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IMDbPro

Os Doze Condenados

Título original: The Dirty Dozen
  • 1967
  • 16
  • 2 h 30 min
AVALIAÇÃO DA IMDb
7,7/10
82 mil
SUA AVALIAÇÃO
POPULARIDADE
4.479
284
Os Doze Condenados (1967)
Assistir a Official Trailer
Reproduzir trailer3:36
1 vídeo
99+ fotos
AçãoAventuraGuerra

Às vésperas do Dia D, um Major do Exército americano é designado para treinar uma unidade composta por 12 criminosos condenados para uma missão suicida por trás das linhas inimigas na França... Ler tudoÀs vésperas do Dia D, um Major do Exército americano é designado para treinar uma unidade composta por 12 criminosos condenados para uma missão suicida por trás das linhas inimigas na França em troca do perdão pelos seus crimes.Às vésperas do Dia D, um Major do Exército americano é designado para treinar uma unidade composta por 12 criminosos condenados para uma missão suicida por trás das linhas inimigas na França em troca do perdão pelos seus crimes.

  • Direção
    • Robert Aldrich
  • Roteiristas
    • Nunnally Johnson
    • Lukas Heller
    • E.M. Nathanson
  • Artistas
    • Lee Marvin
    • Ernest Borgnine
    • Charles Bronson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    82 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.479
    284
    • Direção
      • Robert Aldrich
    • Roteiristas
      • Nunnally Johnson
      • Lukas Heller
      • E.M. Nathanson
    • Artistas
      • Lee Marvin
      • Ernest Borgnine
      • Charles Bronson
    • 242Avaliações de usuários
    • 107Avaliações da crítica
    • 73Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 5 vitórias e 9 indicações no total

    Vídeos1

    Official Trailer
    Trailer 3:36
    Official Trailer

    Fotos172

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    Editar
    Lee Marvin
    Lee Marvin
    • Major John Reisman
    Ernest Borgnine
    Ernest Borgnine
    • General Worden
    Charles Bronson
    Charles Bronson
    • Joseph T. Wladislaw
    John Cassavetes
    John Cassavetes
    • Victor R. Franko
    Jim Brown
    Jim Brown
    • Robert T. Jefferson
    Richard Jaeckel
    Richard Jaeckel
    • Sergeant Bowren
    George Kennedy
    George Kennedy
    • Major Max Armbruster
    Trini López
    Trini López
    • Pedro Jiminez
    • (as Trini Lopez)
    Ralph Meeker
    Ralph Meeker
    • Captain Stuart Kinder
    Robert Ryan
    Robert Ryan
    • Col. Everett Dasher Breed
    Telly Savalas
    Telly Savalas
    • Archer J. Maggott
    Donald Sutherland
    Donald Sutherland
    • Vernon L. Pinkley
    Clint Walker
    Clint Walker
    • Samson Posey
    Robert Webber
    Robert Webber
    • General Denton
    Tom Busby
    Tom Busby
    • Milo Vladek
    Ben Carruthers
    Ben Carruthers
    • Glenn S. Gilpin
    Stuart Cooper
    Stuart Cooper
    • Roscoe Lever
    Robert Phillips
    Robert Phillips
    • Corporal Morgan
    • Direção
      • Robert Aldrich
    • Roteiristas
      • Nunnally Johnson
      • Lukas Heller
      • E.M. Nathanson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários242

    7,782.2K
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    Avaliações em destaque

    7Sonatine97

    A good old fashioned war film with no hidden agenda.

