O Pistoleiro do Rio Vermelho

The western showdown is as ritualistic as a bullfight which, in many respects, it resembles... The end is as quick, clean and emotionless as the dispatch of a brave fighting bull by the matador... The outcome is usually as predictable but the clash is a heightened moment of suspense that is as exciting as anything the cinema has ever produced...

Richard Thorpe, a reliable director of all genre, and one of MGM's most prolific filmmaker since 1935 directed and produced 'The Last Challenge'/'The Pistolero of Red River.'

Wanting a particular personal style, Thorpe never directed a great motion picture, but had a consistently acceptable batting average as a director of fine, unpretentious entertainment ranging from drama and polished adventure to comedy, musicals and westerns...

With a beautiful body and a timeless loveliness of a face, Angie Dickinson looks great in her black gown... She again figures effectively as the young lady, in love, who wants to stop the shootout... The movie has a Marshal (Glenn Ford) with a reputation as a legendary wild gunfighter, heading for a showdown with a dangerous good-looking challenger Chad Everett...

The John Sherry-Robert Emmett Ginna screenplay features Gary Merrill as a bushy-brow 'Five Card Stud' player, and Jack Elam as the hired killer with an evil leer...

The basic premise of this movie is quite simple: a young man with no particular talent but a quick draw (Chad Everett) wants to feel important by out drawing the fastest draw around -- an experienced marshall played by Glenn Ford. As the movie progresses, a bond of mutual affection develops between the young gunfighter and the old marshall. The marshall tries every way he can to avoid the inevitable gunfight which he know he will win. This movie is essentially about relationships and the differences between youth and maturity rather than just another gunfight. It's one of my top ten westerns.

With elements of the TV western Gunsmoke and the film High Noon in it, The Last Challenge is a worthy addition to the western genre. All the players involved have done westerns before and look very comfortable in their roles.

Glenn Ford is the town marshal and the fastest draw in these here parts and when you're the former, it sure helps if you're the latter. He's got a gal pal in Angie Dickinson who's a combination of Miss Kitty and oddly enough Grace Kelly in High Noon. Because oddly enough a confident young gun hand played by Chad Everett has come to town and he's got Angie worried.

Let's just say that Angie makes a move that Kitty would never even contemplate insofar as Matt Dillon was concerned. It costs her big time.

The western as an adult theme arrived in this film because we have a scene with Glenn and Angie sleeping in a big double bed. We never got to Ms. Kitty's bedroom in Gunsmoke and a scene of a man and woman in the same bed was something never contemplated in the past. Not even that very married couple Roy Rogers and Dale Evans would have heard of such a thing.

What happens with Glenn and Chad. You have to watch the film to find out. But I will say you'll see an ending very much influenced by High Noon.

Dan Blaine (Glenn Ford) is the Marshal in town and the fastest draw around. Lisa Denton (Angie Dickinson) runs the local brothel. Young gunslinger Lot McGuire (Chad Everett) arrives in town looking to make a name for himself.

This is an old fashion western. It's simple. It's classical. It's standard. It doesn't do anything special. Glenn Ford is the old guard. Everett has his hair. Angie Dickinson could have been special but she isn't given much to do. There may be nothing wrong with this western but it's not one that stands above the crowd.

Loved the cast. Loved the non-politically correct nature of the script. Especially in the modern era, this movie plays as refreshing and fun. It doesn't bow to any pressure concerning treatment of women or Indians. Delivering complex three dimensional leads and delivers a conclusion out of the box. Absolutely wonderful.