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IMDbPro

As Bruxas

Título original: Le streghe
  • 1967
  • 14
  • 1 h 51 min
AVALIAÇÃO DA IMDb
5,9/10
2,2 mil
SUA AVALIAÇÃO
As Bruxas (1967)
ComedyDramaRomance

Cinco contos que tratam vagamente com os papéis das mulheres na sociedade.Cinco contos que tratam vagamente com os papéis das mulheres na sociedade.Cinco contos que tratam vagamente com os papéis das mulheres na sociedade.

  • Direção
    • Mauro Bolognini
    • Vittorio De Sica
    • Pier Paolo Pasolini
  • Roteiristas
    • Giuseppe Patroni Griffi
    • Cesare Zavattini
    • Agenore Incrocci
  • Artistas
    • Silvana Mangano
    • Annie Girardot
    • Francisco Rabal
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,9/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Mauro Bolognini
      • Vittorio De Sica
      • Pier Paolo Pasolini
    • Roteiristas
      • Giuseppe Patroni Griffi
      • Cesare Zavattini
      • Agenore Incrocci
    • Artistas
      • Silvana Mangano
      • Annie Girardot
      • Francisco Rabal
    • 23Avaliações de usuários
    • 27Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Fotos139

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    Elenco principal65

    Editar
    Silvana Mangano
    Silvana Mangano
    • Gloria (segment "La Strega Bruciata viva")…
    Annie Girardot
    Annie Girardot
    • Valeria (segment "La Strega Bruciata Viva")
    Francisco Rabal
    Francisco Rabal
    • Paolo (segment "La Strega Bruciata Viva")
    Massimo Girotti
    Massimo Girotti
    • Sportsman (segment "La Strega Bruciata Viva")
    Véronique Vendell
    Véronique Vendell
    • Young Girlfriend (segment "La Strega Bruciata Viva")
    Elsa Albani
    Elsa Albani
    • Gossip (segment "La Strega Bruciata Viva")
    Clara Calamai
    Clara Calamai
    • Ex-Actress (segment "La Strega Bruciata Viva")
    Marilù Tolo
    Marilù Tolo
    • Maid (segment "La Strega Bruciata Viva")
    Nora Ricci
    Nora Ricci
    • Gloria's Secretary (segment "La Strega Bruciata Viva")
    Dino Mele
    Dino Mele
    • Dino (segment "La Strega Bruciata Viva")
    Helmut Berger
    Helmut Berger
    • Hotel Page (segment "La Strega Bruciata Viva")
    • (as Helmut Steinbergher)
    Bruno Filippini
    • Pianist (segment "La Strega Bruciata Viva")
    Leslie French
    • Industrialist (segment "La Strega Bruciata Viva")
    Alberto Sordi
    Alberto Sordi
    • Elio Ferocci (segment "Senso Civico")
    Totò
    Totò
    • Ciancicato Miao (segment "La terra vista dalla luna")
    • (as Toto)
    Ninetto Davoli
    Ninetto Davoli
    • Baciu Miao (segment "La terra vista dalla luna")
    • (as Nenetto Davoli)
    Laura Betti
    Laura Betti
    • Male Tourist (segment "La terra vista dalla luna")
    Luigi Leoni
    • Female Tourist (segment "La terra vista dalla luna")
    • Direção
      • Mauro Bolognini
      • Vittorio De Sica
      • Pier Paolo Pasolini
    • Roteiristas
      • Giuseppe Patroni Griffi
      • Cesare Zavattini
      • Agenore Incrocci
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários23

    5,92.1K
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    10

    Avaliações em destaque

    6Jeremy_Urquhart

    Contains an absolutely crazy Eastwood performance.

    As a decent but not great anthology movie, some parts of The Witches were not very good. A couple of segments I forgot while they were still going, with #2 and #4 feeling particularly lazy, and kind of unfinished. Segment #1 wasn't as bad, but it was a little boring.

    The Pasolini-directed segment came third, and that one made me laugh a couple of times. It was absurd and silly, and some side characters in it felt like they predicated Super Mario Bros.

    But it's the Clint Eastwood segment - the final one - that I came to The Witches for, and it made the whole thing worth watching. They get him to do some ridiculous things in this, and I don't know how. There's something that verges on a fantasy/musical section and he just looks so awkward and grumpy; smiling through the pain. I feel like someone had dirt on him and blackmail might've been involved, but it was neat seeing him play someone very different from his usual stuff (and I'm not just saying that because he was dubbed into Italian, but that is like a whole other level of crazy).
    6bob998

    Watch for Visconti

    Visconti's sketch is the best; he always did well in elegant surroundings and Mangano is at her best here. De Sica has Eastwood before he became a star and forgot how to act; it's a pretty good look at a marriage gone stale. The other three sketches are pretty much useless.
    Poseidon-3

