Dominique

As I've been told, when the big boys at 20th Century Fox first saw The Sound of Music in their studio projection room, they said, "This is going to bomb all over the place, so let's get it out in the theaters, make as much money as we can off this fiasco and pull it back in. So, remember that in those days, you didn't know what the preview would be until the film started rolling in the movie theater, and if my memory serves me correct, it was given a sneak preview in Minneapolis, and after the first half played, everyone screamed, clapped and whistled, and after the second half it sounded like the roof of theater was caving in because of the positive response, so Fox said, "Now wait a minute! Maybe we've got something here that we're not aware of, so they released The Sound of Music nationwide on a Reserve Seat basis, and when the critics saw it, they all reported that it would put everyone in a diabetic comma and would last a year, but they were wrong, and the rest is history! O.K., so "The Singing Nun" is not The Sound of Music! Big deal! So, The Sound of Music was just about playing out its 3 year run in most theaters, and as usual, someone in Hollywood says, "Let's cash in on the popularity of the movie and do our own musical about a bunch of Nuns, and Metro Goldwyn Mayers effort was "The Singing Nun" with Jewish convert Debbie Reynolds playing a Nun; that sings as well as Debbie Reynolds, and in all fairness, the movie might not be what the big boys at M.G.M. wanted, but it gave Debbie Reynolds the chance to do her finest singing ever! Her vocals in the movie, as far as I'm concerned, are superb! So, what about the cast and the film itself. Here's Greer Garson at the end of her career, Marshall Thompson, at the end of his, Ricardo Montalban famous for swimming with Esther Williams in her swimming musicals, Agnes Moorehead still looking like she'd like to cast a nasty on Darrin in Bewitched, and Chad Everett still looking like Doctor Gannon who claimed more animism's in his hospital T.V. show than would ever see on T.V. Soap General Hospital or Greay's Anatomy! The Singing Nun is not a good movie, but it's not a bad one either, and in ways it's very entertaining, but once again, it does afford Debbie Reynolds to do her finest singing ever in any of her films! Her singing in The Singing Nun is superb and spiritually uplifting, and fulfilling!

I agree that Debbie sings some of the best musical numbers of her career, and between the songs in "Bundle of Joy" and "The Singing Nun" I'll take "The Singing Nun".

Just as the film "Jeannie Eagels" is a fantasy very loosely based on the life of ill-fated actress Jeannie Eagels and as such basically only got one or two facts straight, so does "The Singing Nun" stretch reality and we wretch. Stretch and Wretch.

On the other hand, if we accept these films as the fiction they are, then they become good "moral" stories. And so "The Singing Nut" Debbie Reynolds sings and dimples her way through a film that resembles reality in only the fact that a nun named "Sister Smile" actually put out an album of her songs and it caused a big flurry of worry for the Sister.

Maybe some of the songs in the film were actually written by Jeanne-Paul Marie Deckers but the words for "Dominique" seem to not be the same words shown in the English translation of the song on my copy of the original album. There is a song called "Sister Adele" about her Spanish guitar which is also not the same song as the one played in the film, and another funny item is the guitar Debbie Reynolds wields happens to be a Nylon Stringed Classical guitar- A Spanish Guitar does not have a round hole, a Spanish Guitar happens to have F-Holes and steel strings.

Even though this film is fiction and fantasy and ideology, I do not cringe when I see it like I do "The Sound of Music" or "My Fair Lady"- where I do not know why they bothered to write dialogue when they could have just sung those movies all the way through with no dialogue whatsoever. although the music and song in those films is overwhelming, the fact that they are nonstop though the films is also overwhelming and can only be enjoyed in very small doses. On the other hand, "The flying, er, Singing Nun" has some good acting by Anges Moorehead who is my favourite Red Headed Actress and Bey**ch, oh I just loved Agnes, she could do anything including all kinds of ethnic parts, Ricardo Montal-Khan dons a priestly habit rather than a pair of swim trunks or 23rd Century Barbarian Garb, and Katherine Ross is very good: Almost to the point that she does not resemble a girl who is heading toward prostitution, she is too squeaky-clean. Someone made a comment that all this film was missing was Bing Crosby and I agree, where was he when this was made? The main reason I like this film is because I loved the song "Dominique" as a small child - Everyone loved that song, and I mean it was everywhere when it came out. This film- Although getting the life of Soeur Sourire totally wrong, does NOT get wrong the feeling o the early 60's which I happen to remember because "I was there". I do not mean in Belgium, but in 1963, and although I grew up in southern California and not Belgium, the outdoor scenes in this film make me remember things I have forgotten for decades.

