Mannix

Very good writing and very good camera work, in both angles and continuity. This show is still viewable by today's standards. Some may appreciate how 'car phones' were the leading edge of technology in the late 1960s and early 1970s when not even fax machines existed. Others may reminisce on the occasional fad fashion statement even while the main characters wore what was considered conservative. Few can ignore how thoughtful the episodes were. Sometimes complex, the well scripted plots often kept the armchair detective puzzled until the very end. It is as though every single object, mannerism, and facial expression had a purpose towards telling the story.

Hard action, yes. Violent, maybe. Graphic blood and guts, no. Realistically, cars didn't flip over other cars and burst into flames at every car chase. Just like everyone experiences similar issues within each respective profession, some plots had similarities but they were so well thought out that they were very different in the end. Consequently, soft and caring moments were interspersed with happiness, sadness, and action. It was a fairly real show with few, if any, stupid scenes; a show where people didn't do superhuman stunts. It contains mystery and some suspense. The theme song is classic. It's a good series that can still be enjoyed today, on reruns, of course.

Desilu Studio created this hit show starring Mike Connors and it was a blockbuster hit. Desilu had been riding high with Mission Impossible and Star Trek and of course the Lucy Show, but as Desilu was folding into Paramount, CBS bought this show and Desilu produced a superb drama. Bruce Geller who produced Mission Impossible at Desilu was given the task by Herbert Solow the dynamic Executive Vice President of Desilu to produce this hit TV show. Mannix stands as the very last of the great shows Desilu produced among them The Untouchables, Star Trek, Mission Impossible, and great comedies such as I Love Lucy, Our Miss Brooks and of course The Lucy Show. It was wonderful as a fan of Desilu to see so much quality programming from a great little studio run by Lucille Ball.

Despite over thirty films to his credit, Mike Connors will be best remembered for his television work. In 1959, he created a sensation as the undercover agent with the hidden gun behind his back, in "Tightrope", and in 1967, at 42, he introduced one of the most popular detectives in television history, "Mannix".

The initial concept of the series was intriguing; a high-tech investigative agency, Intertect, headed by Joseph Campanella, possessed all the tools to analyze and fight crime, except one; a P.I.'s instincts, that ability to play hunches and make correct decisions by 'gut feeling'. So they hired the best veteran private eye in the business, Joe Mannix, and utilized his services whenever the 'human touch' was required, while backing him with all their resources.

While the Intertect episodes were often imaginative, and Connors and Campanella had good chemistry, CBS quickly realized that the program's fans were watching because of the rugged Mannix, who, each week, despite being beaten, tortured, drugged or worse, managed to emerge victorious. So Campanella and Intertect were dropped by the second season, and Mannix returned to more traditional digs, accompanied by a new secretary, Peggy Fair (Gail Fisher), the widow of a cop. With aid from his 'buddies' on the Force (Robert Wood, Jack Ging, and "Brady Bunch" patriarch, Robert Reed), Joe Mannix would take on cases as simple as petty theft, to unsolved murders, while still taking more than his share of abuse each week.

With his chiseled features and thick jet-black hair, Mannix was a hero attractive enough to appeal to women, yet tough enough to keep men watching, as well. Fiercely loyal to his Greek heritage and many friends, a sucker for a 'hard luck' story, and with a well-stocked (and used) medicine cabinet, the series 'fit' like a pair of well-worn, comfortable shoes, and audiences quickly developed a viewing habit that would last seven more seasons, until 1975. The success of "Mannix" would open the door for a whole new generation of 'gumshoes' that followed, from "Cannon" and "Barnaby Jones", to "The Rockford Files" and "Magnum, P.I."

It is a heritage that Mike Connors can be proud of!

There's lots of competition in the private investigator premise for TV shows, but this was a standout in believability. Reminding one of the Johnny Cash quote, "Winners got scars, too", Joe Mannix got a fat lip or two but usually prevailed, or strategically retreated. Sort of a forerunner of the Jim Rockford character in occasional discretion-is-the-better-part-of-valor angles. Some episodes are now on VHS.

I've recently been watching DVDs of "Mannix" and although I have enjoyed it, it's become clear that the earlier episodes are the best. By season three and four, the show lost some of its zing, though it was still better than the average show.

Season one is unusual. Joe Mannix is NOT a private eye like he would be for the remainder of the series. Instead, he's an agent working for Intertech--a high tech detective agency operating more like a corporation. His boss is played by Joseph Campanella and there is always tension between him and Mannix. When season two premiered, Mannix was no longer with Intertech. Instead he's privately employed and he's got Peggy as a receptionist. This is how it continued through the remainder of the series. And a few things that remain constant--Joe regularly gets the crap knocked out of him and is often knocked out (though more so in season one and two) and he doesn't particularly like women...or at least he doesn't trust them.

My advice is see season one and two and then decide if the show is worth continuing. I'm on season five and still have a bit to go until I finish.