Homem-Aranha

Although the animation was terrible by today's standards, this series had a style that was very much in keeping with the 60's Spider-man comic books. There were a standard set of shots with Spidey swinging along buildings, or coming right at the screen, which they used over and over and over again.

Some of the episodes were taken right from the comic books(such as the one where Jameson sends a robot with his face on it after Spider-man--it even used lines directly from the comic). Others were rip offs of shows from Rocket Robin Hood(in particular the "Dimentia Fiiive!!!" one). These were the worst ones because they tended to meander and frequently had these psychedelic background skies that were really depressing to stare at.

It was a good show for laughs--intentional and otherwise. Whenever I read a Spider-man comic--I think of J. Jonah Jameson, Peter Parker, and Spider-man with the voices they have in this series.

Note: the music was actually pretty good--very fast moving--and of course the title song with its memorable lyrics: "Spider-man, Spider-man, does whatever a spider can, can he swing from a web? Take a look overhead, hey there, there goes the Spider-man!"

Once you hear that song--you'll never get it out of your head.

The thing that really made this show special was the music. Bachelor pad band leader Ray Ellis composed, and conducted a wide range of dramatic secret-agent-style cues for the first season, and these bits got reused to good effect in the following seasons. Bob Harris and Paul Francis Webster contributed the theme song with its frenetic off-kilter drum riffs. Starting in season 2, the creators began dipping into the KPM music catalogue bringing to light ice-cool jazz gems such as Syd Dale's "The Hell Raisers" and David Lindup's "Stand By." Some of the same cues would later pop up in TV shows such as "Dallas." Paul Kligman's J. Jonah Jameson and Paul Soles' Peter Parker voice work was absolutely wonderful. It's hard not to imagine their voices when reading the comics.

The animation art is fairly dynamic, and resembles the work of John Romita who served as a consultant. Comic artist Gray Morrow even worked as one of the animators. Ralph Bakshi who would later become famous for "Lord of the Rings" and "Fire and Ice" took over as director in the second season. The most obvious mark of his influence was the dark multi-coloured clouds that appeared as backgrounds in some of the more psychedelic episodes.

Overall one of the more interesting animated series' of its time.

The music, the mood, the voice acting - everything was great, and some of it is timeless. Some of it is dated, true, but it is the best cheesy fun out there! I can't think of the voice of Spidey or JJJ without thinking of this show - which had AMAZING music - very moody and fun! Try it and love it!

I grew up watching this series in the early 1970s, and I'm happy that someone finally placed them onto DVDs. The set of 6 discs is rather deep, with all the episodes filling the DVDs. It's rather thin on extras. But there are what, 3 hours per disc? And the episodes are in chronological order, from the first to the final episode.

Some of the episodes weren't digitally remastered, as most seem to have been, but heck, when I compare them to the VHS tapes I used to purchase at comic book shows where the tapes were recorded from UHF stations yielding poor reception, I won't complain. I'm just glad they're here. For the price, it's plenty of bang for the buck.

As for the episodes, Ralph Bakshi took over as producer midway through the run of the original episodes (his cartoons can be found about midway through the third DVD). Reading through postings on the net, people have said that Bakshi took over and operations moved from Canada to the US when it was cheaper then to produce the animation in the states... and some staff cutting was done while the episodes were still cranked out at a good pace. Hence, people claim, a good bit of regurgitation of characters and plot lines increased. FYI, the Canadian episodes had Spidey webbing in clear skies, while the Bakshi episodes introduced eerie, watercolored skies.

I'm a visual guy, and love the vibrant tones. Plus, it seems as though the music picked up a lot with the change. I just "dig" the way the music sounded. You can even hear a musician yelp every now and then in some jam sessions. So, I can't go Bakshi bashing. Usually, it's the networks that trim budgets, and Bakshi, I feel, had to make due. He did the best he could, I think, and I bet that if the budget had been fat, Bakshi would have had the animators take time and add depth and detail.

I love superhero films and TV shows and this was a great cartoon.

The animation may not be as great as the mid-1990's cartoon series but the stories were fun. My favourite episodes were "Return of the Flying Dutchman" and "Neptunes Nose Cone."

All of Spidey's main foes were in this-including my favourite Mysterio (the guy with the fishbowl for a helmet). And Peter Parker was so likeable in this show.

One more thing-I just loved the theme tune for this show and it is the best theme tune out of all the Spider-Man cartoon shows.

Will somebody please release EVERY episode onto video sometime?