Quando o Coração Não Envelhece

I have always loved musicals, but I've never cared for the most popular ones from the 50s and 60s, such as "The Sound Of Music". However, "The Happiest Millionaire" scores on every level. The music is superb, and there's a ton of it. Tommy Steele does indeed steal the show as a new immigrant who shows up for an interview to become a butler, not quite realizing how wacky the Biddle family really is. His tunes are the most lively, particularly the bar scene. However, others such as Fred Macmurray and Leslie Anne Warren really shine here too. And who knew John Davidson had talents outside of being a game show host? This is a real diamond in the rough.

Some minor guidelines - the Roadshow edition has quite a bit of extra footage, and for those of us who know the standard edition by heart, it's great to find little bits and pieces (20 minutes worth, overall) that we've never seen, including parts of some of the songs. However, the standard edition is a tighter movie and keeps things moving more quickly - and since the standard edition is already over 2 hours and 20 minutes, I'd recommend it first. Then if you like it, the Roadshow gives you more of the best stuff.

This was Disney's last picture, and from all accounts he loved it, even though it was unsuccessful due to being released at just the wrong time. With 30 years distance, though, it is still so much fun that I'd love to see it made into an actual Broadway show. Oh, well, one can dream...

I just bought the DVD roadshow version of this film, as I had seen it as a teenager and thoroughly enjoyed it....this is the complete 3 hour version with prologue, intermission, and exit music; although it has been panned through the years, I have always thought highly of it...it is based on the memoirs of Cordie Biddle, who is the daughter of Anthony Biddle the highly conservative and inventive head of the Biddle household..there are some wonderful actors including Fred MacMurray as the patriarch, Greer Garson as his wife, Gladys Cooper (in I believe one of her last roles) as Cordie's grandmother, and of course Leslie Ann Warren, and John Davidson as the younger romantic interest....If there is a complaint, I would have to say there is too much time spent on the romance of the two younger players, and whatever happened to Paul Petersen, and Eddie Hodges, who are only in ONE scene as the brothers of Cordie....their scenes must have been left on the cutting room floor if they indeed had anymore!!! This is an early 20th century piece, with wonderful costumes, decor, and settings of the period, and lilting music for the most part...and as others have said Tommy Steele as the butler STEALS the show with his singing, dancing, and commentary on the goings on throughout the story. I have on order the movie "Half a Sixpence" which Tommy originated on the stage in London; am looking forward to this film also...I think we all miss the family oriented musicals, and movies of this time period; they are so easy to view and so enjoyable...One final comment; what a wonderful way to end the movie with Fred MacMurray and Greer Garson doing a duet on "Let them Go" a poignant ballad on their feelings of dealing with the empty nest syndrome...this was added for the roadshow version I believe, I don't recall it in the original version....Does anyone know whether Greer Garson's voice was used in this; I wasn't sure if she was a singer or not....at any rate I would recommend this film to any one...

Despite a phenomenal cast, "The Happiest Millionaire" really never takes off.

This is probably because the star of the film should have been butler Tommy Steele who begins the picture on a high note with the clever tune Fortuosity. Steele is toothy and with that broad smile, he could easily captivate audiences. Unfortunately, he soon falls into a rather supporting role to an eccentric Biddle family.

Fred MacMurray is all right for the part but his monotone voice is annoying at times. As his wife, Greer Garson, is wonderful. She depicts that regal elegance that made her so famous through the years. She is just an older, elegant version of Mrs. Miniver and all the other great roles she had in the 1940s.

Gladys Cooper is a rather tame Auntie here. Cooper was always at her best when she was an upper class mean person. The upper class is certainly there but where is her usual nastiness? Ditto for Geraldine Page. Page as Lesley Ann Warren's prospective mother-in-law causes mayhem as she usually did in pictures. This being a musical comedy, her usual frustrations are missing and we could have used them there.

Enough with the alligator scenes already. MacMurray and family wear their bible shirts and practice boxing. MacMurray is anxious for the U.S. to be prepared for World War 1 and he urges President Wilson for this preparedness.

The big surprise of this film is that all our players could carry a tune. I thought that the argument scene between Cooper and Page would have been exacerbated.

The film falters as we have seen the bar-room brawls and social fights among the upper classes in society before.

When I was a boy, I'm in my 40s now, my mother would get Disney albums in the mail. They contained music from the soundtracks of movies. Consequently, I was familiar with the songs long before I had seen the films. 'Happiest Millionaire' was one of them, but I have never seen the movie until 2004 when I bought it on DVD, and it was fantastic!

The version on the disc lasts close to 3 hours. It is a 'Roadshow Edition,' and that is entirely enjoyable. It begins with a music overture. In the middle of the film is an intermission, and after the movie is over, there is another musical medley with the word 'Exit' on the screen. That must have been there to remind people to leave the theater!

I see that on IMDb it gets an average rating of 5.5. Maybe that comes from the shorter, lesser cuts of the film. This restored edition is much better than that. My children loved it, too! They were literally glued to the screen for the duration of the movie.

This is easily the most musical of any film I have ever seen. That is one of the reasons the movie is so entertaining. Tommy Steele looks as if he is having a lot of fun, and that feeling is contagious.

'Happiest Millionaire' was released in 1967, the year after Walt Disney died, but he loved this film. The music is by the Sherman brothers, the same duo who gave us the unforgettable tunes in 'Mary Poppins.' I think it is sad that these kinds of films are no longer made. The great family oriented musicals are gone. Can anyone recommend 'Moulin Rouge' or 'Chicago' to their children?

And yet, this is not necessarily a kids' movie. Walt Disney had the genius to understand that things need to appeal to everyone. That was the inspiration behind Disneyland.

Out of four stars, I rate this: ***

A combination of desires- to top "Mary Poppins" and to capitilize on the then-current trend of big-budget, three-hour musical films playing to roadshow audiences- caused Walt Disney to make this film, the last he personally oversaw. He hired several of the same people to work on it that had worked on "Poppins", including the songwriting team of the Sherman brothers, the chereography team of Marc Breaux and Dee Dee Wood, and supporting cast member Hermoine Baddely in much the same role of the acerbic maid. In addition, he spent freely on costumes and production and hired an impressive cast, including Fred Macmurry, Greer Garson, Tommy Steele, Gladys Cooper, Geraldine Page, and in their film debuts, Lesley Ann Warren and John Davidson.

The result was a pleasent, somewhat entertaining but all-around silly and, for the most part, instantly forgettable confection. Yes, it's fine for the whole family, but it will be hard for the kiddies (and even the adults) to stay awake as the rather simple story is stretched to nearly three hours, with a series of plotlines connected by merely a shimmer all going on at once. Macmurry is at his least inspired, making the title character into a bumbling, blustering idiot; it's pretty hard not to cheer whenever someone shows him up, verbally or physically. The songs are nice enough, but only one or two really stick in the memory, and half of them are totally irrelevant. (I saw the restored roadshow edition; there are a variety of other editions that cut out several of the songs) Still, Tommy Steele is likable as the forever perky Irish butler (He gets a very hummable song to sing called "Fortuosity") and the chereography certainly is lively. The songs, for all the irrelevance of many of them, really move the picture along, as it slows down considerably whenever the screenplay takes over.

It's too bad Disney's last film couldn't have been better, but oh, well. That's life.