O Rei dos criminosos

Maybe if you are a teenager who likes superhero movies, you will also like this production. It's an Italian film with actors whose names have changed from Italian names to American-looking names, stupid fashion in the '60s. The only one who didn't have to change his name is Guy Madison, who is really American. The film "is related" to "Argoman the Fantastic Superman Original title: Come rubare la corona d'Inghilterra" (1967), but it's a little bit better. Not as good as "Danger: Diabolik Original title: Diabolik" (1968), with which it also has points in common. The action is super predictable and childish, as in many other genre films. The main hero, with a black mask on his eyes and dressed in a red suit molded on his body, looks embarrassing. Watch it only if you have nothing better to do!

A hero IS nothing but a sandwich! Especially when a guy in black tights can't show off his boldness and super strength like every other comic book marvel! I'm glad I caught this obscure superhero film on late-night TV, though. In fact, SUPERARGO would have been, at the very least, a camp classic had it been aired on MST3K. It's quite a shock that movies were actually getting better by 1967, but still, this atrocious experience in crimefighting offers the "BIFF!"s, "WHAM!"s, "SOCK!"s, and "POW!"s in a distorted array of action-packed excitement. A horde of "faceless giants" goes after our demented hero, and nails them down with fists, only to make the movie look terrible. And where did the story go? If this is the kind of originality you'd expect for a movie like SUPERARGO, you'd probably think the actor wearing a red suit would've done the same like Popeye The Sailor. But this is a superhero-style movie, and it has a small hint of visual effects. It's a pity that it's no better than the famous legends of Batman & Company. Until the final round comes, this flick's gonna be knocked out cold in a matter of a first few minutes! Give it a shot if you desperately love movies without good taste.

This mix of Mexican wrestling, 60s superspy & campy TV "Batman" element was probably intended for kiddie matinees. It's fun, but the relatively low production values means the means there's energy but little style, so all the running around gets monotonous after a while. I wished the lead got to take off his costume once so we could see what he looked like--this was a rare lead for an actor who usually played bit parts or did stunt doubling.

Still, I enjoyed his and the other performances; the cast seems to have been enjoying this as a lark, with the possible exception of Guy Madison. (But then he's playing the main villain, so perhaps it's just as well that he's poker-faced.) It's a goofy, silly film, with some charm. But let's face it, this sort of Italian live-action-cartoon thing is better when it's got the $$ for some visual flourishes, whether in the garishly colored lighting and production design in Bava's "Hercules in the Haunted World" or the cheesy-FX-cluttered Lou Ferrigno "Hercules" movies later on, not to mention the better Bond knockoffs.

It's a shame when reviewers, like the other one reviewing this film here, can't provide you with anything but weak metaphors and banal banter.

Superargo is an ex-wrestler. He quit the sport in the first film, Superargo vs. Diabolicus, after accidentally killing an opponent. In this sequel, Superargo has altered his mask some but still keeps the bulletproof red tights.

He's also taken up studies in Eastern mysticism, with the aid of his new sidekick, Kamir (Aldo Sambrell who later went on to star in many Spaghetti Westerns and had the main role opposite Burt Reynolds in 'Navajo Joe' two years prior).

There had been a rash of crimes involving major athletes being accosted and kidnapped.Usually by a group of 'faceless giants.' The giants aren't faceless, just have stockings over their faces. And they aren't giants either. Actually most are shorter than Superargo.

The government calls Superargo in to find out who operates the robotic men and stop them. Things go awry and it plays out much like a spy film. In fact, the superhero genre in Italy in the late 60's was a direct descendant of the spy genre which petered out about '67 or '68 itself. See also The Fantastic Argoman and the previous Superargo film.

There are hokey bits of comic book indulgence, but as a film collector and fan, I enjoy Superargo and the Faceless Giants. I recommend seeing it, even if it's just once on late-night television.

Many find the movie boring, and while some parts do tend to drag on, such as the chase through the woods, it isn't nearly as bad as, say, everything Jerry Bruckheimer has made.

I applaud the reviews here trying in vain to find something positive to say about this steaming pile of manure. This is stink on stink from start to finish. Not campy fun. With a plot that's garbage the end result can only be atrocious acting and silly dialogue. The least super superhero you could possible imagine prances around in a ludicruous red jumpsuit as he thwrats villians that can only be described as insipid and uninspired. Editing is practically non-esistent and the soundtrack grates on the nerves. Oh, and the faceless giants? They're not faceless and they're not giants. Further proof that the IMBD rating system is a very poor gauge for determining the value of a movie's entertainment value. This is probably one of the lousiest movies of it's era or any era. Laughably horrendous.