Um Homem em Leilão

Viewed this film in the movie houses and then was able to tape this film from TV. I thought that Robert Wagner(Mike Banning),"Hart to Hart",TV series'79 showed his great acting skills and his charming ways as a golfer who was playing the role with his game of golf and acted like a real LADIES MAN! with all the wives and charming available hot looking women. Jill St. John,(Angela Barr),"Tony Rome",67,put on the charm for Mike Banning and was pretty hot even in 1967! Gene Hackman(Tommy Del Gaddo)"The Split",'68 was thin young and just starting out and from his performance, you just knew he would be a super star as he is today! I also enjoyed the great musical theme song that was played through out the picture, which was written by a great musician and composer,"QUINCY JONES". If you can catch this movie on TV, it is worth watching, and especially if you like the game of GOLF and all the things that GO ON, in the CLUB HOUSE!

A soaper posing as a sports film. What's to like for this male (besides the final golf contest)? First there are three(!) knock-out gorgeous ladies who could also act, of all things. The male supporting players are excellent. So? So RJWagner shows us how it can be done--acting and explosive chemistry with the ladies. Is this a projection of the real Wagner rather than the suave cool non-superstar apparently undeterred by the fickleness of fame. And he still works and plays and makes a difference with gusto. A comparative case in point is WINNING (almost rhymes with BANNING). This Newman-Woodward vehicle--another sports-soaper--has Wagner as third banana showing the big star what chemistry with the leading lady (and Newman's wife) and with Newman himself is all about. QED.

This banal melodrama tees off with Mike Banning (Robert Wagner) hired as assistant golf pro at an exclusive country club in New Mexico. The film swings into a full course of complications, which includes unrequited love, seduction, blackmail, excessive drinking, gambling, adultery, and extortion. The characters and plot are stock soap opera, but the film is well made. The most interesting part involves a playoff of an illegal golf competition called a Calcutta, which Banning organizes to raise money for a blackmail debt he's forced to pay. The locations and upper middle class trappings are authentic enough, and the petty and/or alcoholic clashes among the golfers reveal characters whose lives are essentially barren off the course. The female characters, especially those played by Jill St. John and Anjanette Comer, are ridiculous but decorative, like the bright wallpaper and overdone Sixties hairdos. The dialogue never rises above such bromides as, "Good, you're greedy," "One romantic fantasy, coming up," and "So, you do have an automatic garbage disposal."

I heard of this movie, when the recent Oscars referenced it, because of Quincy Jones' Oscar nomination for the song from it. When I found out who was in it, it seemed promising to me and I acquired it. Currently married in real life, stars Robert Wagner and Jill St. John headline a strong supporting cast which includes Howard St. John (no relation), James Farentino and Gene Hackman. Robert is running from someone he owes money to and, obviously, he is trying win money by gambling at an elite golf club by using his golf and poker skills. His competition is Howard St. John, who has a memorable role as another unscrupulous character, as he has played that type before in movies. This is good for what it is, but afterwards I felt that it wasn't as good as I was hoping it would be. 6/10.

Robert Wagner's expressionless approach to acting is utilized to good effect in this soaper involving a playboy golf-pro from the country club circuit who enters a doubles tournament with prize-booty attached...and shady dealings on the side. Universal drama (still unreleased to any home-viewing market) looks terrific in vivid colors and features a fine music score from Quincy Jones (who received a Best Song Oscar nod for the main theme, "The Eyes of Love"). The characters are not a lively lot (except for sultry-eyed Jill St. John), but the third-act golfing sequences are extremely well done, helping even sports novices to become absorbed by the plotting. Golf is not the most cinematic sport, yet director Ron Winston is straightforward and focused, and he's careful not to let the melodramatics overshadow the nuances of the game. For golfing buffs and aficionados of '60s style, the film can't miss. *** from ****