O Monge com o Chicote

"The College Girl Murders" is my first acquaintance with the writing work of Edgar Wallace – and generally my first real acquaintance with "Krimi" films in general – and I can say that I'm moderately impressed. This stuff is really entertaining, although I never would have expected it to be so … goofy! The film has an exhilarating and nicely convoluted plot, with a healthy dose of humor, flamboyant twists and pretty inventive killings. There's some James Bond type of evil mastermind – who always sits in the shadow and in front of a large monitor - recruiting prisoners to kill certain girls at a specific college with a new type of poison. There's also a villainous monk with a whip, dressed like a communist KKK member, getting rid of the leftover characters, like overly curious teachers and such, as well as a kooky police commissioner who persists on solving the case with a psychological approach. Seriously, if I had known sooner that these Krimi films were so colorful and crazy, I would have purchased a whole collection of them already. The pretzel plot actually raises more questions than it answers in the end, and the overload of comical gimmicks on the account of Scotland Yard Inspector Higgins are sometimes a bit much to swallow, but I don't care because it was sublime entertainment. Even the funky 60's soundtrack remained stuck in my head for a long time. It's like a variant on the Italian Giallo, but with slapstick elements.

This is one funky crime-thriller, or Krimi, since it's a German movie after all.

This movie and it's story are both being quite silly. It's really a product of the '60's and it does nothing to conceal this. It's a type of movie Austin Powers used to make fun of. It has silly weapons (a gun that sprays gas, a bible that kills), a stupid evil criminal plot, people who do silly and unlikely things in general, silly James Bond like villains, that live in a lair with crocodiles and other sea animals surrounding the villain, who sits with his back to the camera in a chair and who we can only hear speak. This really seems like the German answer to James Bond's growing popularity. But luckily the movie also doesn't take itself very serious. It has fun, almost quirky like characters and some good comic relief as well, from time to time.

The movie is being based on a Edgar Wallace novel, that were quite popular, not in the very least because Edgar Wallace was also the author of King Kong. A whole series of movies got made of his books. The books were actually a lot older than the movies, so it's hard to say how much of the silliness actually comes from the books themselves. Probably very little and the books in essence were mostly being serious crime-thrillers, with always a mysterious villain, that inspector Higgins had to unmask.

The movie is just basically a whole lot of fun. The villains, the silly plot, all of the other characters, it's funky '60's style and atmosphere, all make this a very likable movie. This really is the movie its strongest point, since if you have to look at this movie deeper and more serious you really can't call this movie a good one at all. The story and storytelling is far from likely or well done, so overall you can really call this movie a bad one, if you look at it very strictly. But luckily nobody will be able to, due to the funky silliness of this movie. Everybody will probably get taken by it and will enjoy this movie because of that.

A great guilty pleasure movie.

7/10

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The German "krimis" were kind of a forerunner of the Italian gialli, but they are less famous today because being made mostly in the late 50's and 60's they don't have the graphic violence and sex of the gialli, and they don't feature any name directors like Bava, Argento, Fulci, Lenzi or Sergio Martino. They do have a lot of name actors, most notably Klaus Kinski and Christopher Lee, but also Marisa "Diabolik" Mell, future Jess Franco producer Adrian Hoven, and future giallo starlets Uschi Glass and Karin Baal. Even more so than the gialli, the krimis were connected to English mystery writer and Edgar Wallace, and like his very colorful and entertaining novels they manage to combine mass-murder mysteries, bizarro horror/science fiction plots, and underworld intrigue into fascinating, if often overcooked,stew.

This is the best of the krimis I've seen (with the possible exception of "Dead Eyes of London"). The delightfully ludicrous plot has a mad scientist who has invented a poisonous spray which he conceals in Bibles in order to kill people who open them. In order to deliver booby-trapped Bibles for some reason he needs the help of convicts who he sneaks out out of a nearby prison. As the title suggests the victims are all girls at a nearby college--a very strange college, I might add, where all the students look like voluptuous European fashion models and all the male professors (perhaps understandably)are lecherous perverts trying to get a leg over. Then there's the monk (did I mention the monk?) in a red robe going around breaking various people's necks with a bullwhip.

