AVALIAÇÃO DA IMDb
5,5/10
5,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo survivors of the original Magnificent Seven, Chris and Vin, recruit four new members to re-form the outfit and defend several Mexican villages from vicious bandits.Two survivors of the original Magnificent Seven, Chris and Vin, recruit four new members to re-form the outfit and defend several Mexican villages from vicious bandits.Two survivors of the original Magnificent Seven, Chris and Vin, recruit four new members to re-form the outfit and defend several Mexican villages from vicious bandits.
- Direção
- Roteirista
- Artistas
- Indicado a 1 Oscar
- 1 indicação no total
Julián Mateos
- Chico
- (as Julian Mateos)
Elisa Montés
- Petra
- (as Elisa Montes)
Emilio Fernández
- Lorca
- (as Emilio Fernandez)
Virgilio Teixeira
- Luis Delgado
- (as Virgilio Texeira)
Rodolfo Acosta
- Lopez
- (as Rudy Acosta)
Felisa Jiminez
- Female Prisoner
- (as Felisa Jimenez)
Pedro Bermúdez
- Boy
- (as Pedro Bermudez)
Moisés Menéndez
- Second Peon
- (as Moises Menendez)
Avaliações em destaque
Living up to expectations is hard, this movie was the sequel to John Sturges´ classic The Magnificent Seven, it stars the three living part of the original posse; Chris ( Yul Brynner ), Vin ( newly appointed Robert Fuller to original Steve McQueen ), Chico ( new Julian Mateos to original Horst Bucholz ).
Although the story is very similar to the original ( seven guys fighting off a Mexican forajido ) the pacing is awful in comparison. As a stand-alone this movie would have been a decent one, but living in the shadow of its predecessor is devastating. Maybe this isn't fair but the hype of the first one was still buzzing and this sequel was but a poor copy of the original...
Although the story is very similar to the original ( seven guys fighting off a Mexican forajido ) the pacing is awful in comparison. As a stand-alone this movie would have been a decent one, but living in the shadow of its predecessor is devastating. Maybe this isn't fair but the hype of the first one was still buzzing and this sequel was but a poor copy of the original...
A friend of Chris is living peacefully in a small village. One day all the men are kidnapped and Chico's wife comes to Chris for help. Chris puts together a group of men and rides to rescue the villagers. They find that the men have been kidnapped and are being used as slaves to build a village church.
Basically, following any classic film is very difficult. This does it by rehashing the basic elements as best they can without copying it letter for letter. This time the quest of the seven (well, six for most of it) is a bit more noble but it is essentially the same. We even have Chris talking down the merits of his job as well as the farmers claiming they are cowards etc. just like the first film.
However that fresh feel of fun and style the first film had is worn thin here. The action is less exciting and are just like any other western. Whereas the first film had a mix of sweeping grandness as well as a sense of fun this has both but in lesser quantities. The dialogue is OK and has some nice lines but it'll never match that used in the first film. The outcome is obvious and no real surprise.
The characters are less well defined. In the first movie all of the seven had a presence mainly due to them all trying to outdo Brynner (watch McQueen very few lines but he is always doing something in the background). Here most of them are nameless and you would struggle to name more than three, they all seem happy to let Brynner be the star only Fuller and Oates really stick in the memory. Even the bad guy is poor before he was an oppressor without care or reason, here he is a slave trader but he also has a history that gives him a sympathetic edge but do you want that in a bad guy?
Overall this is an OK western but when you match it up with the original film then you automatically put it in a huge shadow that it can't get out of. As a sequel the flaws just scream off the screen because you know how much better it was last time round.
Basically, following any classic film is very difficult. This does it by rehashing the basic elements as best they can without copying it letter for letter. This time the quest of the seven (well, six for most of it) is a bit more noble but it is essentially the same. We even have Chris talking down the merits of his job as well as the farmers claiming they are cowards etc. just like the first film.
However that fresh feel of fun and style the first film had is worn thin here. The action is less exciting and are just like any other western. Whereas the first film had a mix of sweeping grandness as well as a sense of fun this has both but in lesser quantities. The dialogue is OK and has some nice lines but it'll never match that used in the first film. The outcome is obvious and no real surprise.
The characters are less well defined. In the first movie all of the seven had a presence mainly due to them all trying to outdo Brynner (watch McQueen very few lines but he is always doing something in the background). Here most of them are nameless and you would struggle to name more than three, they all seem happy to let Brynner be the star only Fuller and Oates really stick in the memory. Even the bad guy is poor before he was an oppressor without care or reason, here he is a slave trader but he also has a history that gives him a sympathetic edge but do you want that in a bad guy?
Overall this is an OK western but when you match it up with the original film then you automatically put it in a huge shadow that it can't get out of. As a sequel the flaws just scream off the screen because you know how much better it was last time round.
Though not as good as the original, The Return Of The Seven brings back Yul Brynner for another appealing turn as black-clad anti-hero Chris Adams, with Claude Akins and Warren Oates providing memorable support. However, the rest of the seven are kind of bland, but alright.
