Pânico na Cidade

When a European scientist working in the US falls, nearly dead, on the street from radiation poisoning, FBI agent Dave Pomeroy (Howard Duff) is given the task of tracking down the source of the radiation. Before he gets a chance to question the dying man, he finds that he has been murdered in his hospital bed by a hired assassin (Dennis Hopper).

The assassin was hired by August Best (Nehemiah Persoff), the leader of a cell from a secret cabal of European spies who have infiltrated various institutions in the US. The leader is a mad scientist Dr. Strangelove type character who has mutinied his cell and started to assemble a Nuclear Bomb in the basement of a home in a suburb of Los Angeles, with plans on blowing it up in a major US city.

He has blackmailed another member of the cabal, Dr. Cerbo (Oscar Beregi Jr)- a Nuclear Scientist- into assembling the bomb. All while Pomeroy and the FBI are hot on the case of tracking them down, though seemingly always a few minutes behind...

This doomsday thriller/mystery is spun together with a love story, between Pomeroy and the sexy Dr Paula Stevens (Linda Cristal), a radiologist from the hospital.(y'know...for the ladies) What at first begins as a utilitarian relationship quickly develops into something deeper as the film progresses.

When Best's handler denounces his insane plot and tells him the cabal's plans to place him under arrest, he goes nuts, killing his handler and running off to put his scheme into action. He forces Cerbo to quickly finish and initiate the bomb. As the the fission reaction begins, Best shoots Cerbo, only to be shot by Pomeroy, who finally manages to track them down via FBI cunning, seconds later....but it's too late...the reaction has begun and it is only a matter of time before it explodes...will Pomeroy be able to stop the bomb from exploding as people watch from their front lawns and windows? or will his efforts be in vain...?

A decent, not great, but solid enough Euro Spy vs FBI pre-apocalyptic thriller from the height of cold war era tensions. While the finale is pretty bizarre and will probably have you laughing...i'd say it is definitely worth a watch, though the quality of the DVD is poor- like a bad VHS transfer to DVD from the late 90s.

The film has very nice framing and mise en scene from director Eddie Davis, nothing overly symbolic but at least it is visually appealing. As far as I'm concerned, it's worth it alone for Dennis Hopper's cameo, the 60's bathing suits, and the hilarious finale. 7 out of 10 cause I love this kinda stuff. It's good for what it is.

One of the earliest made for TV films that I recall is Panic In The City which is a no frills thriller about some rogue Soviet agents assembling a bomb in the city of Los Angeles. Nehemiah Persoff is our rogue agent and he's got pretend defector scientist Oscar Beregi on the job. This is something that has been years in the making.

When one of the scientists as he's later identified collapses on an LA street and is brought to the hospital he's diagnosed with a hopeless case of radiation poisoning. But someone breaches security to kill this man afraid of what he might spill. That brings the FBI in the person of Howard Duff and and his immediate superior Stephen McNally on the job.

There are a couple of good female parts. Linda Cristal as a doctor who diagnoses the original victim and conceivably could get something romantic going with Duff if things weren't breaking so fast. Also all American Anne Jeffreys who played perky Marion Kerby on Topper is in a totally different kind of part as a Russian agent.

It is a bit slow but really picks up the pace in the last third. As for the climax, all I will say is nuclear bombs should really be built in proper facilities and not someone's basement.

Greetings And Salutations, and welcome to my review of Panic In The City; here's the breakdown of my ratings:

Story: 1.25 Direction: 1.25 Pace: 1.00 Acting: 1.25 Enjoyment: 1.25

TOTAL: 5.75 out of 10.00

Okay, people, set those tongues firmly in your cheeks and enjoy this slice of Boys-Own Adventure. It's Mother Russia versus Uncle Sam, and I don't mean Boys Vs Girls - we're back in the time of the cold war.

What struck me as unusual was how in-depth the writers went with their fictitious plans. I'm not saying that Eddie Davis (who also directs) and Charles Savage get the theory of atomic fusion correct - I'm not a rocket scientist, so I wouldn't know. But what they do give the viewer is a logical and credible story. For example, in the opening scenes, we watch a man staggering down streets while another follows close behind: When the man collapses in the street, his tail rifles through his pockets. The next thing we witness is a police car pulling over, and the man's rushed to the hospital. Most writers wouldn't think to have the tailer lift the injured man's identity. It's a small thing, but the pleasure is in the details. And the writers keep those tiny specifics coming. It places the story above your average cold-war thriller, making it more enjoyable. One downside is the characterisations - The men are strong and capable - The women need the men. It's a pity as one of the leads is a female doctor. However, the writers fail to imbue her personality with the traits a woman required in the 1960s to claw and climb her way up to the head of her chosen field. She should be strong, confident, resilient, and driven. Sadly, Dr Paula Stevens is none of these. As such, she becomes a slight non-entity, a piece of eye candy to fall for the dashing hero, Dave Pomeroy. Another letdown was the panic. Apart from a select few, nobody else knows they should be trying to get the hell out of dodge. It probably came down to budgetary issues, but there is a distinct lack of people losing their heads. And that is sad because it would have added a greater emotive power to the narrative and extra interest for the audience.

