Electronic Labyrinth THX 1138 4EB

Having seen the feature length version first, it's hard not to see this short in light of it. The connection between the two is strong and obvious. Both have style over story, and the style is intentionally confusing/busy, dystopian and impressive. In my review of the feature length movie, I especially focused on how well picked the locations were, and the same has to be said (though in an understandably lesser degree) for the short.

I'm more forgiving for a weak story in a short movie like this, as it is in no way in focus. You're only meant to put together what few details you are given, and not expected to become (that) emotionally involved in the world it is set in.

Consdering it is a (cheaply made) student film, Lucas does a remarkable job showing of his visual chops, and using the sci-fi genre to point out negative aspects of his own time.

This was the student film that George Lucas did way before he became successful in cinema.

4 years before he made the THX 1138 film. He created this short film which is very well written.

The whole short has to do with THX, an individual trap in a sick twisted world. Which he tries escape throughout the whole short.

It's very different from the full length film. But those who are curious to know what the earlier version is. This one's definitely an early version.

All great director start somewhere in their careers. And this is a fine example of a student film.

It's available on the THX Director's Cut DVD.

Sure it may be no-budget, sure it may be using film equipment and film stock that's not to the 'studio' standard. But, as someone who has come out of being a film student, I look at George Lucas's award-winning student short film with a good deal of awe. And Lucas, who has described himself as being a filmmaker who is split between the avant-garde and the more 'mainstream' films (the latter personified film-wise in Star Wars and Indiana Jones), goes to the extreme of his powers with his visual prowess. It is surreal in that it tries to express an idea through an unconventional means, with a story but without being stuck to it by any means. And because it's so short there's only so much time to get the message across with such little film.

Electronic Labyrinth takes just a slice- the more action packed and suspenseful slice- from what would become the feature film of THX 1138, using absolutely no dialog. That to me is a phenomenal, but very dangerous, step to take. There's always the chance, especially with young, experimental filmmakers, to go into the over-indulgent, or rather just to go in over your head with abstract concepts that just don't connect out of likely just not being well made. Here the quasi-beating over-the-head of image and sound works, because it's a film about technology, about the control of it over people, and it makes a very basic kind of statement of going against the overwhelming power of it. The hero of the film for almost all of the film does a lot of running, down corridors, down spacious, domineering spaces, leading up to a sort of bleak ending.

It may not get enough thematic ground like the feature-version does, and the lack of dialog sets a kind of gap between a viewer not ready for the combination of twistingly sci-fi visuals of the screens and numbers and videos and such. But it's got guts, and that's what I like to see in student films; the cliché that this is a "sign of things to come" is not far from the truth (ironically, after the feature-film of this, it would go more towards the mainstream for Lucas, but you never know).

Electronic Labyrinth THX 1138 4EB (1967)

*** (out of 4)

This short film from writer-director George Lucas was certainly the most important one he ever made for a number of reasons. For one, it got some national attention, which also meant critics were aware of his name. For two, it led to him meeting Steven Spielberg and we know what happened from there. And thirdly, the film would eventually be turned into a feature.

The story is pretty simple as it takes place in a futuristic world where a man (Dan Natchsheim) is trying to escape but no matter where he runs someone is monitoring him.

As of me writing this, I actually haven't seen the feature so I have no idea of knowing what Lucas changed or whatever but for the most part this here was pretty interesting. I thought the highlight was clearly the visuals since Lucas didn't have too much money to work with yet you still got the impression that you were watching something set in the future. The "story" was a bit all over the map but I guess that was to be somewhat expected and I'm sure it was expanded for the feature.

George Lucas developed this film during his days in film school. It impressed his teachers and eventually gave him the courage to make "THX 1138," a full-length spin-off which was his theatrical debut and featured the talents of Robert Duvall and Donald Pleasence.

This was the basis for that spin-off, which is much shorter and doesn't feature any of the complicated themes of the semi-remake. Personally I feel the remake is far superior because of its advanced storytelling, visuals, acting, and love story, but that's just me (and I have a feeling most people probably like the remake better, too, but...).

The point remains that without this, George Lucas might never have impressed anyone. He might never have made "THX 1138." He might never have made "American Graffiti," and there would be no "Star Wars" because he wouldn't have convinced anyone to lend him the money.

There would be no THX sound on DVDs. There would be no ILM. There would be no Indiana Jones, no Luke Skywalker, nothing.

Hard to imagine, isn't it? All because of one small 15-minute, cheaply-produced short film...