Anjos do Inferno

Roger Corman's Devil's Angels which was made at the height of the movie-biker craze in 1967 has three qualities which make this "B" film a devilish good time.

Starring the late-great John Cassavetes as motorcycle gang leader Cody. Cassavates was one of the best actors of the 1960s, yet never really became popular with the mainstream movie goer. He brings a complexity to his character. Torn between "doing-your-own-thing" or "selling-out". As his sidekick is the beautiful and lovely Beverly Adams. Ms. Adams is best known for playing Dean Martin's sexy secretary in the Matt Helm series, Lovely Kravezit. Looking earthy, but sexy, she excels in one of his best on-screen roles.

A fine supporting cast is lead by Mimsy Farmer and veteran character actor/writer Leo Gordon. Out-dated today, but for the times it must rate as one of the top 5 biker films of the decade.

Interesting side note, the movie poster for Devil's Angels is one of the best there is.

... as objective as possible. My grandfather (mom's side), the late ROY THIEL, played the deputy in this film. And somewhere in the family archives is a lobby poster for Devil's Angels. Word has it our family packed up the station wagon and watched it at the local (Seattle, WA) drive-in a few years after it's release. Now, years later, the keywords Roger Corman, 1967 biker film, and John Cassavetes shed a new light on the movie I barely knew of while growing up. Unintentionally kitschy, one of those movies you watch for the ambiance of the era rather than scrutinizing the plot line, but all in all, a nice time capsule of B-movie biker films of mid-late '60s. Devil's Angel's comes highly recommended (of course).

PS. My grandfather's name is attributed to (though he acted in commercials and several other non-credited roles) is yet another "Devil" titled-movie of the era: "Devil's Eight."

When things begin to get a little too hot in the city where they live the motorcycle gang known as the Skulls decide to head out on the highway and look for a new place to call their own. This brings them to the small town of Brookville which just happens to be enjoying a carnival on that day. Because they are so rowdy the local lawman, "Sheriff Henderson" (Leo Gordon) tells them to leave town. However, when the leader of the Skulls, "Cody" (John Cassavetes) informs him that they have nowhere to go for the night the sheriff makes a deal where they can sleep out on the nearby beach but have to be gone the next day and that they cannot come back into town. Cody agrees and the motorcycle gang camps out on the beach. Unfortunately, a local girl named "Marianne" (Mimsy Farmer) cannot leave well enough alone and goes out to party with them. However, when things get a little too adventurous for her, she runs back into town in a disheveled state which causes several leading citizens in the town to take matters into their own hands. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that although it starts off rather slow it eventually gains momentum and ends up satisfactorily for the most part. In short, it's not a great motorcycle movie but it wasn't that bad either.

First there are no Hell's Angels as in mentioned in the main summery, the MC is the Skulls for you trivia lovers. As is so often the case in many of these summaries their weakness makes me wonder if they actually watched the movie. The movie does have a common plot for the genre, the beat music and slang of the Sixties fills the movie. The leader, John Cassavetes, is one of the not really bad guys, just a guy trying to find his way. So his performance is above what one often sees in these types of movies. Over another normal 60s biker "gang" stereotypes in plot but without the why so common death ending so in so many of films. At least more of a more positive ending

This is not a great movie, and it never was. But today, the period foolishness in telling the story of poor, misunderstood counterculture bikers is a hoot! The bikers flaunt their bad-boys image and behavior, but then bemoan the harsh treatment they get from the "citizens" they despise. They--and this film--want it both ways. If this was a new film, I would be more critical of it, but as it is, it's a wonderful time capsule of '60s film-making and ideology. The acting and dialog continually swing from wooden and contrived to endearing and dramatically believable. Cassavetes was truly a talented actor, and this otherwise low-grade movie proves it. I am much more fond his gang leader character than the script or production warrant.