One thing the film is accurate about: That a nun could write a song, record it, and it becomes not just a local hit that was apparently originally intended to be sold only locally to help the Convent, but by a set of extremely lucky circumstances this song would also become an International hit, a worldwide hit and a song of comfort after the assassination of JFK. The film does not exaggerate the impact the song had on the world, as a matter of fact, it waters that impact down a bit.

Sister Anne had a different fate other than the one shown at the end of the film, but that does not matter to me: This film is fantasy, not reality: Because I want to think it could have been good like that for the real Singing Nun, but life is sometimes not as simple as shown in movies.

I am looking at the artwork on and in the Album Cover and there is even a set of lithographed prints... And ultimately that art speaks about a faith that is simple, and that is the only thing that matters really, and I wish that could have been brought out in this film- But it is not, it is not even mentioned at all, and he artwork was just as important as the music.

The film is somewhat syrupy and a bit simplistic, but correct in most essentials and, after all, quite entertaining. The music, of course, is the best thing about it...quite uplifting. "Raindrops" is my particular favorite, but the duet on "Beyond the Stars" is excellent as well. Miss Reynolds' voice is more than adequate to do justice to the music, most of which (I see from the Soundtrack listings) Sister Sourire wrote herself.

If you want to know about the story of the only singer who got a huge hit in the French language in 1963-64 in the USA,this is not the place to look ; you should rather take "Soeur sourire " (=sister smile) (2009) starring Cécile De France which tells the whole bio,warts and all.

Soeur Sourire was not the person depicted in this vehicle for Debbie Reynolds ;she was a tomboy and enjoyed football games (you see her playing in the movie) ,but she loved girls -she became a nun because of that-, she was deprived of her income by her covent , she was released of her vows ,she fell prey to the gossip papers ; she was a clever woman ,who tried to resume her career and she wrote songs much superior to her famous "Dominique"but attacking the Catholic Church ; she ended her life with a woman ,coming to terms with her homosexuality ;both were ruined and committed suicide.

When she entered the covent,Soeur Sourire was a fan of American rock and roll ,and she considered music as a way to get religious messages across :why not ?Presley, Dion , Harrison , Van Morrison ,Aretha Franklin, to name but five, had their God songs too ....This side (with Ricardo Montalban as the priest who stands by her ) is only skimmed over.

If you consider the movie pure fiction ,it's pleasant to watch :nice colors ,lilting voices,delightful cast and credits in which the nun rides on the staves ,scenes a la "sound of music" , and it's a pleasure to see Greer Garson as mother superior , Agnès Moorehead and the rare Juanita Moore (the unforgettable black mom in Sirk's "imitation of life" )as nuns and Ed Sullivan as himself in a for once true event of the singing nun's short-lived career .

But all that concerns Katherine Ross and her kid brother Dominique (sic) comes from the screenwriters' imagination! So is Reynolds' and Moore's last scene.

In the early 60's, a nun, calling herself The Singing Nun, released an album of musical hymns and religious songs that turned out to strike a chord with the public. Just about everyone alive in that era still can recognize the strains of Dominique. Naturally, Hollywood chose to make her story into a movie. What they actually did was make an idealized story into a movie, pretending it is the true story. As such, the story comes off as syrupy and too much everyone's fantasy of the perfect nun. She wants only to work with children; she thinks of nothing but her service to the church, she actually rails against abortion in the film. This makes the movie plodding and very boring in places. It also projects a too-virginal image that gets old very quickly. And, for some reason they felt the need to have an old flame to the pre-habit days around to spice things up just a bit, though she remains true to her faith throughout.

The true story is of Jeanine Deckers, known to the world mostly at Soeur Sourire ("Sister Smile"), who called the film "a film of fiction". In the convent she was known as Sister Luc-Gabrielle and did not like the Sister Smile moniker the record company came up with. In contrast to the perfection of the movie, Jeanine Deckers was a very conflicted personality who did not like the attention of the world and definitely did not hold an attraction to a male record producer as shown in the film. In fact, she left the order in 1965, accompanied by her lover, Annie Pescher, whom she stayed with until their mutual suicide pact in 1985. Gee, if you were an old Dominique fan, I probably burst a few bubbles there.

What I think is interesting is that the true story would probably be the Hollywood choice were it made today. The 1965 film portrayed perfection and idealism. I'm sure a 2002 film would search for the seediest of details and revel in her contradictions. What is sad is that neither version would make a very good film. The excessively sweet Debbie Reynolds/Recardo Montalban version is mostly pretty dull and the true story would undoubtedly resemble yet anther VH1 Behind the Music.

Watch for Katherine Ross in her first year as an actress as about the only real character in the film. The Ed Sullivan cameo is rather interesting as well.