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IMDbPro

Tóquio Violenta

Título original: Tôkyô nagaremono
  • 1966
  • Not Rated
  • 1 h 29 min
AVALIAÇÃO DA IMDb
7,1/10
10 mil
SUA AVALIAÇÃO
Tóquio Violenta (1966)
AçãoCrime

Adicionar um enredo no seu idiomaAfter his gang disbands, a yakuza enforcer looks forward to life outside of organized crime but soon must become a drifter after his old rivals attempt to assassinate him.After his gang disbands, a yakuza enforcer looks forward to life outside of organized crime but soon must become a drifter after his old rivals attempt to assassinate him.After his gang disbands, a yakuza enforcer looks forward to life outside of organized crime but soon must become a drifter after his old rivals attempt to assassinate him.

  • Direção
    • Seijun Suzuki
  • Roteirista
    • Kôhan Kawauchi
  • Artistas
    • Tetsuya Watari
    • Chieko Matsubara
    • Hideaki Nitani
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    10 mil
    SUA AVALIAÇÃO
    • Direção
      • Seijun Suzuki
    • Roteirista
      • Kôhan Kawauchi
    • Artistas
      • Tetsuya Watari
      • Chieko Matsubara
      • Hideaki Nitani
    • 62Avaliações de usuários
    • 81Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos86

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    Elenco principal33

    Editar
    Tetsuya Watari
    Tetsuya Watari
    • Tetsuya 'Phoenix Tetsu' Hondo
    Chieko Matsubara
    Chieko Matsubara
    • Chiharu
    Hideaki Nitani
    • Kenji Aizawa
    Tamio Kawachi
    Tamio Kawachi
    • Tatsuzo, The Viper
    Ryûji Kita
    Ryûji Kita
    • Kurata
    Eiji Gô
    Eiji Gô
    • Tanaka
    Isao Tamagawa
    • Umetani
    Eimei Esumi
    Eimei Esumi
    • Otsuka
    Tomoko Hamakawa
    Tomoko Hamakawa
    • Mutsuko
    Takeshi Yoshida
    • Keiichi
    Michio Hino
    • Yoshii
    Shuntarô Tamamura
    • Koyanagi
    Hiroshi Midorikawa
    Hiroshi Chô
    • Kumamoto
    Akira Hisamatsu
      Shinzô Shibata
      • Otoyoshi
      Yûzô Kiura
      • Fujimura
      Yû Izumi
      • Detective Sakai
      • Direção
        • Seijun Suzuki
      • Roteirista
        • Kôhan Kawauchi
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários62

      7,110.2K
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      Avaliações em destaque

      9drunk-drunker-drunkest

      He's a devil if he asks you twice...

      In 1966 Nikkatsu, a Japanese studio, requested that one of their more "difficult" directors "calm down" on his next project. The director was Seijun Suzuki. The project was Tokyo Drifter. The result was anything but calm.

      A film-noir shot through with moments of brilliant, lurid colour; the film defies all conventions be it genre, style or even something as mundane and unnecessary as narrative. One scene finds Tetsuya Watari's pouting yakuza in a tense showdown with his rival. Standing on train tracks, surrounded by clean, crisp snow the screen is split in two by a clearly visible dark blue line. The use of this visual effect is telling. It adds nothing to the story, to the characterisation, it simply looks good.

      The closing sequence has to be seen to be believed. It is best described as the secret lovechild of a Gene Kelly musical and a John Woo action film. Amazing.

      If for nothing else, Tokyo Drifter will long be remembered for the theme tune which hauntingly drifts through the entire film.
      Infofreak

      Absolutely mind blowing!

      'Tokyo Drifter' is one of the coolest movies I have ever seen in my life! It is so cool that you almost think you dreamed it up, but no, someone (the criminally underrated Seijun Suzuki) actually MADE this movie. Storywise it is your standard Yakuza crime thriller, but the approach is totally off the planet, with stylized sets, vibrant cartoonish colours and a naggingly insistent theme song. This movie has gotta be seen to be believed! You MUST see this movie!
      10benchilada

      Seijun Suzuki's Masterwork...

