O Fofoqueiro

"The Big Mouth" is one of the better Jery Lewis movies out there. While I have yet to see ALL of Lewis's earlier works, I have seen a good handful of the better known titles including "The Family Jewels" and "The Nutty Professor." This one is better than both. I always felt that it deserved more attention and props than "NP" (his most well known) simply because the humor was more consistent throughout and the comedic timing, especially with Jerry as Gerald Clamson, couldn't have been better. Some great examples include him and the bellhop during an awkward moment involving a tip. Another one involves him and an elderly Chinese man at the pearl shop at Sea World. His remark about Confucious is the stuff of legend. So is the man's reaction. I also felt that "NP" was lacking in good supporting characters that were wacky enough to hold there own against Clamson. This is why the movie fizzles and becomes somewhat stale early on. Nothing for him to play off of. "FJ" had plenty of characters, but they were all played by Jerry Lewis. In other words, that movie suffered from Lewis overload. "The Big Mouth" is a perfect balance of all these elements. Though it may lose some of its pacing around the second half, the movie is well worth at least a rental simply for the first. If you suddenly crave some good silliness that will actually make you laugh from time to time, this is the Jerry Lewis movie for you, if you can find it.

p.s.-for Hojean, this is the one you're thinking of.

This time, Jerry Lewis plays reporter Gerald Clamson, who just happens to be a dead ringer for Sid Valentine, wanted by a crime syndicate. The only thing is, Valentine is supposed to be dead, so when the thugs see Clamson, you can imagine what sorts of things they do! Mistaken identity seems to be a frequent source of comedy (or drama; see "North by Northwest"). So even though "The Big Mouth" is nothing special, it's good for a few laughs. Most of the laughs come from what happens with the thugs when they see Clamson. But one also gets the feeling that Lewis was sort of losing his ability to come up with anything new after this. And now that we know what sort of a person he is in real life, that weakens it. But overall, this one's pretty funny.

I saw this film on first release and I remember being sickened by it...the early scene of jerry pulling his gangster double out of the beach (he's caught him in the back with fishing hooks), lots of blood...and this is supposed to be a family film?? ..later buddy lester is so shocked by seeing what he thinks is the dead gangster rejuvenated, that he ends up spitting out his own teeth, and spends the rest of the film going around with bloody gums, mumbling...kee-rist, what the hell was jerry lewis thinking??? ..the scenes with jerry as an Asian actor, spouting a lot of gibberish is just embarrassing. ..and is anyone else annoyed by the DVD releases of all these early lewis films?.. the narration is basically steve lawrence guffawing and praising jerry for every single frame, and asking him repeatedly for an explanation of the videotape camera system (which jerry gladly talks about over and over) ..anyway, I do like The Nutty Professor and The Ladies Man, but this one is a disaster

I've lost track of all the times I've seen this one from the first 16mm print at a summer camp in 1970. But I always loved it, no matter how stupid and inane it really is. The plot holes and pure unbelievability of the film must be put aside just for the sillyness. A few things stand out. A cameo by Col. Harland Sanders of KFC, and a view of early Sea World in San Diego. When I worked there in 1985, I found all the places that the film was shot. And the best of all, is Charlie Callas' totally hilarious bit when he sees the appranently dead Sid Valentine (Lewis' other role) come to life again. He comes apart, as do his other friends, but with much more panache and skill. His stuttering, eye-popping gibberish is so funny you have to watch the same dialogue over and over again. It's a classic bit, and one that actually saves the film from being a total Lewis stinker. "That's him, thats him, that's aaaahh, that's im-POSSIBLE!"

A tepid, extremely mild, fairly tedious, slightly overlong comedy. The first half has some reasonably funny bits (like the one that takes place in a phone-booth), but in the second half things get pretty desperate. Jerry Lewis himself is appealing when he is playing the "straight man", but irritating when he appears disguised. And the direction has no comic timing whatsoever.