A Megera Domada

I saw the movie on DVD and liked it. I think if Shakespeare were alive today he would have like. Taylor and Burton do justice to their roles and the movie also introduced a brilliant actor Michael York as Lucentio. I had read the play and had seen the movie 10 THINGS I HATE ABOUT YOU which was loosely based on the play. When I got a chance to see the movie, I grabbed it. Elizabeth Taylor as Katharina the shrew is brilliant. She shows why is much more than a celebrity. Richard Burton shines as Petruchio. Franco Zeffirelli is a reputed director and he shows why. A must see movie for the fans of Shakespeare and the play.

Liz and Dick, you gotta love them in this...somehow you feel you may be getting more insight into their personal life than intended. One of the great things about this film is that it's made Shakespeare accessible to many more folks who might not have even bothered otherwise. Zefferili does for Shakespeare what Emeril does for cuisine--makes it entertaining while keeping all the quality. And what a fun production--great costumes, a young Michael York, lots of sexy repartee. A good choice for a snowy night when you'd rather stay in. It keeps you pretty entertained throughout, simplifies some of the plot intricacies. One drawback is that Miss Taylor appears to be a little long in the tooth to be playing a young, never-married, girl.

This is a great Shakespeare movie that the man himself would surely approve of. It has just the right mix of action and dialogue and if the light dims a little during the scenes without the Burtons, certainly Michael Hordern keeps his brightly lit. Michael York and Natasha Pyne are inexplicably weak after their brilliant early moments. But maybe it just is that the two main performances are so captivating, we really only wish to see them. Some find fault with the acting of Elizabeth Taylor but I'll hear none of it. Her early scenes of wild madness are fantastic as are her slightly less confident scenes as she finds herself the object of the chase. The scene I remember most from my original 60s cinema viewing is that of the pair wrestling on the bed of feathers having fallen through the roof. Watching this again at a BFI South Bank, London screening in a packed audience I can surely see why. Pure electricity as the snarling/alluring, struggling yet desiring 'shrew' begins to succumb to the power of the male above her. Great moments, great music, excellent sets and a tremendous if controversial final speech.

This is a lavish presentation of William Shakespeare's classic comedy, highlighted by the ideally cast coupling of Elizabeth Taylor and Richard Burton in the pivotal roles. Hers was the questionable characterization, but Ms. Taylor keeps "Katharina" well within her range, and sparks the original role with an appealing update. Burton balances with a fine interpretation of "Petruchio". The bombastic Burtons are only hindered by the relatively slight material; some of this humor doesn't transcend the centuries, although much is appreciated. Director Franco Zeffirelli and several in this company soon went to work on "Romeo and Juliet" (1968), which was a greater use of their skills.

******* The Taming of the Shrew (2/27/67) Franco Zeffirelli ~ Elizabeth Taylor, Richard Burton, Michael York, Natasha Pyne

There is no denying Franco Zeffirelli's visual sensibility, nor his dramatic strength. He takes this Shakespearean comedy, chops and cuts and edits the text to his liking, and regurgitates a wonderful film. If one were to watch the film without sound, it would still be entertaining, that is how well Zeffirelli put it together. But it wouldn't be enough without a terrific Kate, and Elizabeth Taylor, certainly in her prime in 1967, more than fills the bill. She hams it up when hamming is appropriate to the moment, and plays it with more subtlety when that is required. She is well matched by Richard Burton as Petruchio. He is good, but there is something not quite there. I think perhaps he seems more jaded and a tad less calculating than I'd expect in the role. I think I prefer the more caustic performance of John Cleese in this role.

I can't help but wonder what Zeffirelli would've done with an operatic version of this play.