Youngary, O Monstro das Profundezas

Yongary is a terrific Monster with fantastic powers(albeit a little too much like Godzilla). Particularly I like his horn which shoots laser beams.

However the film itself drags on incessantly, stars an annoying little kid in short shorts and has less than spectacular special effects. Particularly bad is when the flame-shooting device used for Yongary to breathe fire is so obviously visible on screen. Also the eventual outcome for Yongary may be too much for some children.

Yonggary (1967) is much like Gamera, a cash crop film, aping off the success of other pilfered monsters, better ones. The film opens with what I thought was a rather nice shot of space with rolling credits, followed by a fine cast of mediocre actors and a young boy in shorts, the evil omen for any giant monster movie fan of terrible things to come. The story and plot run through very worn out terrain, mysterious happenings somewhere, a loving couple, monster attack, and discovery of weapon to kill the monster. The film was geared to children, as most kaiju films of this time (late 60s), one would expect this in itself would diagnose Yonggary as terminally unwatchable, but the kid aspect is what to me kept it entertaining, Yonggary dancing, drinking, etc. were all bizarre enouph to keep a smile, bad editing also played it part. As for the action sequences, Yonggary's arrival and first rampage was well done, not very convincing mind you, but thats never really the point in these films, to look interesting and incite nostalgic inner child hollaring.

Yonggary is by far one of the most forgettable Kaiju monsters to grace East Asian screens, his physical appearance is right down the middle neutral to anything that may catch attention; his skin color bland, his design simple and uninspired and his range of emotion nonexistent. However , despite all of this, I had fun watching it, unlike Gappa, pretension toward seriousness is out the window, thus making the inevitable moral lesson and speech at the end all the more bearable.

One of the better, lesser kaiju films. 6/10

A Scientist and a young woman get married and immediately are harassed by the bride's young brother, whom you will likely hate almost immediately. Their honeymoon is short lived, as the scientist's new father-in-law calls him into action on the wedding night, not the kind of action he was looking for. It seems this man is the only one who can solve a problem plaguing the Korean people...a giant, angry, thunder lizard who has emerged from "the deep". I guess it's happened before, as most of the people know this Godzilla-like beast by his first name, Yongary.

Anyways, Yongary destroys a bunch of buildings, killing a bunch of people I assume, and ravages the Korean oil refineries, using the blow-torch in his mouth. We find out that he was only causing this ruckus because his tummy was growling, yes our boy Yongary was hungry. That pretty much covers most of the movie, other than a scene where he starts to dance, which makes it all worth watching (not really).

While this is by far the most blatant Godzilla rip-off I have seen, it's far better than Godzilla could ever hope to be. The English dub is ridiculous. At one point a soldier actually repeats two lines. The green screen work is hit and miss, sometimes it seems like they might be trying to be bad for the comedic effect. There were a couple times I actually laughed out loud. As bad as this movie may be, I still liked it.

I mean...the company is called Kuk Dong. If you speak Swedish, that is quite funny. Otherwise its just random. Umm...movie review.

A giant monsters appears after a space shuttle launch. It goes to crush a model of a Korean city. An annoying kid uses his flashlight to make Yonggary dance. After much pointless destruction, a random scientist dumps a load of toxins on Yonggary and he dies a painful, withering death.

It's standard stuff here, folks, but very quaint and amusing in it's production. It's got some random stuff, like the Korean priest shouting repent in one of the crowd scenes, and the epileptic rave scene. Otherwise it's Godzilla from start to finish, complete with terrible models, a supremely cheesy space sequence, and pointless, unintroduced characters.

Yonggary has got a neat cutting beam that he slices a motorcycle and a jet fighter(straight out of Team America) in half with.

If you want some late night cheese, this is it.