    A generally entertaining war film with no real political axe to grind or patriotic flagwaving getting in the way. Its very dangerous trying to humourise war in the movies, because that would be offensive to all those that had served & died in real life. Kelly's Heroes and 1941 probably went a little too far, pretending that war is really fun & cool when you've got people like Clint Eastwood in charge. But then you have other war films that are black in its humour but manage to keep into focus the cruelty & horrors of war at the same time - M*A*S*H and Catch 22 are the best examples. With Dirty Dozen we have something of a go-between; the humour amongst the characters is light & welcoming but never falls into farce or bad-taste; and Aldrich quickly pulls us back into the fold with some tight scripted scenes of drama & mass murder (throwing petrol & grenades into that German bunker to name but one. I often wonder about that scene, and whether it was some kind of metaphor for the gas chambers & concentration camps in Belsen) But unlike MASH & Catch 22, Aldrich resists the temptation to openly politicise the effects of war, after all this film was made in '67 near the height of the Vietnam war/protests. Instead he takes a straight line course of action and lets us be moved & entertained by the convicted GIs doing their duty. Marvin is excellent as the hardnosed but disobediant Major. He plays the anti-hero far better than Eastwood in Kelly's Heroes. Marvin just looks the type who'd give the top brass as well the Germans a real hard time. But special mention must go to Cassavettes as Viktor Franko, the trouble-maker's trouble-maker. His character is so refreshing & wild amongst a relatively mild cast of supporting extras, with the exception of Savalas. Franko is the Joker of the pack but you soon feel an attachment for him in spite of his crimes. Sutherland & Bronson, don't really add much. The former plays a slightly naive man who hasn't really grown up and Bronson just smirks & mumbles a lot. The only other character worthy of a mention is the truly terrifying Savalas, who is a Christian through & through, yet hates all women as much as the Germans; and has a most spine chilling laugh! Difficult to believe this man later became Kojak! The film is a tad overlong; the first & last 40 minutes hold the interest but the middle section (the War Games scene), is far too long and generally detracts. All the same, DD is a very good movie, especially for those who don't want to be politically moralised too. ***/*****
    8silverscreen888

    Splendidly Produced; a Tough and Tough-Minded Film

    Many viewers of film, myself include, rate this as one of the most exciting "mission"'' stories of all time. Adapted from an intelligent but Freudian source novel, the plot theme is a subtle one for a movie; it's about convicted men in WWII being given odds for life in the form of a suicide mission that may wipe their slates clean-- or perhaps not... its main theme is self-assertion, set against its opposite, enforced repression. The key to every action men undertake in this very tough and and tough-minded Nunnnally Johnason and Lukas Heller script is: "Is that person dealing with the reality of the world of and his/her own responsibility to act?" From convict Telly Savalas' character, mystical murderer of women who claims a divine calling to punish their sexuality, to Charles Bronson and Jim Brown who reacted to persecutions and are innocent by reason of self-defense, to their leader, the mission's architect, Major Reisman, who wants his plan to go forward his way despite resistance from brass, every man of the outfit is tried against the same standard. Jimenez is climbing a rope and says he can't make the tower; Franco refuses to shave because the officers have hot water and he does not, Posey can't control his temper, control-freak Col. Breed hates any man who does not go by the book; etc. As a production, Robert Aldrich's direction is probably his masterpiece; the acting is far above average, especially Lee Marvin, Charles Bronson, Donald Sutherland, Clint Walker, Robert Webber, energetic John Cassevetes and Al Mancini; the inspired casting of powerful top-sergeant-level Ernest Borgnine as an obviously far-beyond-his element general works brilliantly. The art direction, special effects, sets, and music (by Frank de Vol) all complement a taut script filled with memorable terse dialogue. Entire sequences such as the selection interviews for the mission team, the building of the camp, a visit to Breed's hq, Breed's invasion of the camp, the training regimen, the "graduation party", Reisman's verbal defense of his men, the war games' challenge, preparing for the mission, the early invasion steps, Maggot's adlib, the attack by Reisman's team, the escape and the hospital climax and denouement--all these sections are made memorable to many admirers of this beautifully made and unusual story. As officers attached to the mission, George Kennedy, Richard Jaene-too-subtle secondary theme of the film is: the wrongness of arbitrary power in anyone's hands, including Nazis, US army officers or their brutal agents (such as Breed's men who beat up Charles Bronson for information). The film is about individuals who when they harm no one else and are effective human beings, men who can always get the job done, always control themselves. who need to be free to operate. Such men the film says are "heroes"--men with an unusual ability to create results on Earth; the sort of men films ought to be made about in a nation that talks individualism and claims to value capability. This is a great adventure, of enduring artistry, occasional brutality and intelligently-developed dialogue. It has logical actions, and spectacular physical performances and This is a strong and well-thought-out adventure film, one of the richest of its genre, to be watched many times.
    tfrizzell

    Now That Is What I Would Call 12 Angry Men.

