O Segundo Rosto

Just had to add a note of admiration for this greatly overlooked masterpiece of modern angst. I saw it when a student in Glasgow in 1969. That is probably why it has stayed to haunt me - possibly to the grave. Beyond that, I really don't know.

I'm no film critic but like several of the cinema cognoscenti, I was surprised Rock had a movie like this in him. Probably his best. The camera work takes you right in. You don't remember willingly suspending disbelief. It is as plausible and convincing as a good nightmare. Bleak, black and white, terse like John Boorman's Point Blank. Round about the same time as Blow Up appeared. Also a surprisingly mature performance from David Hemmings, matched the mood of powerlessness and fatalism that pervades Seconds.

A little further off it recalled the Incredible Shrinking Man. The same mood of fatalism pervades but from a different perspective. In the latter, the isolated individual is redeemed by some metaphysical union with the universe. In Seconds the isolated, narcissistic self implodes.

John Frankenheimer's modern Frankenstein. Or another parallel universemight be Dorian Grey. It is a multi layered movie.

After just seeing Seconds, I can't fully describe my feelings about it. For its time, it was VERY innovative and its no suprise that it didn't do well at the box office. The camera angles, especially the ones where it was 'pinned' on the actor's shoulders were genius. I'm amazed that movies back then, even in black and white, look better than most movies in color today....the cinematography was excellent. There's something very appealing about black and white films when they're done right. As far as the story, I was very suprised at how the film ended. Its a suitably depressing end to a very depressing and disturbing film. I'm curious as to why the lead character thought he failed at his 'second chance'. But like Mr. Wilson said, maybe he never had a dream to be fulfilled, which is why he ultimately failed.

This is a film that I wish could be exposed to more people. This is very effective and daring filmmaking, something we need more of today. Although, this film is only for people who like to think. Seconds is a wonderful film that I was privileged to experience.

*** out of **** stars.

This film is so chilling & depressing to sit thru, because, from the first frame to the last, it is totally devoid of any life and human spirit. Anderson is, from the beginning, a walking dead man with no values, no real love, no meaning to his life, and he takes that with him into his "rebirth." Only this is no spiritual rebirth. All poor Anderson can do now is party and get drunk in order to escape from this new reality, which is even more soulless than his original one. Character is destiny. That's why the "company" has so many failures. Even the Old Man can't see this. He thinks the failures are due to "mistakes."

It often gets categorized as a thriller, but to me it's a tragedy and a very profound one at that. It's about the tragic results of life lived without meaning, without real values, without love, without spirit.

Like all real tragedy, SECONDS is cathartic. I had to go for a long walk after I saw this one. Its depiction of spiritual emptiness, though depressing to sit through, is ultimately rewarding.

"Seconds" is a fascinating and engrossing realistic fantasy tale that deals with the question of the identity and above all, the exploration of madness symbolized by the search of material happiness and the search of eternal youth which leads to the most claustrophobic fate. "Please be yourself !" can be the warning of this film. The innovative and the post-expressionist cinematography of James Wong Howe (the use of the 9.7 mm fish-eye lens, extreme chiaroscuro, tilted low angle shots, hand-held camera shots) combined with the stylish graphic work of Saul Bass and a cold, taut and harsh music of Jerry Goldsmith makes it like a Faustian tragedy with a Kafkaesque approach. The whole film is about distortion. The twisted vision of the main character trapped in his own nightmarish world, full of "re-borns" and "employees". But the real nightmare is the dreary routine of his existence. For instance, the scene of the train when Arthur Hamilton is reading his newspaper and feels suddenly sick with his life. We see very short shots of the train window and his sad face. The more oppressive scenes are silent just extreme close-ups of faces. Perhaps, the best film directed by John Frankenheimer and the best paranoiac film ever created. "Classic" is a weak word to define this masterpiece of modern terror. "Seconds" is the last film of the John Frankenheimer's paranoiac trilogy, without forgetting : "The Manchurian Candidate" and "Seven days in may".

You could make a strong case for the late John Frankenheimer being the most unappreciated American film director of all time simply by mentioning his two astonishing 1960s movies 'The Manchurian Candidate' and 'Seconds'. Frankenheimer made many others movies both good and not so good, but these two are amazing pieces of work and rarely get the praise they deserve. 'Seconds' is one of the greatest thrillers ever made. Intelligent, complex, and extremely depressing. It doesn't talk down to its audience and perhaps this is the reason why it was a box office flop and is still all but ignored today. Rock Hudson isn't an actor with much credibility to most film fans but he is brilliant in this film in easily his most powerful and believable performance ever. The rest of the supporting cast are excellent, especially the underrated character actors John Randolph ('Serpico'), Will Geer (TV's 'The Waltons') and Jeff Corey ('Mickey One'). 'Seconds' is a minor masterpiece. A very disturbing story with an unforgettable climax. Highly recommended!