For the most part, the direction is your standard point and shoot, though Davis slips in a few nice pans and camera angles. These stop the film from becoming too uninteresting. The average cinematography allows the cast's talents to shine through, and it's them and the story that held my attention best.

The cast is excellent, especially Howard Duff and Nehemiah Persoff, who play the juxtaposed agents, pitted against one another. Duff is the perfect hero - strong-jawed and rugged. Persoff is the ideal combatant - driven, ominous, ambitious, and galvanized. As I said before, it's a shame the female characters weren't a tad stronger: I would have loved to see Linda Cristal in a robust role. Dr Stevens is similar to Victoria Cannon, whom she portrayed in The High Chapperal - the woman of the piece.

I would happily recommend Panic In The City for a Sunday Morning or Afternoon viewing. It's one of those entertaining flicks you don't need to think about much - Not because it's silly but rather because it's pretty complete and enjoyable. So if you prefer your cold-war thrillers in a 60s Boys-Own Adventure style, or you're a chauvinist, then Panic is a film for you. At least for one watch.

So before the big bad bomb goes boom, please visit my Killer Thriller Chillers, The Game Is Afoot, and The Final Frontier lists to see where I ranked Panic In The City.

Take Care & Stay Well.

I am somewhat surprised that it is even available to purchase -- since it is not the kind of kitschy-bad that can earn a movie cult status, nor notable as any popular achievement either. Its chief virtue is a sort of understated competence.

"Panic..." is plotted as a stereotypical doomsday thriller and the characters are almost, but not quite, cut from cardboard templates. But decent performances and some unusual casting choices for that era give it a certain tragic power.

A romantic subplot between a white middle-aged G-man and Latina doctor is spare, with none of the histrionics you might expect from a low-budget thriller of this sort.

The film's presentation of Los Angeles is a mostly unglamorous town of vacant lots, auto machine shops, shabby apartment complexes, and sterile hospital waiting rooms. The choice of locations adds considerably to its bleak tone. The conspirators operate in this vacant environment, and literally work themselves to death constructing an atomic bomb to use on the city. The nearly-as-anonymous protagonists do not fare much better in their efforts to find and to stop them.

Made in the 60's and in color, but staged more like a 40's "B" picture, "Panic in the City" is not exceptional, but it is not half bad.

This low-budget, atomic-age, science-fiction film did make it to the movie theaters, but it also gives off a very ominous, TV-movie-look, when watching the film. Unfortunately, to make things even worse, you still can't find a copy of Panic in the City (1968), in its original theatrical version. According to IMDB, the film was shot in the 1.66:1 aspect ratio, but the only versions available, come from a television SD, 4:3 version, found on YouTube, thus emphasizing the cheapness. Panic in the City (1968), has a lot of potential, even though it is low-budget. The 4:3 aspect ratio is the problem, when it comes to properly judging it. The film probably would garner more respect, if it was remastered into HD. It does have a very good cast, veteran acting, starts off pretty good and has a strange parallel to the Dark Knight Rises (2012). What that parallel is, I can't tell you. You'll have to find out on your own. The supporting cast consists of acting names from film and TV-past, like John Hoyt, Dennis Hopper, Mike Farrell (M*A*S*H*, 1972-1983), Deanna Lund (Land of the Giants, 1968-1970) and the ravishing, Linda Cristal, who plays the main-female lead to Howard Duff's, Agent Pomeroy.

Panic in the City (1968), is another atomic-age, Cold War, action movie, about bad-guys making an atomic bomb in Los Angeles and the American agents trying to stop them. Can the good-guys save the day? Paul Dunlap, the music composer for Panic in the City (1968), also did the soundtrack music, for the Three Stooges/Curly Joe DeRita, theatrical films, of the 1960s. What really hurts Panic in the City (1968), are the strange, but oddly interesting, film-technique choices, that director Eddie Davis, chooses for this film. The pace of the film is slow in parts. Too much time is wasted, watching people walking to cars and driving around parking lots. The film has a very plastic feel to its style, because it is produced in a textbook, but low-budget way. There are some confusing camera shots, set-piece locations (everything looked like the scenes were shot at the houses and offices of the cast and crew). There are also some odd editing choices, that re-emphasized the low-budget elephant-in-the-room. One glaring mistake found in a scene, has a car chase happening, but all the shots in the middle of the chase, look like the exact same curve, shot three times. Panic in the City (1968), has the potential to be good, but there are some negative points.

PMTM Grade: 5.9 (D) = 6 IMDB.