Long before Miami Vice which had hip cop Don Johnson living on a boat with an alligator in Miami Beach, you had Frank Sinatra as private eye Tony Rome doing the same.

    He's an ex-cop now a private eye who still has an inside with the police in the person of Richard Conte who's his former partner. Turns out he needs him when he takes the case of Sue Lyon who misplaced a diamond stickpin.

    Before the film ends Sinatra has himself all involved with every member of Lyon's family including wives and ex-wives, husbands and ex-husbands in a lovely blackmail scheme. Quite a number of people wind up dead including Sinatra's private eye partner Robert J. Wilkie. In the tradition of Sam Spade, though he might not have thought Wilkie the salt of the earth, it's an obligation to find out who shortened Wilkie's life span.

    Tony Rome is a Sinatra project through and through. Basically he just plays himself or at least shows the public persona that we know him for. Frank got parts in this for restaurant owner pallies, Mike Romanoff and Jilly Rizzo and one even for Rocky Graziano as a punch drunk old pug. There's even a part for Jill St. John as an amorous divorcée who you're never quite sure how she fits in the story. Jill and Frank were once a hot item, but this one was for old time sake.

    The problem with Tony Rome is you really do have to be a Sinatra fan to watch it. And I don't mean just of his singing, you have to be really into the whole rat pack scene.

    Otherwise Tony Rome and it's sequel Lady in Cement just ain't for you.

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    Enredo

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    Você sabia?

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    • Curiosidades
      The character Tony Rome appeared in three novels by Marvin H. Albert in the early 1960s: "Miami Mayhem" (filmed as this movie), A Mulher de Pedra (1968) (filmed under the same name), and "My Kind of Game."
    • Erros de gravação
      Hollywood always vastly overestimates the speed with which chloroform is effective. It takes at least five minutes of constant application to induce loss of consciousness and then must be applied continuously to maintain unconsciousness. Also, the chin must be supported to prevent the tongue from obstructing the airway. There is also a high risk of possibly-fatal cardiac arrhythmia with it's use, which was one of the major factors in its being discontinued as a surgical anesthetic.
    • Citações

      Mrs. Schuyler: [to a sleeping Rome on the sofa] Mr Rome. Are we alone?

      Tony: [Rome awakes and looks around] Yeah. Why, what did you have in mind?

      Mrs. Schuyler: I'm Mrs. Schuyler. I want to hire you.

      Tony: Well, I'm afraid not. You see I'm tied up on a case this week. Maybe next week.

      Mrs. Schuyler: Well that will be too late. My pussycat will be dead by then.

      Tony: [with a bewildered look] Your pussycat?

      Mrs. Schuyler: Someone's trying to poison her.

      Tony: Oh. Well, how do you know?

      Mrs. Schuyler: From her attitude. She's nervous, she's terrified.

      Tony: Well, you can't bank too much on the attitude of a pussycat.

      Mrs. Schuyler: Well my pussy used to be so sunny and full of fun, with the sweetest smile.

      Tony: You got a pussy that smiles?

      Mrs. Schuyler: No, that's just the point. She's frowning now. She knows. I tell you she knows.

      Tony: Well, I'm afraid I can't help you, Mrs. Schuyler.

      Mrs. Schuyler: But, you could at least meet my pussy.

      Tony: No, no, no. It's not possible. I can't meet your pussy. No. Why don't you try the Burns Agency - they specialize in pussy that won't smile.

      Mrs. Schuyler: Oh. Oh, well, thank you, Mr Rome. Thank you.

      [Mrs. Schuyler walks out the door]

    • Conexões
      Featured in Arena: Frank Sinatra: The Voice of the Century (1998)
    • Trilhas sonoras
      Tony Rome
      Words and Music by Lee Hazlewood

      Sung by Nancy Sinatra

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    Detalhes

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    • Data de lançamento
      • 10 de novembro de 1967 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • Shamus
    • Locações de filme
      • Vaca Cut Botel, Marathon, Florida Keys, Flórida, EUA(Exterior b-roll)
    • Empresa de produção
      • Arcola Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Orçamento
      • US$ 3.480.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 50 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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