Todas as Noites às Nove

I can recall this film being made. I was 10 at the time and lived near by. My mum took me to watch the filming. Dirk Bogart was a very big star at the time and a small crowd of young mums would stand outside hopping to catch a glimpse. It was this movie that introduced me to the cinema.

The actual house that was used for the outside shots was in Chichester Road. Opposite the junction with Chepstow Rise. I believe that the sign of Chepstow Rise appears in the film. The house has long since been pulled down and replaced by flats, part of the Park Hill Estate built by Wates. Towards the end of the film a scene is shot in West Croydon. Still a great Film and worth a watch. The film is very sad in places and shows loyalty from the kids, Similar in some ways to Lord of the Flys. Dirk Bogart plays his part brilliantly as he did in all of his pictures.

OUR MOTHER'S HOUSE is one weird psychological ride. Here we have a family living in a gloomy Victorian house with a reclusive, Bible-thumping invalid mother--surely fertile ground for insanity or incest or both. However, what we have is a painful portrait of adolescence in the older children and the horrors of navigating through an adult world. Left to their own devices after the mother's untimely death, the children do their best to survive, being molded by the mother's unstable religious ramblings. However, things take a turn for the worst when the absentee father arrives, shattering some illusions crucial to the little family's identity. . .

I've never seen anything like this film(the recent film THE CEMENT GARDEN comes to mind, but that film takes an entirely different direction with an incest theme), one in which children literally elevate their mother to the status of religious icon. This situation is simultaneously chilling and pathetic. This one is for people who enjoy character-driven psychological dramas.

This is a good little movie that heavily relies on its uneasy atmosphere. The movie is also greatly carried by its cast, both the adult as the children's.

The story is simple yet effective. The story perfectly sets up an uneasy atmosphere that is dark and sober. The story is unusual and original as well. The movie can perhaps be best described as a dark drama/thriller. The fact that the movie is both unusual and original is probably the reason why this movie unfortunately isn't any better known.

The character are perfectly portrayed in the movie and play a great role in the movie its story. The movie is especially carried by the children cast of the movie, who play the most significant and biggest role in the entire movie. The young characters are all both realistic as powerful. Every characters has its own strong personality and they are what make this movie always interesting and never boring to follow, even though the pace itself isn't always terribly high.

But the movie also has a good adult cast that unfortunately is perhaps a bit underused at times. Dirk Bogarde plays a great role in the movie but unfortunately his character is introduced at least 15 minutes too late in to the movie. Once his character is introduced in to the story the movie takes more form and becomes even more intriguing to follow. It was also great to see Yootha Joyce in the movie, who I only knew from the British comedy series "George and Mildred". She is a great actress and really gets to show her skills in this movie.

The movie handles some intriguing, original and uneasy themes and the movie handles all those themes on its own very special way. It makes the movie a both original as well as memorable movie to watch.

Definitely worth seeing, when you get the opportunity to.

8/10

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Seriously, how stupefying can one motion picture be? That's what I kept wondering throughout "Our Mother's House", or at least during the largest part of it. This is a film like you seldomly encounter them, with a plot that is completely original and unseen, at atmosphere that is unsettling from start to finish, characters AND acting performances that are 100% pure and natural and - perhaps most important of all - a story that never at one point becomes predictable or soft. Although a lot less known, "Our Mother's House" might even be more powerful than Clayton's other acclaimed genre milestone "The Innocents". But simply labeling this film as a horror story wouldn't do it any justice. Even though disturbing and utterly bleak, this is more of a harrowing drama. The plot, adapted from a novel by Julian Gloag, is as simple as it is genius: seven siblings live with their bed-ridden mother in a big house and the oldest two, Elsa and Hubert, take care of all the daily chores. But when mother dies, the fear of becoming separated and ending up at an orphanage drives the children to keep mother's dead secret and even bury her body in the garden. Of course, there arise some difficulties, like how to cash in the monthly allowance money or how to get rid of the irritating governess Mrs. Quayle, but overall, they manage just fine. After all, they can always ask for mother's advice during their daily seances. But then their alleged father Charlie Hook shows up. Most of the children now seem to feel like they form a real family again, with Charlie to protect them, but the oldest daughter Elsa remains very skeptical and openly questions Charlie's honesty. Personally, I liked the film much better before Charlie (Dirk Bogarde) entered the scene, but admittedly his role is very difficult, courageous and challenging. "Our Mother's House" is fully of uncanny highlights, notably the so-called "Mother Time" gatherings in the garden shed and the suffering of poor little Gerty when she gets punished for talking to a stranger. The titular house is a wondrously grim setting and Clayton masterfully maintains a slow yet atmospheric pacing with beautiful photography and bone-chilling music. It's a tremendously underrated British cult-classic that deserves to be seen by wider audiences!

Sinister trivia detail: Annette Carell, the actress who briefly appears as Mother, really died in the same year when the film was released. In 1967, she committed suicide at the young age of 38.

At the beginning of the sixties ,Jack Clayton made a fine adaptation of "the turn of the screw",called "the innocents" which featured P.Franklin too.This could be called "more innocents "but there's a strong difference between the two works.Although "our mother's house" verges on fantastic,there's nothing irrational,nothing supernatural here.THat's what we can call a miracle of a movie:because it sounds like a horror and fantasy movie without all the genre gimmicks .So people who're looking for gore,special effects and other paraphernalia,please pass by.If you enjoy strong screenplays,first-class performances and masterful direction,this is a must.

Eight children whose mother's just passed away want to go on with their life as if nothing happened.Besides ,they do believe that their mother is still with them,and Pamela Franklin 's rendering is absolutely stunning when she acts as some kind of medium:far from the usual clichés -as you can see in "ghost" for instance-,she will give you goose pimples.This mother will remain a mystery,maybe a saint steeped in piety,maybe somebody much worse than a goody-two-shoes,as Charlie eventually claims.

Charlie is masterfully portrayed by Dirk Bogarde who was in his more fruitful period with such masterpieces as "accident" "king and country" "la caduti dei degi" "morte a Venezio".He keeps people waiting for he only appears after about forty minutes.But when he's on the screen ,the chemistry between the thespian and the children is so obvious that there's no hiatus.At first sight,he resembles some adult Peter Pan (hairdo,swagger,clothes,not to forget the name:Hook!).Here ,where Spielberg dismally failed when he made "Hook" ,Jack Clayton with a much smaller budget had already succeeded in portraying an adult/child, more than twenty years before.But further acquaintance will show that an adult can no longer remain a child .When Charlie is a man again,tragedy is waiting around the corner.

"Our mother's house" is so rich a movie that you could stay all night talking about it:a twilight glow shines on an autumnal suburb and turns into absolute darkness for the last sequence.Georges Delerue's score is simply marvelous and enhances the perfection of the pictures.

A strong influence on the French movie "la fracture du myocarde".

See it at any cost.