    The Five Faces of Mangano

    Mangano, the wife of famed producer Dino de Laurentiis, gets a royal showcase here, portraying five different women in five short films, each directed by a noted Italian director. In the first (and lengthiest) one, she is a beleaguered movie star who hides away in the large ski chalet of an acquaintance and is promptly pursued by the men and nearly deconstructed by the women. This film has some interesting camera placement and some intriguing aspects, but isn't particularly revelatory or surprising. One ridiculous scene has her talking into a telephone in which her husband is screaming incoherently nonstop into the other end. An impossibly young and attractive Berger has a small role as a servant. Also, viewers could possibly die from the secondhand smoke emitted from the performers! Next Mangano plays a well-dressed woman whose car is stopped at the site of an accident. She picks up an injured man and speeds through the city waving a white handkerchief, but passes various first aid stations and hospitals along the way. The man mutters unintelligibly while he ponders why she is doing this. In the third short film, she is a green-haired deaf-mute who becomes the wife of a lonely widower who has been searching the country for a bride (and a step-mother for his son.) This is by far the most unusual of the stories and is told with much bizarre imagery, whimsy and surrealism. This will make it hard to take for some people, but it has value as an exercise in oddity and metaphor. Next up, Mangano plays a fiery Sicilian woman who has been wronged. When she expresses her shame to her father, it kicks off a whole chain of assassinations. Finally, she is a bored and unappreciated housewife married to Eastwood (of all people!) who complains to him about the mundane existence they share all the while fantasizing about what their life was once like and could be again with a little imagination. This one probably holds the most interest of the five because of the presence of a boyishly young Eastwood (who is quite game for the various shenanigans in the piece) and the myriad of striking costume and hairstyle changes that occur on Mangano throughout. It is a must-see for fans of the over-the-top "What a Way to Go!"-esque clothes of the time. Why didn't anyone ever make this lady a Bond villainess? One section has her being courted by a gaggle of sexy comic book characters like Flash Gordon and Batman. All but the last film suffer from the dreaded English dubbing, but some amount of entertainment value manages to come through. The title sequence is unusual and interesting. This melange of stories will not appeal to everyone, but most viewers will at least get a slight kick out of the last one if only for the sight of pup Eastwood and the way-out clothes in the fantasy sequences.
    10pacificpubs

    surreal, absurdist, very Italian, very 60's

    Surreal, absurdist (kind of), very Italian, very 60s. You should definitely see this movie if you like a) 60's clothes, b) 60's movie sets, c) weird movies, d) Silvana Mangano, and e) obscure Clint Eastwood titles (yes, he's in it, too), among other things.
    LLAAA4837

    One of the Weirdest and Most Surreal Anthologies I've Seen.

    *** out of ****

    This is basically a collection of five short films all about women and the roles that people feel that they play in society. It gives us different interpretations of women and how people feel around them.

    The first story is about a famous actress who hides away from the public at a ski resort, before discovering that she's pregnant. But when she calls her husband, he is not at all supportive of her desire to have children. It starts out slow, but it becomes pretty haunting to watch after a while.

    The second story gives us a woman who has an injured man in her car who is supposed to drive him to the hospital, but instead drives by several of them before going to where she wants to go. The man doesn't appear to be hurt too badly. Perhaps this is supposed to be a comment on how a woman supports a man in times of need?

    The third story is an indescribably weird and chaotic satire of a father and son who look for a woman to be the father's wife and his son's mother. They come upon a woman who is deaf and are able to get something going with her before the story gets even weirder. This film actually really made me feel weird and left my mind broken in a million directions, but i couldn't stop watching it no matter how much i tired.

    The forth is a story about a man who murders several people because of a woman. This one isn't really funny at all and is actually pretty depressing when you really get right down to it.

    The fifth story has Clint Eastwood in it as the uninteresting husband of a woman who escapes into an imaginary world where she gets sweet revenge on him for being so boring.

    My favorite story is the third, simply because it is so strange and unlike anything that it must be seen to be believed. Overall, i enjoyed it and found it to be very entertaining and interesting. It's creepy and weird if you aren't prepared. Check it out.

    contains adult content and some violence.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Clint Eastwood was given the choice of taking $25,000 in cash or $20,000 and a new Ferrari by Producer Dino De Laurentiis to play a small part in this movie. He chose the money and the Ferrari. He got along well with Silvana Mangano and Director Vittorio De Sica.
    • Citações

      Industrialist: I make a perfume. But I can't make it any better or it would destabilise the market.

    • Conexões
      Featured in Sunday Night: Man of Three Worlds: Luchino Visconti (1966)
    • Trilhas sonoras
      Mandolinata
      (uncredited)

      Written and Performed by Ennio Morricone And His Orchestra

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    Perguntas frequentes16

    • How long is The Witches?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 5 de junho de 1968 (França)
    • Países de origem
      • Itália
      • França
    • Idiomas
      • Italiano
      • Inglês
    • Também conhecido como
      • Nadie engaña a una mujer
    • Locações de filme
      • Kitzbuhel, Áustria(First Episode)
    • Empresas de produção
      • Dino de Laurentiis Cinematografica
      • Les Productions Artistes Associés
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 51 minutos
    • Cor
      • Color
    • Proporção
      • 1.66 : 1

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