    Heart-pounding and adrenaline-rushing action giant that still packs a punch that will knock you out. A dozen criminals (Oscar-nominee John Cassavetes, Telly Savalas, Jim Brown, Charles Bronson and Donald Sutherland being the major standouts) are trained for a suicide mission into Nazi territory in 1944 and act as assassins. If you want to catch a thief, you hire a thief and that is the same principle used throughout this impressive motion picture. Lee Marvin does some of his best work as the leader of the rag-tag bunch of miscreants. Serves its purpose to near perfection. 4.5 out of 5 stars.
    10SgtSlaughter

    Excellent WWII Action Piece and Representation of 60s Pop Culture

    Acclaimed director Robert Aldrich (also famous to war film buffs for his rule-breaking drama, "Attack") twists the familiar 'unit picture' into a famous story of unexpected heroism in the midst of World War II. Instead of making his heroes clean-cut, American draftees, we're looking at the dirtiest convicts the Armed Forces has got to offer.

    OSS Major Reisman (Lee Marvin, "Hell in the Pacific") is an insubordinate Army officer who's facing a court-martial, when he's given one last chance for a reprieve: select twelve Army prisoners from a maximum-security detention center, train them for a top-secret mission behind the German lines, and then lead them into battle. If they succeed in the mission, they'll be released. For Reisman, it's a tough call, but it's his only chance to save his career.

    The men he was to work with are a mixed batch, and director Aldrich packs a lot of character development into a two-and-a-half-hour movie. The most important of the "Dirty Dozen" is Franko, a small-time Chicago hoodlum who's facing the gallows for robbery and subsequent murder of a British civilian. It's clear from the start that Franko is a loner who thinks he's big stuff, but Reisman manages to prove that he's really all talk. More than once, he considers and even attempts escape from the remote training camp that the Dozen are forced to build – but maybe, just maybe, beneath that rebellious attitude, there's a chance for redemption.

    Then there are some more sympathetic types: Wladislaw (Charles Bronson, "Battle of the Bulge") was once a front-line infantryman who shot his platoon's medic when the medic got scared under fire and started running – Bronson says "He took off with all the medical supplies… only way to stop him was to shoot him." Jefferson (Jim Brown, "Ice Station Zebra") has been convicted for murder – his defense is he was defending himself from vicious, racist MPs who were abusing him. Wladislaw and Jefferson find themselves allied in order to get Franko on their side, because they have faith in Reisman and aren't willing to let Franko's rebellion become infectious.

    Also in fine support is Clint Walker ("None But the Brave") as the big Navajo, Posey, who punched a man too hard for shoving him. He really didn't mean to kill him; he just doesn't like being pushed. Posey comes off as a cuddly teddy bear who'd never intentionally hurt a soul, and it's clear from the start that he's one of the good guys. Finally, Telly Savalas ("Kelly's Heroes") lends a hand as the psychotic, racist, religious fanatic Maggot, who believes his job is to punish the other 11 men for their "wickedness". His motives are never really clear; all we really know is that Maggot is somewhat unhinged and potentially dangerous.

    Even though Reisman and his squad don't get along, they're forced to become allied against a common enemy – the American General Staff, who want to do nothing short of shut the operation down. Aldrich again breaks the rules, making the conventionally "good guys" into the enemy. The Germans are barely mentioned throughout the first two acts, and only become involved for the explosive finale. The heart of this movie is anti-establishment behavior, right in the vein of the protest culture of the 60s: the good guys are the unshaven criminals, and the bad guys are the clean-cut, well-dressed Generals who come across as stupid and vain. As Colonel Everett Dasher Breed, Robert Ryan ("Flying Leathernecks") makes an excellent bully, a villain that the Dozen eventually unite to take action against.

    Once the men have been trained and are finally cooperating and acting as a unit, it's time to set them loose on the Nazis. And still, the story doesn't become stereotypical. The mission is simple: the men will parachute into occupied France, penetrate a château being used as a rest center for high-level German officers, and kill as many of said officers as possible in a short amount of time. This operation involves stabbing defenseless women, machine-gunning prisoners, and finally, locking several dozen German officers and their mistresses in an underground bomb shelter, pouring gasoline down on them through air vents, loading said air vents with hand grenades, and then blowing up the whole place.

    Characters and story aside, the film benefits from some superb editing by Michael Luciano. Director Aldrich and cinematographer Edward Scaife work hand in hand to compose every shot. The cramped, dank prison cells in the first act are utterly convincing, and the layout of the huge, magnificent German-occupied château looks, quite appropriately, like a cross between a marvelous mansion and an impregnable fortress. The battle scenes are well-choreographed, too. Never does a moment go by where we do not know where one encounter is happening in relation to what the rest of the squad is dealing with in and around the Château. Frank de Vol's sweeping score is used sparingly, and adds to both the humor and suspense of the picture. One scene, in which Donald Sutherland's character "inspects" a platoon of the 82nd Airborne, is set to a live orchestra's performance perfectly.

