Django Atira Primeiro

After the Franco Nero film "Django" appeared, a lot of unscrupulous movie folks began releasing movie after movie with the name Django in the title--but they had little to do with this original film. "He Who Shoots First" (also known as "Django Shoots First") is one of these faux Django films. Now I am not sure if the film was meant to be a knockoff or if, perhaps, the folks doing the dubbing just decided on their own to make it a Django film. But, at least the leading man, Dutchman Glenn Saxson looks a bit like Nero.

The film starts with Django going to see his father and finding him dead--having just been shot down by a bounty hunter. Not wanting to pass up a good opportunity, Django shoots the bounty hunter and brings his dad's corpse to town to claim the reward!! Only later does he learn that perhaps his father was NOT a criminal but was up on trumped up charges by folks intend on stealing his half interest in a local gambling hall. So, for most of the rest of the film, Django needs to fight the local scum who are trying to kill him and then claim what is rightfully his.

Aside from the film having the audacity of having Django claim the bounty on his own dad(!!), I also really liked the ending as well as the music. The soundtrack was a good bit better than the average Italian western. But, apart from these things, the film had little to offer other than folks getting punched and shot. Not especially remarkable but a decent time-passer.

FYI--At one point, one of the folks says "A man can't testify against his wife" but in American law this isn't exactly true. A man cannot be FORCED to testify against his wife. But, if he wants to help the prosecution by testifying against her he is surely welcome to do so.

This has nothing to do with the Franco Nero "Django" movie, though I'm pretty sure you already know that. Though this "Django" movie is not up to the Nero movie, it is a competent little spaghetti western. Certainly, it's not perfect. A number of characters are stereotypes found in other spaghetti westerns, like the goofy bearded tubby fellow who helps the protagonist. The hero is kind of smug and arrogant at times. There is a minimum of plot, which is really evident when things are wrapped up for the most part long before the very end. On the other hand, the movie does have a nice musical score, sports some good scenes of action as well as moments of suspense, and doesn't have any boring sequences. There is also a twist at the end that I didn't see coming. The movie doesn't break new ground, but it's adequate for spaghetti western fans.

At the beginning of the film, "Django" (Glenn Saxson) meets up with a bounty hunter called Ringo (Jose Luis Martin) who happens to be taking the body of Django's dead father to town for a $5000 bounty . Django murders Ringo and then decides to bury the bounty hunter instead of his father , as he then takes his dad's body into town for the money. Django inherits his fathers part of the business and a score to settle with Cluster (Gazzolo). A local character named Gordon (Fernando Sancho) tells Django that he actually owns half the town since his daddy was colleague with Cluster . A bar room brawl ensues with Django getting help from a mysterious doctor (Albert Lupo) who is staying in town . Django , the Doctor and Gordon join forces and reckoning to banker Cluster and his wife (Evelyn Stewart or Ida Galli as Femme Fatal) .

This above-average Ravioli Western packs thrills , action , brawls in Terence Hill-Spencer style , crossfire and drags at times , balancing in ups and downs ; resulting to be pretty entertaining . The movie has the typical Spaghetti characters , as the violent facing , greedy antiheroes, bloody and spectacular showdowns, quick zooms , extreme baddies and being well directed . This fun story also has touches of humor as when the starring speaks with his deceased daddy and at the ending when appears a gunfighter played by George Eastman reclaiming his inherited rights . The picture is a tale of justice and revenge , as a gunfighter looks for a man in a little town and seeks vendetta against the father's killer . The basic plot is typical spaghetti western fare , but what makes this movie stand out is its style . The starring called Django , though some countries was called Trinity or Glenn Garvin , is stunningly played by the Dutch Glenn Saxson . Glenn is very fine , he ravages the screen , he jumps , bounds and leaps , hit and run . Glenn as a brave and two-fisted gunslinger is terrific , subsequently the would play similar roles in other Spaghettis ; as also starred "Il Magnifico Texano" and ¨Vete con Dios , Gringo¨ . Music original by Bruno Nicolai composes a nice Spaghetti soundtrack and well conducted and splendid leitmotif ; it's full of enjoyable sounds and emotive score , including attractive songs at the beginning and the end . There are many fine technicians and nice assistant direction , excellent production design , and atmospheric cinematography by Riccardo Pallottini , he creates a colorful scenario on the interior ranch and barren outdoors , dirty landscapes under a glimmer sun , and being shot in Elios studios (Rome) and Spain : Manzanares Del Real , La Pedriza and of course , Almeria .

