AVALIAÇÃO DA IMDb
6,4/10
944
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaArthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.Arthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.Arthur Kipps, an orphan apprenticed to a tyrannical owner of a mercantile, has a sudden abrupt change of life when his wealthy grandfather dies and leaves him a pile of money.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 2 indicações no total
Avaliações em destaque
Here is a funny BIG frilly musical that is also a good comedy. Imagine someone moaning that it is too big, or even dreary! What a silly thing to feel when there is many musical scenes and easy comedy with which to have a great time. HALF A SIXPENCE is a British hybrid of TWO WEEKS WITH LOVE and HELLO DOLLY and belongs in that cinematic hat box of visual candy delights. If my mixed metaphors make sense (to those who know grammar...and grammar jokes). There is lovely film is all respects. It is raucous and silly and loaded with enough art direction and 'whalloping' stereo musical numbers to please even (Darling) Lili or even Leslie Caron at champagne best. HALF A SIXPENCE is actually a Teen musical but set in Victorian England. The dance numbers are just plain great, and humorous MGM veteran musical director George Sidney has delivered yet again. The music and tunes are memorable and if you see this film with educated kids, they get it and the experience is is a genuine family delight. A 'zac' in Oz vernacular is a sixpence...and there is more value than that in this DVD box of musical chocolates. Just enjoy it. Like those films also mentioned above. It has to be better than seeing Adam Sandler urinating on a door in BIG DADDY, the s-bend of 'family' movies for this clever new century.
Master showmen were at work in the production of this perhaps over long but nevertheless delightful picture. It would be impossible to visualise the film without the warm performance of Tommy Steele, and it was an inspired move to bring in George Sidney, one of Hollywood's finest directors of musicals, to give the picture a very special flare. The budget was obviously huge and it all shows on the screen in the very lively production numbers, especially those shot on location. A super piece of screen entertainment which stands up well to occasional re-watching.
This is a very well acted and energetic musical. Tommy Steel and Julie Foster in the lead parts were brilliantly cast.
The banjo scene in this was well choreographed, put together and acted out. To top the whole scene the banjo playing was superb.
A brilliant family musical it gets a 10/10 from us. But then we are Tommy Steele fans.
The banjo scene in this was well choreographed, put together and acted out. To top the whole scene the banjo playing was superb.
A brilliant family musical it gets a 10/10 from us. But then we are Tommy Steele fans.
I "accidentally" discovered HALF A SIXPENCE during 1979 on the late movie on NYC's Channel 5. I turned it on just before the "Half a Sixpence" number between Tommy Steele and Julia Foster. I didn't get to see it all, but years later it was shown on the Disney Channel. What a great movie! Great choreography (Gillian Lynne of CATS fame), charming actors playing the leads, and all that beautiful on-location photography in England! Tommy Steele sets the screen on fire when he lets loose in a dance number, and his star turn in the role of a simple lad who gets too rich too quickly and ends up miserable is believable and touching. Julia Foster is by turns sweet, vulnerable, AND feisty as his love interest, Ann.
The film (based on the London/Bdwy stage show and directed by movie-musical veteran George Sidney) has the look and feel of an old-fashioned MGM musical, which is probably why I loved it so. It seems to be more widely known in the UK - I believe it was more popular there than in the States at the time of its release, and perhaps it gets more TV airings in the UK? It's just too bad that it's not seen more often and appreciated as it deserves.
The film (based on the London/Bdwy stage show and directed by movie-musical veteran George Sidney) has the look and feel of an old-fashioned MGM musical, which is probably why I loved it so. It seems to be more widely known in the UK - I believe it was more popular there than in the States at the time of its release, and perhaps it gets more TV airings in the UK? It's just too bad that it's not seen more often and appreciated as it deserves.
"Half a Sixpence" was a product of the age of big budget musicals that began with the success of "The Sound of Music" and died when such clunkers as "Mame" and "Man of La Mancha" appeared. As such, the film both benefited and suffered. The benefits were a generous budget that is apparent on screen in the period costumes and sets, the lush photography of the English countryside, and the large cast. Just renting all the antique cars as background for one short scene must have cost a fortune. However, the film also suffered as it was lost in the glut of these big budget musicals, which were often mediocre, and its star, Tommy Steele, did not have the name or the charisma to carry it alone as the cast is largely unknown. The film also suffered from the obligatory over-length and intermission, which were required at the time in order to justify reserved seat engagements for these "event" films. The movie has been seldom seen, at least in the U.S., which is unfortunate because "Half a Sixpence" is a lively family film with a tuneful score, energetic choreography, and an engaging cast. Also, director George Sidney is a veteran of MGM musicals, and he knows how to stage a number. True, the story of how boorish, snotty, and unhappy the rich are, while the poor are fun loving, generous, and content with their lot, has been done to death (see "Titanic"). However, the film's assets lie where a musical's assets should be: in the songs, the dancing, and the performers. On those counts, the film is a winner.
Você sabia?
- CuriosidadesAfter the critical and commercial failure of the film, director George Sidney retired from directing at the age of only 51.
- Erros de gravaçãoIn the song, "Money to Burn", where Kipps (Tommy Steele) is playing the banjo, it's obvious that he's simply playing along to an audio track. But the sound begins several times before he does the strumming to make it happen. This should have been watched/caught in the editing process.
- Citações
Harry Chitterlow: Don't forget old Harry. For £100, I'll let you have a quarter share of my new play.
Arthur Kipps: A quarter share? I'll take half!
Harry Chitterlow: Spoken like a gent!
- ConexõesFeatured in The 100 Greatest Musicals (2003)
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- How long is Half a Sixpence?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Half a Sixpence
- Locações de filme
- Aylesford, Kent, Inglaterra, Reino Unido(village where Kipps grows up)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 2 h 23 min(143 min)
- Proporção
- 2.35 : 1
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