Obviously, the plot is ridiculous, but it's also a whole lot of fun. And wait until the final revelation where the identity of the hooded monk is revealed and the preposterous motive for the murders is given --like the Italian gialli "Seven Bloodstained Orchids", also based on a Wallace novel, the villain is willing to kill a ridiculous number of innocent people and go through ludicrous Rube Goldburg machinations just to get at his one intended victim. Still, this is a very enjoyable movie if you can suspend your disbelief (you might need a crane).

There's a lot going on in The College Girl Murders. A mad scientist creates an almost undetectable poisonous gas. Before he can reap the rewards of his discovery, the scientist is killed by a hooded, whip-welding monk. After a co-ed is killed in a church by the gas, Scotland Yard is called in to investigate, but the killing continues. Who can stop this mad killer who seems to be able to come and go as he pleases in and out of the college?

What Works:

• The Killer. What's not to like about a killer who sneaks around wearing a vivid red KKK looking outfit, complete with red gloves. The white whip he carries and uses very effectively stands out nicely against the bright red gown. Although the idea of a killer in a flaming red, pointy-head outfit sneaking around a girl's school is fairly far-fetched, it's one of the more sinister looking costumes I've seen.

• Groovy 60s Music. I really would like to track down the title music to The College Girl Murders. It's got a jazzy, hip, 60s feel to it that I just loved.

• Bizarre Touches. Beyond the killer's red gown and hood, the movie features a sliding fireplace, a pit of alligators with a cage handing overhead, poison spraying bibles, a strategically placed mannequin, mini-skirts, go-go boots, and mile high hair. I would describe it as a cross between the 60s Batman TV show and an Italian giallo. The College Girl Murders is a real treat for the eye.

• The End. Let's just say that there are more twists than a mountain road. Just when you think the killer has been uncovered, here comes a twist..and another.and anotherand another.

What Doesn't Work:

• Chief Inspector Sir John. I know the guy was meant to be comic relief, but his buffoonish character has way too much screen time.

• Why Have Alligators? Previously, I mentioned the alligators in the pit. And while they are a nice touch, they serve very little purpose. Why go through all the trouble and not use them?

• Plodding Plot. Some of The College Girl Murders has no flow or rhythm to it. There are far too many moments throughout the movie when things come inexplicably to a screeching halt. Better pacing would have made this a much more enjoyable movie.

I haven't seen many of these German krimis but of the few I have seen (Phantom of Soho, Strangler of Blackmoor Castle, Dead Eyes of London) this may be my favorite. This one has a real funky feel to it that I really go into. Had the plot flowed a little better, I could have easily given The College Girl Murders a 7/10.

Another garish "color krimi" from director Alfred Vohrer who splits the action between a girl's school and a men's prison this time. Bumbling Scotland Yard Commissioner Sir John and his flirtatious secretary are back from CREATURE WITH THE BLUE HAND (along with the annoying MANNIX- style soundtrack during the "action" sequences) but the Inspector's been replaced by a smarmy, gum-chewing dick up to his ass in dead bodies.

It's impossible to figure out whodunnit in these Edgar Wallace "inheritence thrillers" since surprise revelations come fast and furious at the end when all the suspects are gathered together a la Agatha Christie. There's usually a Mabuse-like mastermind behind it all and all you have to do is pick out the one least likely to be the madman and there you are. Here, the killer's known as "The Red Monk" and runs around in a red Ku Klux Klan sheet with a pointy hood offing his victims with a bull whip. That's not the only murder weapon, of course, and I quite liked a bible that, when opened, shoots poison gas in a girl's face. Sir John makes mention of a previous adventure, "the case of the sinister monk", which I haven't seen. I must say, however, that this one did have at least a modicum of stye but Germany must have lagged behind the "mod revolution" already in full sway by 1967; there's go go boots and bubble hairdo's, yes, but the mini-skirts are almost knee-length and the girls wear two-piece swimsuits instead of bikinis. Everyone else is strictly squaresville.