O Terceiro Tiro

Simone Signoret does a great job. that is the first verdict and for a fan of French cinema , it is not a surprise. the film has a rare virtue for horrors - it is fascinating. more than scary or spectacular. using not an original idea, it is example of beautiful precision for each detail. and the play with old themes has the entire story great. a film about a visit and an eccentric family. about fears and trust and games. nothing special. but the balance between pieces, the acting, the music, the use of ambiguity as basic tool are pillars for an American movie who respects traditional European recipes. a film who could be interesting for many viewers. because not the story itself is the axis but the art of each actor. and, sure, the nuances who builds the role of Simone Signoret.

A clever, well-acted thriller with enough plot twists to leave you reeling, and an ending you will not believe. From a dull beginning to an exhaustingly clever ending, it will hold you spellbound, confused, engrossed and tense. Should be re-released, but not re-made.

Peculiar thriller begins quite promisingly, but takes a curious, dispiriting turn somewhere along the way and never recoups its glory. Upscale New York couple James Caan and Katharine Ross--who enjoy warped versions of penny-arcade games and mischievous pranks--invite fragile saleswoman Simone Signoret to stay with them, which culminates in a crime. Director Curtis Harrington, who was also involved with the script, sets up an initially delicious puzzle involving the decadent rich, but allows the intricacies of the character-development to unravel in the second act. Caan and Ross appear to be very much in love--and Ross herself seems to be a pretty smart cookie--rendering a plot-twist late in the proceedings unconvincing. William Fraker's cinematography is stylish, though the action rarely ventures outdoors and one becomes acutely aware of the low-budget underpinnings (the film also has a mysteriously European feel, causing the alleged New York location to seem irrelevant--and a mismatch with the material). Good acting only takes it so far. **1/2 from ****

Stylish, offbeat American variation on the classic French thriller DIABOLIQUE, which also featured Simone Signoret in the lead. Signoret is equally effective here, and a young James Caan and Katharine Ross are also impressive as the bewildered young couple whose seemingly mindless game-playing takes a deadly turn for the worse when the mystical Signoret enters their lives. Director Curtis Harrington(who also had a hand in the script) has added some exciting and effective new touches to this first-rate suspense tale.

When I was a kid living in southeast Missouri in the early '80s, this movie was frequently shown on television; there was a cable station out of St. Louis, I believe, that would show this. It would be shown as an afternoon movie from around 2-4 p.m., maybe, and then AGAIN in the evening, from 8-10. Captivated me the first couple of times I saw it, with its slick, stylish production values and quiet, slowly-escalating suspense, but I have to admit I got a little tired of seeing it. So I don't know what all this talk about it not being on TV is about. Well worth seeing if you never have, though, or if it's been awhile. All the performances are top notch, the story keeps you hooked and guessing--at least if you haven't seen a lot of these kinds of movies, I guess; to be honest, I think even as a kid I had a vague idea of how it would turn out. But getting there is fun.