Burt Kennedy was one of the best and least heralded directors that the western genre has to offer. Here, he doesn't disappoint, filling the screen with the type of excellent screen composition that his old collaborator Budd Boetticher was known for and from whom he no doubt learned to direct.
The afore mentioned direction, good production values, and exciting action sequences, as well as the performances of Brynner, Oates, Akins and Emilio Fernandez all help make up for the slow spots in the script.
Speaking of Warren Oates, the same year he also starred in the art-house/drive-in western The Shooting. Such a great actor he is, that Oates doesn't even seem like the same person in both movies! Three years later, he and villain Fernandez were opposite each other again in The Wild Bunch.
Burt Kennedy was one of the best and least heralded directors that the western genre has to offer. Here, he doesn't disappoint, filling the screen with the type of excellent screen composition that his old collaborator Budd Boetticher was known for and from whom he no doubt learned to direct.
The afore mentioned direction, good production values, and exciting action sequences, as well as the performances of Brynner, Oates, Akins and Emilio Fernandez all help make up for the slow spots in the script.
Speaking of Warren Oates, the same year he also starred in the art-house/drive-in western The Shooting. Such a great actor he is, that Oates doesn't even seem like the same person in both movies! Three years later, he and villain Fernandez were opposite each other again in The Wild Bunch.
This was really a disappointment after watching The Magnificent Seven. I know sequels are usually disappointing, but this one had nothing going for it compared to the original. The only character returning was Yul Brenner. he looked as if he was going through the motions to collect a check to pay the rent. The outstanding cast that made The Magnificent Seven what it was was not equaled in any measure by the replacements. Even the addition of Steve McQueen couldn't have saved this film. And the bad guy? Give me a break! Eli Wallach was a consummate outlaw and I don't even know the name of the baddie in this film - he is so forgettable.
This film should not have been made. It shames the memory of The Magnificent Seven.
This film should not have been made. It shames the memory of The Magnificent Seven.
"The Magnificent Seven" was an exceptional remake of Akira Kurosawa's "The Seven Samurai". But, unlike the Japanese film, it was set in the West. Because of a terrific musical score and excellent cast, the film was a resounding success. Now, years later, the studio is whoring out the name in a remake. I know it sounds very harsh, but there is so much that disappoints in "Return of the Seven".
The biggest problem in this film is that of the three survivors at the end of the last film, only one is played by the same actor in both films (Yul Brynner). The other two are played by new actors. These two plus the new members of the group are all lightweights compared the the fine cast in the first film. Think about it--here we have the likes of Claude Akins, Robert Fuller and Warren Oates instead of actors like Steve McQueen, Charles Bronson and James Coburn! The second biggest problem in the sequel is that the film is pretty much the same as the first film. The SAME great music is once again here and the plot is pretty much the same, as the seven rescue the exact same town that was terrorized in the first film! It cheapens the name of the franchise and offers nothing particularly new.
Now the actors do try their best and the film is worth seeing as a time-passer. But, it's just not a worthy sequel to one of the best westerns of the 1960s--it's only a pale imitation. Interestingly, the next film in the series, "The Guns of the Magnificent Seven" is actually a bit better even though NONE of the actors playing the seven are back because at least the plot is a tiny bit different.
The biggest problem in this film is that of the three survivors at the end of the last film, only one is played by the same actor in both films (Yul Brynner). The other two are played by new actors. These two plus the new members of the group are all lightweights compared the the fine cast in the first film. Think about it--here we have the likes of Claude Akins, Robert Fuller and Warren Oates instead of actors like Steve McQueen, Charles Bronson and James Coburn! The second biggest problem in the sequel is that the film is pretty much the same as the first film. The SAME great music is once again here and the plot is pretty much the same, as the seven rescue the exact same town that was terrorized in the first film! It cheapens the name of the franchise and offers nothing particularly new.
Now the actors do try their best and the film is worth seeing as a time-passer. But, it's just not a worthy sequel to one of the best westerns of the 1960s--it's only a pale imitation. Interestingly, the next film in the series, "The Guns of the Magnificent Seven" is actually a bit better even though NONE of the actors playing the seven are back because at least the plot is a tiny bit different.
Você sabia?
- CuriosidadesYul Brynner insisted he would only make this film if Steve McQueen was not involved because he felt that McQueen was too much of a scene-stealer. McQueen initially expressed interest in doing the film, but then decided the plot was too absurd and turned it down.
- Erros de gravaçãoManuel kills the bull, but in the wide-angle shot that follows, its body is nowhere to be seen in the pen.
- Cenas durante ou pós-créditosIntroducing Jordan Christopher
- Versões alternativasThe BBFC made cuts for PG-Rating (1m 2s cut from the cockfighting scene and a horse fall in the end of the film).
- ConexõesFeatured in Warren Oates: Across the Border (1993)
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- A Volta dos Sete Magníficos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 6.322.000
- Tempo de duração1 hora 35 minutos
- Cor
- Proporção
- 2.35 : 1
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What is the French language plot outline for A Volta dos Sete Homens (1966)?
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