Alta Voltagem

Bryant Haliday plays a research scientist named Paul Steiner, who's hard at work on a "projection" experiment: he hopes to be able to transmit matter from one place to another. His process works on inanimate objects, but not on living things. Despondent when it looks like the plug will be pulled on his entire operation, he uses himself as the first human guinea pig. As you can expect, this has disastrous consequences. When he regains human form, he's horribly disfigured, and has gained the "touch of death". (When he lays his mutilated hand on someone, they are electrocuted.) And, of course, he's now insane.

This British sci-fi / horror effort does owe a fair bit to "The Fly", putting just enough of a spin on the premise to not come off as a carbon copy. It's not a great story, but it does entertain quite capably nevertheless. It's paced reasonably well by directors Ian Curteis and John Croydon, clocking in at a painless 78 minutes. A great deal of what effectiveness it possesses comes from the performances of an excellent cast. Haliday is an earnest, sympathetic lead turned deliciously crazed antagonist, and ultimately tragic character. Ronald Allen and Mary Peach, as his worried colleagues, figure into a romantic subplot that doesn't waste too much of the running time. Norman Wooland and Derrick De Marney are superb at playing sneaky, nefarious types trying to discredit / ruin the experiment. Gorgeous Tracey Crisp is appealing as the helpful secretary, and Derek Farr has a solid, reliable presence as the obligatory inspector who picks up Steiners' trail. Legendary stuntman Alf Joint plays the security guard. The makeup by Eric Carter is pretty good for the time this was made, Kenneth V. Jones' music is good, and the widescreen photography helps to keep things visually interesting.

While the tale it's spinning is definitely on the routine side, this still makes for an enjoyable movie watching evening for fans of the science-fiction and horror genres.

Seven out of 10.

Someone knocked the script for this off about 10 minutes after watching THE FLY and they threw in a bit of MAN MADE MONSTER to make it look original. Bryant Halliday (CURSE OF THE VOODOO, etc.) is a scientist working on a matter transport device. Apparently he has not consulted the Delambre family in Canada or he'd know better. Even though he has never succeeded in teleporting living matter he decides to project himself right into the living room of the department head so as not to lose his funding. Bad move! Well Bryant does not end up with a fly head, no he is burned rather like Tor Johnson in NIGHT OF THE GHOULS but he gains to power to electrocute people by touching them. He seems to have changed so much that electricity has become his food; he gets weaker the more power he uses. An interesting concept suffers from the ho-hum approach and an ending, which I will not reveal here, that does not so much end the movie as it "stops" it; like they had run out of ideas to advance the plot and so just ended everything. Saturday afternoons were made for movies like this. Don't think about what you are watching, take it at face value and you will have a good time.

Start with a knockoff of "The Fly" with the setting changed from Montreal to London (England, not Ontario) with added elements of "Darkman" (though that movie was still more than 20 years in the future). Add liberal amounts of nondescript English actors, add an officious bureaucrat who looks like G.I. Joe (the one with the fuzzy hair and beard) and a cute young blonde who spends much of the movie in her underwear. Fold in lots and lots and lots of talking and top off with Bryant Halliday in some pretty cool monster makeup, and you have this movie.

Was it any good? Well, it was OK, but a movie like this seems like it should have been much more interesting. David Cronenberg could have done this much better. Heck, Freddie Francis could have done this movie better....

This movie is no sci-fi/horror masterpiece by any stretch of the imagination. But it is far better than most of the reviewers on IMDb would have you believe. It was originally released here in the USA on the second half of a double bill with the somewhat better ISLAND OF TERROR with Peter Cushing. I convinced my dad to take me to the drive- in for the bill when it was released, but it was a school night and he wouldn't tumble to staying for the second feature. Since then, it has been notoriously hard to track down. I finally saw it about a year ago and was surprised on how entertaining it was, especially considering how I had read various disparaging things about it in the interim. It does borrow elements from the earlier FLY pictures as well as the Karloff film, THE INVISIBLE RAY, and is by no means particularly original. However, since when does that really detract from the enjoyment factor of a low budget, sci-fi monster film? For the most part, you better resign yourself to that going in, or else stop watching films altogether. In its favor, it does move at a fast pace, has decent actors and color cinematography, some nice grisly shocks and certainly decent effects for a low budget sixties film from England. An added bonus, there is a distinctly assertive heroine scientist played by Mary Peach, a character who remains in possession of her wits, and aggressively intelligent without being obnoxious (her character is the sympathetic colleague of Bryant Halliday who becomes the tragically disfigured, death-dealing PROJECTED MAN) Undeserving of its bad rep.

Scientist has terrible accident with his teleportation device and ends up horribly disfigured and with the power to electrocute people with his hand!

Intriguing enough science-gone-wrong thriller from Britain. There's some decent suspense and occasional shock (no pun intended) to be had. The cast isn't half bad, star Bryant Haliday is the best as both the films tragic hero and semi-frightening villain. The makeup work on Haliday isn't half bad. Nice dramatic music score as well.

Over all a decent enough sci-fi flick, but it doesn't match The Fly.

** 1/2 out of ****