      I will argue until my death that TOKYO DRIFTER is superior to BRANDED TO KILL, but that's for another time...

      I am amazed every time I see this film that Suzuki could take such an obviously inferior product -- as Nikkatsu Studios was churning out at an obscene rate in those days, giving directors a script and saying "Shoot it fast and cheap so we can give you your next job" -- and turn it into one of the most beautiful and intriguing films I've ever seen.

      Best plot ever? No. Easy to follow? Yes. Beautiful? Yes. And that theme...I could never forget that theme if I tried, even after my first viewing.

      I'd ramble on about history and plot and so on, but so many others have, I'll just leave it at this: TOKYO DRIFTER makes me happy every time I see it.
      tedg

      Holy Cheese Knives

      If you are fed up by ordinary manufactured campiness, but still have normal levels of humor.. Which is to say if you find Austin Powers not only boring but trivial, you might check this out. It is high camp. It is ridiculous in ways that in other action films we readily accept: think the recent James Bonds. There is a joke product placement — for hair driers — that is really funny.

      We have the ordinary sort of thing that qualifies: cheesy songs, goofy hero, posed action, jingly hipness. But we have a level of cheesiness that goes beyond the Tarrantino level, beyond the usual joke. The cinematography is one big joke, one that still works today because the big movies still use Vietnam era visual devices.

      We have jokes on Bertralucci, Welles, Kurosawa. Leone of course. We have a couple stagings from Bergman even. It is not worth the effort to single out any Frenchman it seems, treating them with the contempt of wholesale dismissal.

      Under ordinary circumstances, I would not recommend this because the usual level of the joke gets pretty tiring after 20-30 minutes. But the cinematic jokes and references keep coming, as though there were a catalogue (like we are told the Coen brothers keep). The blatant vacancy of the visuals is pretty damning.

      Ted's Evaluation -- 2 of 3: Has some interesting elements.
      6jmarlinbarker

      Don't Miss Branded to Kill

      In my opinion, Tokyo Drifter is worth seeing, but comparing it to Branded to Kill is a bit like comparing apples and oranges.

      Branded to Kill is eerie and nightmarishly weird--unforgettably, perhaps like a Hitchcock film or a dark film noire. Tokyo Drifter, on the other hand, is more "romantic." It is fun and chock full of mod 60s fashions and go-gos.

      Both films are masterpieces of style. To me, Tokyo Drifter is worth seeing, but it has some silly moments. Somehow, I was left thinking of Woody Allen's What's Up Tiger Lilly and James Bond!

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      Enredo

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      Você sabia?

      Editar
      • Curiosidades
        Was shot and edited in 28 days.
      • Citações

        Tetsuya 'Phoenix Tetsu' Hondo: A drifter needs no woman.

      • Conexões
        Featured in Seijun Suzuki | TCM (2013)
      • Trilhas sonoras
        Theme song: The Man from Tokyo
        By Hajime Kaburagi

        Performed by Tetsuya Watari

      Principais escolhas

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      Perguntas frequentes15

      • How long is Tokyo Drifter?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • 10 de abril de 1966 (Japão)
      • País de origem
        • Japão
      • Idiomas
        • Japonês
        • Inglês
      • Também conhecido como
        • Tokyo Drifter
      • Locações de filme
        • Hakodate, Hokkaido, Japão
      • Empresa de produção
        • Nikkatsu
      • Consulte mais créditos da empresa na IMDbPro

      Bilheteria

      Editar
      • Faturamento bruto mundial
        • US$ 755
      Veja informações detalhadas da bilheteria no IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 29 min(89 min)
      • Cor
        • Color
        • Black and White
      • Mixagem de som
        • Mono
      • Proporção
        • 2.35 : 1

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