    War is a really a dirty business – this isn't a movie about men playing by the rules. It's about breaking every rule in the book to get a job done, and if a few innocent bystanders get in the way, they're simply collateral damage. On a higher level, Aldrich's film reflects culture attitudes of the late 60s. Moviegoers wanted a film which encouraged breaking the rules, which showed the higher levels of the American military as deeply flawed, and made the dregs of society into the heroes of the piece. It's a cynical representation of the time it was made in, but holds up flawlessly 40 years later, in a culture which has probably been shaped by the attitudes the film reflects in every frame.

    10/10
    pitz42

    The Greatest War Adventure of all time

    This is one of the most entertaining action packed war films ever made with a tremendous cast playing unique characters. I first saw this film when I was about 8 year old and thought it was the best thing I'd seen on TV.

    Lee Marvin heads the cast as an unorthadox, short on discipline rebellious Major during World War II whose given a suicidal mission by a bunch of Generals headed by the excellent Ernest Borgnine. He must take 12 convicts train them and take them on a mission behind enemy lines to destroy a large chateau and kill a large number of important German officers who'll be partying there that night.

    The films explosive climax is fantastic as you know inevitably that not everyone will survive the mission and by now you've sort of chosen who your favourite characters are. The build up and the training scenes are also brilliant as you discover the backgrounds behind these violent criminals.

    It's Marvin's show but John Cassavettes is superb as Victor Franco, in fact with a supporting cast featuring Robert Ryan, Charles Bronson, Telly Savalas, Donald Sutherland, George Kennedy and Clint Walker you know you're in for a great ride, nobody is wasted.

    There's a lot of humour mixed with quite serious issues...you sometimes forget that this band of jokers are killers with only one chance to survive a mission they are hardly trained for.

    This classic is on par with The Great Escape and Where Eagles Dare, Three inferior TV movies were made in the mid eighties which basically take the same idea from the original but they are obviously no match.

    It's available on video and DVD and every home should have a copy. Flawless.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      One scene required Lee Marvin to drive an armored truck with Charles Bronson riding shotgun. With cameras poised, Marvin was a no-show. He was eventually tracked down to a pub in Belgravia and was hauled into a car and taken to the studio, where coffee was poured down his throat. When on arrival he fell out of the car, Bronson flipped, "I'm going to fucking kill you, Lee".
    • Erros de gravação
      During the war games sequence, some of the Dozen are shown to exchange their blue armbands for the red ones worn by the opposing forces. But for the next few minutes of the film, they are still wearing their blue ones.
    • Citações

      Pinkley: [impersonating a General] Where are you from, son?

      Soldier: Madison City, Missouri, sir!

      Pinkley: Never heard of it.

    • Cenas durante ou pós-créditos
      The opening credits don't occur until 10 minutes into the film. While it is common nowadays for films to have a pre-credits sequence, it was considered innovative in 1967.
    • Versões alternativas
      In Germany, in the German-language dubbed version, audiences saw only Jim Brown throwing hand grenades into the airshafts at the chateau. The scenes showing grenades being dumped into, and gasoline being poured into, the airshafts were cut.
    • Conexões
      Edited into Guerra, Sombra e Água Fresca: Hogan's Double Life (1971)
    • Trilhas sonoras
      The Bramble Bush
      Music by Frank De Vol

      Lyrics by Mack David

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    Perguntas frequentes

    • How long is The Dirty Dozen?Fornecido pela Alexa
    • Are any of the actors still alive?
    • What were the sentences of the Dozen?
    • What is 'The Dirty Dozen' about?

    Detalhes

    Editar
    • Data de lançamento
      • 22 de outubro de 1967 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Alemão
      • Francês
      • Espanhol
      • Latim
    • Também conhecido como
      • Doce del patíbulo
    • Locações de filme
      • Ashridge Management College, Little Gaddesden, Hertfordshire, Inglaterra, Reino Unido(Marston-Tyne Military Prison - recruitment of the dirty dozen)
    • Empresas de produção
      • Metro-Goldwyn-Mayer (MGM)
      • MKH
      • Seven Arts Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 5.400.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      2 horas 30 minutos
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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