Youngary, O Monstro das Profundezas

A Scientist and a young woman get married and immediately are harassed by the bride's young brother, whom you will likely hate almost immediately. Their honeymoon is short lived, as the scientist's new father-in-law calls him into action on the wedding night, not the kind of action he was looking for. It seems this man is the only one who can solve a problem plaguing the Korean people...a giant, angry, thunder lizard who has emerged from "the deep". I guess it's happened before, as most of the people know this Godzilla-like beast by his first name, Yongary.

Anyways, Yongary destroys a bunch of buildings, killing a bunch of people I assume, and ravages the Korean oil refineries, using the blow-torch in his mouth. We find out that he was only causing this ruckus because his tummy was growling, yes our boy Yongary was hungry. That pretty much covers most of the movie, other than a scene where he starts to dance, which makes it all worth watching (not really).

1967's "Yongary Monster from the Deep" ("Taekoesu Yonggary" or The Great Monster Yongary) served as South Korea's entry in the kaiju sweepstakes, using technicians from Japan's Toei Studios to help on special effects. With the year's competition being Toho's "King Kong Escapes," Shochiku's "The X From Outer Space," and Nikkatsu's "Monster from a Prehistoric Planet" (plus one apiece from Godzilla and Gamera), it would be no surprise that poor Yongary doesn't earn the kind of recognition he otherwise might have, if only because of his status as a Korean rarity. Scriptwise it greatly resembles a Gamera film, with 8 year old Icho the brat so annoying even his big sister isn't safe from his latest prank, an itch-causing flashlight shining on her newlywed vehicle to force the couple into a scratching fit in the middle of the road. Hubby just happens to be Korea's only viable astronaut, called away from an obviously uncomfortable honeymoon to venture beyond mere head space, discovering an earthquake that awakens a legendary monster known as Yongary, emerging at the half hour mark to begin stomping buildings and such. Amazingly, military leaders and politicians never leave headquarters as they argue the merits of their futile efforts, leaving little Icho to do all the heavy lifting like spotting Yongary's feasting on gasoline and energy reserves. Naturally, the boy's brother is a brilliant scientist who deduces that the right combination of ammonia dropped on the unlucky Yongary will assuredly prove fatal, but not until after he shares a tango in the night with Icho to a guitar instrumental. Yongary shoots flames from an open mouth like Gamera (the nozzle clearly visible) but in all other respects looks and acts like Godzilla, smaller spikes down his back, a long tail, and a horn on his nose. We go from smashing up a battered metropolis to boozing on gas at an oil refinery before ending at a lonely stream where the final dropoff puts the quivering beast to bed permanently, his blood flowing into the water a disquieting touch. Derided for years as a cheap knockoff, it was obviously a risky undertaking for director Kim Ki-Duk, special effects completed in three months to huge box office returns in Korea alone, picked up for a small screen dub by AIP-TV to become the nation's best remembered monster picture.

I mean...the company is called Kuk Dong. If you speak Swedish, that is quite funny. Otherwise its just random. Umm...movie review.

A giant monsters appears after a space shuttle launch. It goes to crush a model of a Korean city. An annoying kid uses his flashlight to make Yonggary dance. After much pointless destruction, a random scientist dumps a load of toxins on Yonggary and he dies a painful, withering death.

It's standard stuff here, folks, but very quaint and amusing in it's production. It's got some random stuff, like the Korean priest shouting repent in one of the crowd scenes, and the epileptic rave scene. Otherwise it's Godzilla from start to finish, complete with terrible models, a supremely cheesy space sequence, and pointless, unintroduced characters.

Yonggary has got a neat cutting beam that he slices a motorcycle and a jet fighter(straight out of Team America) in half with.

If you want some late night cheese, this is it.

Cheapo Korean GODZILLA rip-off. Yonggary has a nose that glows when excited, likes to dance to rock 'n' roll, and is vulnerable to itching powder. Going Godzilla one better, Yonggary breathes fire AND shoots lasers from his nose. An allegedly cute eight year old boy befriends him; you keep hoping a building will fall on the boy or he'll get run over by a tank or be trampled by the mobs fleeing in terror to shut him up. The weirdest sequence occurs early in the movie: on his wedding night, just when his new bride is getting amorous, an astronaut is summoned on a secret mission; the next scene you see, he's blasting off into space in an enormous phallic rocket ship.

Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.

Allegedly, there is no more Korean print of this film and what circulates today is an American television print. This means we are stuck with the American dialogue rather than the original, and the editing may be quite different. Thus, we are watching (and critiquing) a film not as it was ever intended to be seen.

While much of what remains is amusing, it does tend to get boring. With Godzilla it never gets old, but with Yongary we can only see him smashing things for so long before it seems like the same old thing over and over. What other tricks do we have? None?