Valete de Ouros

Seen this on film at the new beverly and it was a treat. The first burglary scene was delightful and cute and then there were some late 60's thematic pleasantries. The soundtrack (Which i've made a note to get ahold of) made this movie visually melodic; such as-The opening scene, The ski-ing scene & The dance scene.

I'd watch it again to meditate on the elegance it celebrates so well.

One great line in the film. After Gabor's jewels were stolen the second time the Press showed up at the scene of the crime to interview her. One Reporter asked if she had seen the Cat Burglar. She said: "No, but that he must have seen me". Feigning surprise after looking her body up & down he said: "Why would the burglar have left?". Gabor retorted: "There isn't a straight man left in America"! They all laughed and left. Now given that this film was released in 1967 the expression 'straight' seems ahead of it's time and yet there seems no doubt as to what was implied. Was this some in-joke as surely Gabor had done much 'research' in her personal life. I'm sure the audience laughed with the Reporters yet only a few would have known what the joke really was.

Daring cat burglar Jeff Hill (George Hamilton) steals from Zsa Zsa Gabor a second time. He often steals from movie stars. During a heist on a cruise ship, he is surprised by a female thief. His mentor Ace of Diamonds (Joseph Cotten) advices him to join him in retirement. While they are on a ski vacation, Jeff is chased down by Olga who introduces them to her mentor Nicolai. It turns out that Olga is the female thief. The foursome decides to do a big heist together.

I like the cat burglaring the most. Zsa Zsa tries to have some self-deprecating fun to start. I can do without the cops or at least, they should get a more charismatic actor to lead the cops. The rest is fine for the most part. George Hamilton is not the most well known for his acting. The heists have some light thrills especially when they are moving among the fake roof tops. This is fine.

This mildly entertaining German-American production has a Yankee take on the European tradition of suave jewel thieves. Perhaps influenced by the popular Italian comic books, star George Hamilton looks like Diabolik at times (though this movie was released before the film Danger: Diabolik).

Amusing cameos and supporting parts by many familiar faces and ably directed by veteran director/actor Don Taylor. Lots of nice Bavarian locations. Wolfgang Preiss, who played super-criminal Dr. Mabuse in a series of films, represents the law here. Even with some Morricone-ish music, one wishes it was more representative of the wild 60s Euro costumed criminal films like Danger: Diabolik, Kriminal and Mister X. The scene where Hamilton works on a trapeze in his mansion may have inspired the similar Lara Croft bit.

This movie is so limp.

The heists are dull. The female cameos are insipid.

The acting is TV level. And the soundtrack belongs in an elevator.

Watching George Hamilton IV gabbing with lisping (or drunk) Joseph Cotton isn't remotely interesting. Cotton's makeup is so ghastly he looks like a marrionette.

Some of the locations are OK, but whoever director Don Taylor had behind the lens didn't take proper advantage, most of the time.

There's no way this movie would ever have seen the light of day after initial release if not for TCM.