Tatsu no ko Tarô

This is an excellent old anime. It is very stylized with Japanese ink paintings for backgrounds and characters reminiscent of those in Miyazaki films. I am not sure if this is a Japanese or Chinese film however.

I have enjoyed this movie since I was a kid and still enjoy it, though it is very hard to find.

This is a beautiful rendition of what I assume is an old Japanese legend. The animation is simple yet satisfying because the illustration is so beautiful and compelling.

The film presents the story of Taro, a young boy with great strength who leaves his village and friends to find his mother. During the course of his journey he learns much of the world. He frees himself of those who wish to use him and welcomes those who help. There is much delightful magic and powerful mythological truth in this film.

I have an English language version (Turner Program Services) with exceptionally well done music and voices. My children have viewed this over and over again, and unlike Disney films, the adults have not tired of it. The music, language and story are both charming and profound.

Although this film was released on home video in the U.S. in 1984 as "Taro the Dragon Boy" (five years after it appeared in Japanese theaters), not many people seem to remember it, which is a shame, as it is one of the best anime films I've ever seen. I rented the English-dubbed version, helmed by the legendary Peter Fernandez (also worked on the English dubs of "Speed Racer" and "Superbook"), on video from my video store on several occasions as a child, and was awestruck. Taro is a remarkable young man - he possesses immense strength and an enormous appetite, but he also has a heart of gold, and the object of his quest is to find his mother who was changed into a dragon many years ago. (One scene which made a big impression on me is the scene in which Taro and the villagers are feasting after Taro defeated a demon who was threatening the village, and Taro can't enjoy the celebration because he keeps thinking of the folks back in his home village who have nothing to eat. That shows what a pure, good heart he has.) This film holds up very well even to this day. The animation is remarkably fluid given that the film is now over a quarter-century old, and the music is also very well-done. There are even vocal songs, which were dubbed into English for the U.S. release, and they're also pretty good, even in English. The dubbed voices are also quite good, as I recall. The ending will absolutely have you in tears. If you can find a used copy of this film on VHS, by all means pick it up. It's a real classic. (Incidentally, despite the Japanese title, "Tatsu no ko Taro," this animation was NOT produced by Tatsunoko Production, but by Toei Animation, which later became internationally famous for "Dragonball," "Sailor Moon," and "One Piece.")

I love this film! When I was little (4 or 5) I used to watch it over and over again...I think I eventually wore out the tape. It has everything to keep kids mesmerized: demons, spirits, dragons and a superstrong child protagonist. I would love to get my hands on another copy...

I first saw Taro when it was released by Turner on VHS back in the late 1980s. It instantly became a hit with my children, all three of whom came to love it; and we all watched it countless times. We were discouraged to learn that Turner had decided not to re-release the film on VHS, and we subsequently waited for years to see it come out on DVD. The artwork in this film is lovely, with many of the frames looking like a Japanese watercolor. There are elements of Japanese mythology here, as well as action, adventure, and important lessons in life and character building. Taro, an immensely strong and chubby orphan, must set out alone to discover the secret of his mother's disappearance. Along the way he learns that hard work, cooperation, honesty and ambition are essential to his survival. Children will enjoy the film and they may come to identify with the heroic Taro, the Dragon Boy, despite cultural differences and/or language barriers.