Adicionar um enredo no seu idiomaIn order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his ... Ler tudoIn order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.In order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.
- Direção
- Roteirista
- Artistas
- Council Member
- (não creditado)
- Butler
- (não creditado)
- Guest at Ball
- (não creditado)
- Professor, Piano Player
- (não creditado)
- Senator, Council Member
- (não creditado)
Avaliações em destaque
The first western movie by Antonio Margheriti is somewhat too pedestrian. In the first half of the movie, nothing much is happening except discussions with bank directors and watching the saloon dancers. Only in the middle of the movie, when the villain seriously starts to attack Dynamite Joe (who replies with, guess what, a very big explosion), the audience wakes up and gets the opportunity to watch a movie that is somewhat entertaining at least in the second half, when the gold transport is on the way. Rik Van Nutter (best known for playing Felix Leiter in the James Bond movie 'Thunderball') is a kind of hero that rather is at home in secret agent movies and appears to be miscast here.
Joe's hired by the government to get a gold shipment safely through dangerous territory and past a group of "comancheros." He manages to do this when a wagon is made from the gold. (Yeah . . . that's believable!) Along the way we're told Joe has "an obsession with the letter G: gold, girls, and gunpowder!" The audience is also treated to (or tortured by) a couple of songs by a saloon girl (who looks a lot like Annette Funicello).
There is the usual -- for spaghetti westerns -- backstabbing and corruption of supposedly noble characters, and a number of mostly predictable twists in the plot. And then there's director Margheriti's famous work with miniatures during a sensational flood sequence. And as usual, the special effects in the sequence alternate from spectacular to dreadful, often within seconds.
In short, "Dynamite Joe" is watchable, but is far from the apex of Italian westerns. And Rick Von Nutter just walks through the title role on what I presume is supposed to be his charm. (Note to Rick: It ain't happenin', dude!)
Watching it via the latter with little else to do, 'Dynamite Joe' turned out to be an okay one-time watch, particularly if one is a Spaghetti western completest and wants to see even the obscure ones, but is easily forgettable and doesn't have enough to warrant repeat viewings. Not awful by all means (you can do with so much worse), but there is not much explosive here let alone enough to live up to its title.
'Dynamite Joe' does have its good things. It's not bad looking, it's evocative in design and has the right amount of rustic grit and much of the photography is lovely, especially the opening shot. The music fits quite well, sometimes rousing and at other times subtle, it's not the most lushly orchestrated score in the world but it at least is not discordant with the setting. The songs are catchy.
There are moments of amusing comedy and occasional exciting action.
On the other hand, both the direction and pace are pedestrian, especially in the far-too-long-to-get-going first half and the story is far too ordinary and seems reluctant to give any tension, imagination or conflict. Instead it tries too hard to be light-hearted and ends up playing it too safely and politely.
Regarding the script, some amusing comedy aside, it lacks lustre as well and doesn't flow naturally. The characters are little more than bland, indifferent in development clichés and the acting is nothing to write home about. Rik Van Nutter sleepwalks through the lead role, and the rest are either bland or over-the-top.
In summation, okay but forgettable very soon after watching. 4/10 Bethany Cox
The film features Rik Van Nutter as the peroxide blond hero, a Bond-style protagonist who has something of a passion for explosives. The plot involves the transportation of a shipment of gold through enemy territory, and the enemies faced along the way; a number of rich businessmen turn out to be unsurprisingly corrupt, and Van Nutter has his work cut out dealing with them.
Unsurprisingly this is an effects film for the most part, with plenty of explosive action and even a few of Margheriti's infamous miniatures in a flood disaster scene. However, it's not very funny, and Van Nutter's hero is more than a little irritating. It's not a film I'd hurry to watch again, put it like that.
Você sabia?
- ConexõesReferenced in Stille dage i Clichy (1970)
- Trilhas sonorasDi Ynamighty
By Don Powell and Carlo Savina
Principais escolhas
Detalhes
- Tempo de duração1 hora 38 minutos
- Proporção
- 2.35 : 1