The flick was professionally directed by Alberto De Martino or Herbert Martin . This Italian writer / filmmaker so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . He wrote/directed several Western , action and intriguing films . He is an expert director/writer of Giallo , Western , wartime , horror and all kind of genres . As he directed horror : ¨The tempter¨ . ¨Blood link¨, ¨Miami Golem¨ , ¨Holocaust 2000¨ ; Warlike : "Dirty Heroes" , Peplum : ¨Invincible gladiator , La Rivolta Dei Sette , Il Triunfo di Ercole , ¨Los Invencibles¨ and Spaghetti : ¨Sangre Sobre Texas¨, ¨Sheriff terrible¨ "Here We Go Again, Eh Providence?" . Rating : 7. Good Western that will appeal to Spaghetti fans because being filled with action , thrills , intrigue and shootouts .

This funny film belongs to ¨Django¨series , after successful original ¨Django¨ by Sergio Corbucci with Franco Nero , it was followed by several imitations , rip offs and cheesy copies , such as : ¨Pochi dollar per Django¨ or ¨Alambradas De Violencia¨ (1966) by Leon Klimowsky starred by Anthony Steffen , Gloria Osuna , Frank Wolff ; ¨El Mio Nome e Django¨ (1969) by Ferdinando Baldi with Terence Hill , Horst Frank , George Eastman ; ¨Django Le Bastard¨(1969) by Sergio Garrone with Anthony Steffen , Paolo Gozlino ; ¨¨Django defies Sartana¨(1969) by Pasquale Squitieri with George Ardisson and Tony Kendall ; ¨Ein Pressen Fur Django¨ or ¨Barro en Ojos¨(1971) by Edoardo Mulargia with Anthony Steffen ; and the official sequel titled ¨Il Grande Ritorno¨(1987) by Nello Rossati with Franco Nero , Christopher Connolly and Donald Pleasence .

This Spaghetti Western isn't as bad as it's been described in "Stracult", a compilation of essays on Italian B-movies that I purchased at the 2004 Venice Film Festival, but it's certainly not anything special either! Glenn Saxson is a cheerful lead in the Errol Flynn vein, which is incongruous for the genre - at least in this early phase, before comedy set in with the Terence Hill/Bud Spencer films!

Still, the revenge/control-of-a-Western-town plot is fairly engaging - though it has nothing whatsoever to do with the original DJANGO (1966; whose 2-Disc LE Set via Blue Underground, incidentally, I should be receiving soon) - and even includes some nice, original touches: Django taking his outlaw father's corpse (after dispatching the bounty hunter who murdered him) to town to pick up the reward money for himself; a "Three Musketeers"-like subplot involving a beautiful but wicked woman (Evelyn Stewart) and her former husband, friend of the hero, who warns him against her; an amusing double-twist at the end in which, first, heroine Erika Blanc outwits a fleeing (i.e. uncommitted) Django, thus making sure that he goes back to her - followed by a reprisal of the film's opening sequence with the arrival of a new gunslinger in town, this time to challenge Django's own authority! The climax, set inside a graveyard, is also effective - as is Bruno Nicolai's bouncy score.

Having said that, the film is too slowly-paced and, even at a little over 90 minutes, it feels protracted - particularly the silly bar-room brawl towards the end!

As most genre fans expect, there's no overlap between this incarnation of a Django and Franco Nero's original. Glenn Saxon straddles the fence between laconic and dull in the wronged hero role. The plot begins with a clever twist on his revenge motive, but meanders for most of its duration. After the natural point for a rousing and satisfying ending, the film drags on for about 15 minutes to accomplish what should have taken 3-5, at most. That drops this below the average for these generally enjoyable, even when not memorable, imported oaters.