Joe, o Pistoleiro Implacável

...Navajo Joe...directed by Sergio Corbucci.

I'd rate Navajo Joe a "must see"...for Spaghetti-heads, at least....although I wouldn't place it in my top 10 SW. Somewhere in my top 20's more like it.

It's certainly one of the least 'cartoonish' SW...the themes touched on in the movie are well chosen & well done....the score is soooooooo good............Reynolds is good in the part (he's half Cherokee Indian, by the way)........Joe is not your run of the mill SW character--> it's refreshing to have a hero (as opposed to hero/anti-hero) for a change...he's an 'assassin', & a good one...wiping out 40+ guys is no small feat.

The ending was handled well..& slightly ambiguously...there is room for speculation as to Joe's ultimate fate in the movie....although w/ a little thought...it's pretty clear...& adds to the film's quality & richness. The usual atrocious dubbing....occasionally some excellent dialogue will poke through.

Good one.

Navajo Joe is directed by Sergio Corbucci and collectively written by Fernando Di Leo, Ugo Pirro and Piero Regnoli. It stars Burt Reynolds, Aldo Sambrell, Nicoletta Machiavelli, Tanya Lopert and Fernando Rey. Music is by Ennico Morricone and cinematography by Silvano Ippolitti.

Though Reynolds would say it's the worst film he ever made, anyone who has followed his career will know that simply isn't the case! It's an odd Spaghetti Western that sees Reynolds play the title character, who strides out for revenge against the ragamuffin varmints who slaughtered his woman and tribe. Cue blood letting galore as Joe enacts said revenge with bloodthirsty glee as the hints of anti-racism struggle to show their heads above the pasta strewn pulpit.

Narratively there's nothing else to add, it's simplicity 101 and at times it becomes laborious. Where the film doesn't lack for interest is with the technical aspects. Corbucci hones his skills as a purveyor of brutal set pieces, each striking for entertainment purpose. Ippolitti adds his own brand of cinematography, gracing the story with a pizazz it doesn't deserve, whilst Morricone provides a wonderfully catchy musical score. As for Reynolds? He does OK. Veering close to being pantomime and showing a lack of interest, his all round brooding charisma shines bright and gives the picture a macho edge.

Not a great film by any stretch of the imagination, the script is just too lazy, but it is above average and Spaghetti Western fans can find enough here to gorge on for a satisfying meal. 6/10

Sergio Corbucci western with style to spare. Every good spaghetti western is a revenge story and this one's no exception. Burt Reynolds plays the title character Navajo Joe, who hunts down the men responsible for the death of his wife. Lots of violence amidst the attempts at profundity but it's all good fun. Try not to take it seriously and you'll enjoy it more. There is a cheese factor but, again, it's a spaghetti western so that comes with the territory. More so when you add Burt Reynolds to the mix. I don't care what anybody says, I love the Ennio Morricone score. I was humming "Nav-a-jo Joe Nav-a-jo Joe" for a long time after the movie ended.

"Navajo Joe" is a spaghetti Western from 1966 starring Burt Reynolds as the titular Native warrior who seeks revenge on a gang of sadistic outlaws who massacred his wife and tribe.

They say Italians have been making the worst movies for a hundred years, but "Navajo Joe" is pretty good for a spaghetti oater. In an interview Reynolds admitted that he took Clint Eastwood's example (whom he replaced on the TV series "Rawhide") by going to Europe and starring in an Italian Western; unlike Eastwood who got Sergio Leone, however, Burt got Sergio Corbucci.Despite this, Reynolds was in his prime and looks robust; being a stuntman, he did all his own stunts, which is impressive when you view the movie.

Other highlights include the typically outlandish but memorable score by Ennio Morricone (pseudonymously credited as Leo Nichols), which is reminiscent of his later score for "Burn!" and raven-haired Nicoletta Machiavelli as Estella, a half-breed who takes a liking to Joe. Other than this, the typical revenge plot moves right along for a fairly entertaining 60's European Western where the dubbed voices don't match the lips. "Navajo Joe" may not be great, but it's amusing enough.

The film runs 93 minutes and was shot in Spain.

GRADE: B

For money, for pleasure, for revenge , he doesn't care why he kills or how ¡ . The sole survivor , named Navajo Joe (Burt Reynolds who wore a black toupe hairpiece), of a slaughter and atrocity executes a single-handedly revenge , as he slashes, burn , ravages and kills each person involved in the massacre . He is relentless in his vendetta , deadly in his violence . The conflict is a simple one between avenger Indio and oppressors , nasty bandits (Aldo Sambrell , among others). Meanwhile , Navajo Joe aids an unappreciated although terrorized little town called Esperanza City in the process . The town is inhabited by important people as the banker named Blackwood (Angel Alvarez of Django) , the priest(Fernando Rey of Return Magnificent Seven) , the doctor (Peter Cross) and a gorgeous mestizo girl (Nicoletta Machiavelli) , among others. Navajo is submitted a tempestuous trap and is caught up and he suffers incredible tortures .

It's an exciting western with breathtaking showdown between the protagonist Burt Reynolds and the enemy Aldo Sambrell and his hoodlums. Burt Reynolds is fine , he ravages the screen , he jumps, bounds and leaps, hits and runs ; besides receiving violent punches , kicks , lashes and is ultimately hung . Reynolds told this one is his worst film but I think it turned out to be a good Spaghetti Western . Producer Dino De Laurentiis made this with the intention of replicating the success of For a fistful of dollars (1964) after that movie had become a box-office hit . De Laurentiis wanted to find an American actor to rival Clint Eastwood's popularity. Reynolds had appeared in TV westerns and was part Cherokee Indian . De Laurentiis persuaded Reynolds to sign on. Aldo Sambrell as a cruelly baddie role is terrific , this is his only acting as starring , subsequently the would play very secondary or minimum characters . Furthermore, there appears usual secondaries Italian/Spanish Western as Alvaro De Luna , Simon Arriaga , Rafael Albaicín ,Lorenzo Robledo, and , of course , Fernando Rey in his ordinary role as priest . The film blends violence , blood , tension , high body-count and it's fast moving and quite entertaining . There is plenty of action in the movie , guaranteeing shootouts or stunts every few minutes . There are many fine technicians and nice assistant direction as Ruggero Deodato, future Cannibal Holocaust, and production designer Eduardo De la Torre Fuente who creates an excellent scenario with barren outdoors , dirty landscapes under a glimmer sun and a fine set on the Indian cemetery . The musician Ennio Morricone , Lee Nichols, composes a nice soundtrack and well conducted ; it's full of guttural sounds and Indian screams. Striking cinematography by Silvano Ippoliti in Technicolor, Techniscope with negative well processed . Interior filmed at Dino De Laurentiis Cinematografica, Studios Rome and outdoor sequences filmed at Torremocha, Colmenar, Guadix and of course Almeria, Spain.

Sergio Corbucci's direction is well crafted, here he's less cynical and humorous and more inclined toward violence and too much action, other Westerns he filmed contained broad comedy . He made several Spaghetti classics : ¨ Django¨, ¨The great silence¨, ¨Hellbenders¨, ¨The specialist¨ , and Zapata Western as ¨The Mercenary¨, ¨The Compañeros¨ and ¨What am I doing in middle of the revolution¨ . In addition Sergio directed other inferior S.W. as ¨Far West story¨ ,¨Johnny Oro¨, ¨The white the yellow an the black¨ and ¨Minnesota Clay¨ .